Are You Feeling The Squeeze?

Image by Muhammad Ragab from Pixabay

I hope this blog post finds you well!

I encountered a new health adventure a few months ago which is taking up a fair amount of my time and mental/emotional bandwidth these days.

Perhaps I will share some details in a future blog post.

My sense is that most of us already have plenty of important stuff — family challenges, political engagement, personal growth, climate catastrophes, etc. — to focus on without me adding any more drama to the mix.

So today I am focusing on a new song release AND on my recent re-discovery of how tasty a peanut butter and jelly sandwich can be.

Last month I found a jar of Teddy’s brand peanut butter and a jar of blueberry jam made by Stonewall Kitchen (probably a holiday gift?) on our pantry shelves.

I spread both of them on my favorite multi-grain organic sliced bread from Trader Joe’s.

And voila!

I had a delicious meal.

Eating peanut butter and jelly sandwiches during the past few weeks has reminded me of the times in my life when I was working jobs which allowed me (just barely) to pay my rent, buy my groceries, and keep my bicycle in running order.

After I dropped out of college, I found employment as a receptionist (who also did tasks like fold-and-stuff invoices into envelopes when I wasn’t answering the phone), as a shipping clerk and as a janitor.

I was fortunate to have medical and dental insurance as part of those employment situations.

Image by PublicDomainPictures from Pixabay

A few years later I worked as a part-time office manager at a surprisingly preppy alternative health center (one of my acupuncturist bosses had a degree from Dartmouth and the other a degree from Yale).

My responsibilities there included answering the phone, making appointments, setting up treatment rooms, and washing/drying/folding a lot of towels.

Ironically, I don’t think I had any health insurance as a part of that job…

And blessedly I did not need it.

Deep breath in.

Deep breath out.

I am aware that good, affordable health insurance is a rare commodity these days.

And I know there are a LOT of people on planet earth right now who are struggling to pay the rent/mortgage, to buy groceries, to afford their monthly MBTA pass, to fill up their fuel tank, to hold onto their (increasingly minimal) health insurance, to buy new shoes for their children, to pay for medications, etc. etc. etc.

And they are probably eating more and more peanut butter and jelly sandwiches in order to stretch their grocery budget as far as possible.

Another deep breath in.

And deep breath out.

Last week I read an article in our town’s newsletter about a local food pantry which is open 364 days each year.

The only day they are closed is Christmas.

The woman who runs it shared how last year she had prepared Christmas dinner for her family and then at the last minute decided to drive over to the pantry just in case someone hadn’t understood that they were closed.

Image by Steve Buissinne from Pixabay

She wrote she thought she’d be away from her home for fifteen minutes — and instead found thirteen families waiting in the parking lot and hoping for something edible to put on their table.

So she stayed and gave out food until each family had a bag to take home with them.

Wow.

The enormous and often overwhelming economic challenges facing a lot of our fellow human beings is what inspired “Are You Feeling The Squeeze?”

I wrote it a few years ago, when many jobs were being outsourced to other countries.

Now we can also worry about our jobs being replaced by AI.

A friend told me recently — with a mix of ruefulness and “what-can-you-do-about-it?” acceptance — that she was pretty sure she had spent the past few months training some sort of AI program to be able to do her job.

She has wisely started searching for new — and less replaceable — employment.

Another deep breath in.

And deep breath out.

I don’t earn a lot of money doing gigs at retirement communities, leading Music Together classes, and releasing music to be streamed on Pandora, Apple Music, YouTube, etc.

But I have always been blessed to have a roof over my head.

Image by Wolfgang Eckert from Pixabay

And it will be difficult for AI to replace live performances and live music classes (although companies have begun offering “concerts” by ABBA and other beloved musicians using digital avatars created by the Industrial Light and Magic company, which George Lucas founded and eventually sold to Disney).

Blech.

I remain very grateful that I saved a chunk of money when I was working a full-time job for 16 years (helping to run a beloved non-profit in Harvard Square).

And I am also grateful that I will start collecting Social Security — if it still exists — next year.

That thought brings me to my final subject…

If you are a citizen of the USA, I hope you are registered to vote in our fast-approaching mid-term elections.

These next few weeks are likely to become wilder and wilder as some of the people who are currently in power attempt to hold onto it by any means possible.

Let’s keep blogging, and reading, and writing poetry, and taking photos, and making art, and making music, and writing postcards, and holding up signs, and joining phone banks, and making strategic financial donations, and breathing in, and breathing out.

Last week I skimmed an article about recent political history in Hungary and in Serbia.

If I understood the gist of it correctly, both countries managed to rid themselves of dictatorial leadership as a result — among other things — of public demonstrations. national strikes and significant voter turnout.

Graphic Design by Stephen C. Fischer

Now I am very curious to see what unfolds in the days and weeks ahead!

One more deep breath in.

And deep breath out.

Thank you to the skillful and generous photographers at Pixabay.

Thank you to Stephen C. Fischer for his graphic design work.

Thank you to Doug Hammer for his creative piano playing and for his wizard-like production skills.

And thank YOU for reading and listening to another one of my blog posts!

PS: If you are inspired to listen to my music on your favorite streaming platform, here is a link for “Are You Feeling The Squeeze?“

PPS: Any “likes” — as well as adding one of my songs to one of your personal playlists — are extremely helpful to bolster my modest musical life here on planet earth.

Nevertheless

Image by Mejimages from Pixabay

Greetings as summer winds down here in the Northeast United States!

Wherever you are on this amazing planet earth, I hope you are feeling well.

Today’s song was created by a Boston-based singer-songwriter named B. Iris Tanner whom I have known for many years.

Iris alludes to a bunch of standards from the Great American Songbook in her lyrics for “Nevertheless” including:

“Loved Walked In” (by the Gershwin Brothers),

“Old Devil Moon” (by Yip Harburg and Burton Lane),

“My Heart Stood Still” (by Lorenz Hart and Richard Rodgers),

“If I Were A Bell” (by Frank Loesser),

“I’ve Got You Under My Skin” (by Cole Porter),

“Bewitched, Bothered and Bewildered” (by Lorenz Hart and Rochard Rodgers),

“The Nearness Of You” (by Ned Washington and Hoagy Carmichael),

“I’ve Grown Accustomed To Her Face” (by Frederick Loewe and Alan Jay Lerner),

“I Could Write A Book” (by Lorenz Hart and Richard Rodgers), and

“When Irish Eyes are Smiling” (by Ernest Ball, George Graff, and Chauncey Olcott).

It’s quite a list!

And there may be more musical references which I have missed…

Iris put out a collection of her original songs — FRESH-CUT IRIS — a while back and included a live version of me singing “Nevertheless” (which she recorded at The Cambridge Center for Adult Education when I was working there (and co-hosting monthly open mic nights, too).

The version in the player at the beginning of this blog post, however, is one I recorded with pianist Doug Hammer when I thought I might release a CD of songs written by Boston-area songwriters (of which there are many!)

Then we added drum and percussion tracks by Gene Roma along with a bass track by Chris Rathbun.

This recording has sat — blessedly archived by Doug in zeros and ones — for a couple of decades.

And now it is seeing the light of day.

Hurrah!

Deep breath in.

Deep breath out.

As I wrote in a recent blog post, I am saddened that so many people — including myself — have to keep learning the latest version of everything (as well as updating our hardware and software) in order to use our laptops, our cell phones, the internet, etc.

What a waste of our precious lives here on planet earth!

Thus I am VERY grateful that Doug is willing to stay on top of this endless updating process as it relates to his recording equipment — in addition to remaining a splendid pianist.

Doug owns a bunch of great microphones, various boxes through which he runs audio information, and a powerful Apple computer which is loaded with extraordinary amounts of software.

AND he know how to use all of it quite seamlessly and reliably.

Astounding!

But when it comes to rehearsing, performing and recording music, we also use an actual instrument — his piano.

I love that no one has updated the basic mechanics of an acoustic piano for hundreds of years (although there ARE plenty of electronic keyboards which are continually being updated and “improved”).

I learned from ye olde internet that over three hundred years ago, an Italian harpsichord maker — Bartolomeo Cristofori di Francesco— created a new instrument in which strings were hammered rather than plucked..

This is what became known as a “piano.”

Here’s a link to a short history of the piano written by a fellow WordPress blogger named Viktorya Stepanyan if you are curious.

The mechanisms and construction materials for pianos have been tweaked over time, but generations of pianists have NOT had to re-learn over and over and over again how a piano functions.

The Schimmel grand piano which Doug plays at his studio, the Kawai baby grand piano which Molly plays when we rehearse at her house, and the Ivers & Pond upright piano (made here in Boston) in my living room all work the same way.

Another deep breath in.

And deep breath out.

There IS one change in piano construction, however, which I am glad to note.

Image by Barbara Fraatz from Pixabay

Ivory from elephant tusks is no longer used to make the surface of the white keys — as was done on my hundred-plus-years-old Ivers & Pond piano.

I sometimes pause and try to imagine the former lives (and deaths) of the elephants whose ivory tusks live on as part of my old piano’s keys…

Did they live in Africa?

In India?

In a zoo or circus here in the USA?

A Google search reveals that a LOT of piano-key ivory came from African elephants.

And the reason people liked to kill these huge and heartful beings is that “ivory was highly prized for its durable, slightly porous, and ‘cool’ texture, which helped absorb moisture from a pianist’s fingers” while they were playing.

What a strange and short-sighted species we human are — killing other animals in order to make our own music…

Yet another deep breath in.

And deep breath out.

I am happy to report that no elephants were killed to create the Schimmel grand piano at Doug’s studio or the Kawai baby grand at Molly’s house.

Graphic design by Stephen Fischer

And I am excited — finally — to be sharing Iris’s lovely song with my fellow bloggers, family, friends, and fans.

Thank you to to Iris for writing this song, to Doug for playing (and also mixing) this song, to Stephen C. Fischer for his graphic design skills, to Gene and Chris for adding their musical chops to the mix, and to to the photographers at Pixabay for their lovely images,

And thank YOU for reading and listening to yet another one of my blog posts!

One more deep breath in.

And deep breath out.

PS: You are welcome to click here to stream this new version of “Nevertheless” if you are so inclined.

PPS: And if you are willing to “like” it and/or add it to a playlist, that apparently increases the chances that this recording will be shared with more new listeners.

Throwback Thursday #14

Image by Hans Linde from Pixabay

Ahh…

Summer is winding down here in the northern hemisphere.

Days are shorter.

Nights are longer and cooler.

Late summer/early fall flowers are blooming.

It is one of my least favorite times of year (except for the blooming flowers…)

Spring and summer lift my soul.

Autumn much less so.

I don’t know how much of this is related to the dread and sadness I used to feel as a child and teenager about having to go back to school each fall.

And how much of it may simply be a visceral response to the shortening daylight hours.

I have always been acutely sensitive to — and sad about — endings.

Image by PublicDomainPictures from Pixabay

As I may have mentioned in a previous blog post, my father and mother each told me (separately) that when I was an infant, I would always cry when they sang “Good Night, Irene” to me as a lullaby.

If that is true, I’m not sure why they kept singing it to me (maybe to see if — yet again — it would move me to tears?)

But apparently they did.

And I always cried.

Deep breath in.

Deep breath out.

Today I am throwing back to a blog post from October 2014 which features the song “Something Good” from the movie version of The Sound Of Music.

It is another song which moves me to tears.

I recorded it with pianist Doug Hammer when we were working on a show called “Songs About Parents and Children.”

I used to think that it was written by Rodgers & Hammerstein, but it turns out — as you may already know — that it was written by Richard Rodgers after Oscar had died (from stomach cancer on August 23, 1950 at his beloved Bucks County farm in Pennsylvania).

Image by congerdesign from Pixabay

Another deep breath in.

And deep breath out.

Ahh, beginnings…

Ahh, endings…

Are YOU a fan of autumn?

If so, please leave me a compelling comment about how I can learn to appreciate and savor it more in the weeks ahead….

Thank you to the generous and talented photographers at Pixabay for these beautiful images.

And thank YOU for reading this blog post.

There’s Nothing I Wouldn’t Do…

Zina Goldrich and Marcy Heisler

Today’s song was written by the very gifted team of Marcy Heisler (lyrics) and Zina Goldrich (music).

They are a well-known songwriting team based in New York City, and they have crafted a bunch of stand-alone songs — along with entire musicals — which are beloved by performers.

A few of their NYC-area hits include “I Like Them (Bald),” “Alto’s Lament,” and “Taylor, The Latte Boy.”

Jinny Sagorin and I recorded their song “There’s Nothing I Wouldn’t Do” with pianist Doug Hammer a few years ago.

Originally from South Africa, Jinny has lived in the Boston area for the past two decades.

You can check out her website by clicking here if you are curious.

In recent years Jinny has expanded beyond musical theater and cabaret to becoming a cantor.

We both share a sense that music can be very sacred (as well as silly, sexy, heartfelt, and open-minded).

Will (with broken elbow), Jinny and Doug — Photo by Jeremy Schmahmann

And performing in a synagogue, library, church or retirement community can be just as satisfying as performing in a bar or club — although we have both done plenty of that, too!

I first met Jinny when I was co-hosting an open mic at The Cambridge Center For Adult Education in Harvard Square (where I also was employed as an events manager and PR person).

Eventually we put together an entire program of songs called LIFE MATTERS.

Jinny also invited me to perform as a special guest when she debuted her solo CD, IT’S FOR YOU, to a sold-out crowd at Scullers Jazz Club in Boston.

And she has performed many of my original songs when I have done showcases of my own work.

In addition to being a performing artist, Jinny is also a visual artist.

Here’s an example of a work of art she created for an annual show called ART/Word in which she is a regular participant.

Thank you to Marcy and Zina for writing this song.

Thank you to Jinny and Doug for recording it with me.

Painting by Jinny Sagorin

Thank you to Stephen C. Fischer a.k.a DigitalFisch for designing the graphic to accompany it.

Thank you to Dr. Jeremy Schmahmann for taking the photo of me, Jinny and Doug.

And thank YOU for reading this blog post!

PS: If you feel like streaming this song on your favorite digital music platform, please click here for links.

PPS: I haven’t mentioned the current challenges here on planet earth (wars, heat waves, forest fires, floods, spreading diseases, rising costs, lack of food/fertilizer/fuel, political upheaval, etc.) in recent blog posts.

But I remain vividly aware of them.

And I continue to find inspiration and hope from the courageous candidates and hard-working GOTV (get out the vote) organizations at work around the USA.

As you are probably well aware, there are a bunch of very inspiring human beings stepping up at the local, state and national levels these days.

Let’s support them — with tiny donations of time and/or money— as much as we are able.

Deep breath in.

Deep breath out.

Sea Of Lies…

Molly Ruggles

My friend Molly Ruggles recently released a new song called “Sea Of Lies.”

She was inspired to write it by the ongoing challenge of sorting through all the news and advertising and sound bites and spin and “blah blah blah” coming at us on an hourly/daily/weekly/monthly/yearly basis.

I originally learned a version she created for four voices (the same four who sang on “My Sweet Honeydew (A Cappella).”

But then she decided to re-write/re-arrange/re-focus it for two voices plus her piano accompaniment.

That’s the version she ended up releasing to various streaming platforms.

It is the sort of melody — and message — which easily gets stuck in my brain on auto-repeat.

“Need a little peace… just a hint of hope — with a hand to hold, maybe I can cope.”

Molly sings lead vocal plus some extra harmonies.

I sing a few harmonies.

I think my favorite moment of the song is when we both sing “Save me… please save me” in harmony.

You are welcome to click here to stream it if the spirit moves you.

Molly also designed the artwork to accompany her song.

She is a multi-talented human being.

I am curious to learn — or be reminded — about how other human beings deal with all of the (dis)information coming at us 24/7.

I know some wise people turn off their phones and computers for hours at a time.

And others make sure to exercise (walk, swim, bike, and more), do some gardening, sit in meditation, cook with friends, take a bath, read a book, lie in a hammock, do some yoga, and/or cuddle with their loved ones (human, feline, canine and otherwise).

Deep breath in.

Deep breath out.

What are YOUR coping strategies these days?

One of mine is — no surprise — making music and doing music-related activities such as this blog.

Image by Alicja from Pixabay

I also find a lot of hope and inspiration learning a few details about people who are brave enough to run for office — whether on the town, city, county, state or national level — all around our country.

And then there are the flowering plants of the world!

They always lift my spirits.

Thank you to Molly for writing this song and then asking me to sing harmony with her.

Thank you to the generous and talented photographers at Pixabay.

And thank YOU for reading — and listening to — yet another blog post from me…

One more deep breath in.

And deep breath out.

PS: Just learned that “Sea Of Lies” has been added to the “Today’s Tunesmiths and Troubadours” playlist on Pandora!

My Sweet Honeydew (A Cappella)

Graphic Design By Stephen C. Fischer

I hope you are well as you read this blog post!

Today I have been inspired by the aphorism “Insanity is doing the same thing over and over again and expecting different results.”

You may have seen it on posters, coffee mugs, etc. — attributed to Albert Einstein.

But according to an online search, there is little evidence that Einstein ever said it.

Instead I learned that a writer — Rita Mae Brown — created this quotation and attributed it to a fictional character in her 1983 book Sudden Death.

Thank you, Ms. Brown!

I think about this aphorism when I am reminded that one is supposed to budget an equal amount of money to market/promote/advertise one’s product as one has spent creating it in the first place.

Yikes!

I have never done this.

Other than maintaining my website, pitching a few songs to music bloggers, and writing this blog, I have spent very little money to promote my music.

However, this particular piece of marketing advice comes up fairly often when I am reading books/articles and watching videos about how to navigate the business of making music in the 21st century.

Now I must pause for a moment for a digression…

Over the past thirty years, I have observed that the music business — like life itself — is always changing and evolving.

So it is virtually impossible to do the same thing over and over again for more than a year or two.

And as a result of personal computers entering our daily lives, we have to keep endlessly learning the latest versions of many different programs/applications — as well as updating our hardware and software.

So as much as I would love to be able to do the same thing over and over again — while drafting new songs using Apple’s GarageBand or making videos using Apple’s iMovie, for example — I am forced to learn the latest updates (and alleged improvements) in order to continue making music.

Deep breath in.

Deep breath out.

This has always seemed to me to be a huge waste of time AND money in order to make a few tech company owners, tech company employees and tech company stockholders rich.

Graphic Design by Stephen C. Fischer

I keep hoping to find a research study which would document the billions of hours which we human beings have wasted in the process of learning — and re-learning…and learning yet again — how to use various computer programs.

I would also like to find studies which explore the cumulative toll on our mental health due to the Sisyphean frustration of having to update and re-learn so many basic tasks/skills on an ongoing basis.

Another deep breath in.

And deep breath out.

So I am happy to report that my friends Molly Ruggles, Ellen Epstein, Michael Cicone and I went in a pre-industrial — and some might even say late-Paleolithic — direction with our most recent song release which we recorded a cappella.

You may remember an earlier version of “My Sweet Honeydew” (recorded with pianist Doug Hammer) which I featured in a blog post from January 8, 2022.

You are welcome to click here and visit — or re-visit — that blog post if you are so inclined.

A couple of years ago singer/songwriter/pianist Molly Ruggles took my original version, added an entirely new section of music + lyrics, and then arranged it for four voices to perform a cappella.

Our new version is in the player at the beginning of this blog post.

You may recognize Molly as a vital part of my trio recordings with Carole Bundy.

Molly, Ellen, Will & Michael (Photo by Doug Hammer)

I have known the other two singers on this recording — Ellen and Michael — for decades.

If you are a fan of contemporary folk music, you may be familiar with them as part of a musical trio with singer/songwriter/guitarist Cindy Kallet for forty-five years.

Ellen and Michael have released three beloved CDs of music with Cindy as well as appearing on many of her solo recording projects.

So I feel very honored and excited that they agreed to be part of this recording!

Now I will circle back to the aphorism that “Insanity is doing the same thing over and over again and expecting different results.”

Molly and I are doing something new with this recording.

We have hired a fellow singer-songwriter, Erik Balkey, to help us promote it to folk radio programs/stations around the USA.

Erik puts together compilation CDs of new recordings every two months and sends them to a couple hundred folk DJs and program directors.

We were surprised — and pleased — to learn that he chose “My Sweet Honeydew (A Cappella)” to lead off the second CD in his July/August promotional compilation.

If you happen to listen to a folk program in your neighborhood — or maybe far away from your neighborhood via an internet radio station — please let me know.

Then I will check and see if Erik sent his July/August promotional CDs — including “My Sweet Honeydew (A Cappella)” — to your favorite station/program.

It will be interesting to see what does — or doesn’t — unfold regarding airplay for our song this summer…

Another deep breath in.

And deep breath out.

Thank you to Erik Balkey for his radio outreach.

Thank you to Doug Hammer for his collaborative production skills (and spontaneous photographic impulses).

Image by congerdesign from Pixabay

Thank you to Stephen C. Fischer for his graphic design gifts.

Thank you to Molly Ruggles for creating this new version of my song.

Thank you to Molly and Michael and Ellen for learning, performing and then recording it.

And thank YOU for reading and listening to yet another blog post from/by me.

One final deep breath in.

And deep breath out.

P.S. You are welcome to stream “My Sweet Honeydew (A Cappella)“ on your favorite digital music platform by clicking here.

This Heart Of Mine…

Image by xiSerge from Pixabay

Thank you to everyone who continues to explore my blog even though I have not been posting a lot lately.

It is very exciting — and satisfying — to check my stats and see the many different blog posts people have visited during the past week.

One blog post which gets a surprising (to me) amount of traffic is about the composer Harry Warren.

He wrote the music for the song in the player at the beginning of this blog post along with lyricist Arthur Freed.

You can click here if you are curious to learn more about Harry Warren by reading my extremely loooong blog post from eight years ago (which also includes recordings of several of his hit songs).

Mr. Warren and Mr. Freed wrote “This Heart Of Mine” for a 1944 Metro-Goldwyn-Mayer (MGM) musical called the ZIEGFELD FOLLIES which starred Fred Astaire.

I think I first heard it sung by Judy Garland, who recorded it the following year for Decca Records.

Arthur Freed also wrote the lyrics for a bunch of other hit songs — such as “Singing In The Rain,” “You Are My Lucky Star,” and “Make ‘Em Laugh.”

You can click here to check out his Wikipedia page if you are curious to learn more about him.

I haven’t read any biographies about him (yet) but according to Wikipedia, he lived a fascinating life.

Composite Images of Arthur Freed by Diane Yoder

He was born in South Carolina in 1894, and ended up attending a very prestigious prep school in New Hampshire — Phillips Exeter Academy. I am guessing he was probably one of very few Jewish students on campus — and according to Wikipedia, he became interested in writing poetry there.

After prep school Mr. Freed ended up in Chicago and performed with early versions of the Marx Brothers act (!!!) in vaudeville.

He also wrote special material for them, which led to co-writing enough successful songs that Hollywood beckoned…and he was hired to write songs for early MGM musicals.

After many years at MGM, Freed transitioned from songwriter to producer, working (as an uncredited associate producer ) on THE WIZARD OF OZ and then officially producing his first movie, BABES IN ARMS.

Both of these films, as you probably know, starred Judy Garland.

Mr. Freed went on to produce many more of Garland’s movies including LITTLE NELLIE KELLY, FOR ME AND MY GAL, THE CLOCK, and MEET ME IN ST. LOUIS — which is where she met her second husband, the director Vincente Minnelli, whom Freed had brought from New York City to work at MGM.

According to Wikipedia, Freed hired great talent and then gave them free rein to do their thing — whether it was choreography, costumes, set design, songwriting, direction, etc.

He also gave himself free rein to do some very odd and abusive things, such as exposing his penis to a young Shirley Temple when she came for a visit to discuss doing a movie at MGM — and making sexual advances towards her mother as well.

Temple wrote about this incident in her autobiography — and apparently Mr. Freed experienced no censure as a result of his horrible behavior…

Deep breath in.

Image by Miroslav Kaclík from Pixabay

Deep breath out.

This reminds me of the ongoing conversations about Michael Jackson’s artistic and personal legacies…

Does one discard and avoid the music/art/products made by someone who does horrible things to other beings?

One of Mr. Freed’s most famous movies is SINGING IN THE RAIN, which re-used a bunch of his early hit songs.

Do we stop delighting in the the extraordinary dancing and singing of this movie because the producer was at times a perverse, abusive creep?

Perhaps this is something each one of us must decide for herself/himself…

I apologize for veering into this intense psychological and ethical territory.

I thought this blog post would be more light-hearted — to match the mood of the song.

However, human life is many-layered… full of contradictions, fallibility and mistakes.

Thank you to the (sometimes very flawed) songwriters who have given us wonderful music to lift our spirits year after year after year.

Graphic Design by Stephen C. Fischer

Thank you to pianist/producer Doug Hammer for his tremendous collaborative gifts.

Thank you to graphic designer Stephen C. Fischer for his ongoing work on behalf of my music.

Thank you to the photographers at Pixabay and to Diane Yoder for her composite image of Arthur Freed.

And thank YOU for reading and listening to another one of my blog posts.

If you’d care to stream this song — and maybe even “like” it — on your favorite music streaming platform, you are welcome to click here.

And you are always welcome to visit my website — and sign up for my very sporadic and under-utilized emailing list — by clicking here.

Falling In Love With Love…

Greetings from East Arlington, MA — just outside of Boston in the USA!

Today I am featuring a beautiful song with lyrics by Lorenz Hart and music by Richard Rodgers.

As this TIME Magazine cover attests, they were a very potent musical and cultural force in the early-middle 20th century.

And I am very happy that a recent movie — BLUE MOON (made by the wonderful director Richard Linklater and starring Ethan Hawke as Larry Hart) — has renewed interest in Hart’s life and musical legacy.

Here’s a link to a great article in The Hollywood Reporter about making the film if you are curious.

It turns out that BLUE MOON was a decade-long labor of love which was filmed on a beautifully re-created version of Sardi’s — a famous bar/restaurant in Manhattan’s theatre district.

Reading the article brought tears to my eyes.

You can also click here to read a blog post I wrote about Larry Hart exactly ten years ago if you are even more curious.

And I once wrote a blog post about two of his and Rodgers’ hit songs — “You Took Advantage Of Me” and “I Could Write A Book” — which you can read by clicking here.

Not mentioned in the BLUE MOON movie is how devoted Hart was to his mother — with whom he lived his entire life.

Hart’s mother died around the same time that OKLAHOMA (the first musical his decades-long collaborator Rodgers created with another lyricist — their mutual friend Oscar Hammerstein II) opened on Broadway.

So he was grieving this huge familial loss simultaneously with the at-least-partial loss of his friendship AND professional relationship with Rodgers.

Deep breath in.

Deep breath out.

And I had forgotten (until I re-read my blog post from ten years ago) that Mr. Hart had also begun a collaboration about underground freedom fighters in France with a composer who had recently escaped from Nazi-occupied Europe.

So, as an American-born Jew whose parents had emigrated to NYC in the late 19th century from Germany, he also may have also been feeling a significant amount of grief, rage, despair, terror, and “there but for the grace of G-d” empathy for the millions of Jews still remaining in Europe.

And let’s not forget that American Nazis were holding huge rallies at places like Madison Square Garden during this time as well!

Yet another deep breath in.

And deep breath out.

I don’t know how much it was public knowledge that LGBTQ folks were being sent to Nazi death camps, but I am guessing that theater people — such as composer Kurt Weill, who had managed to escape from Berlin to Paris to Manhattan — had plenty of heart-breaking anecdotes to share about the fates of their previous artistic partners who happened to be LGBTQ and/or Jewish and/or Roma.

All of this was also not mentioned in BLUE MOON. although Mr. Hawke and Mr. Linklater and some of the other actors such as Andrew Scott apparently did a lot of research before they began filming the movie — so I am guessing that they had most/all of this information influencing the subtexts of their acting performances.

And another deep breath in.

And deep breath out.

There are certainly some powerful parallels with what was happening leading up to Larry’s death in 1943 and what is currently unfolding here in the USA.

One thing I wrote about in my blog post from ten years ago — and which BLUE MOON does explore — is the paradox of Larry Hart (a somewhat closeted gay man) falling in love with and proposing to women.

And the song “Falling In Love With Love” may illuminate some of Hart’s thoughts and feeling on this topic/phenomenon/tendency.

What do YOU think?

Thank you to Doug Hammer for his exquisite piano playing and comprehensive production skills.

Thank you to John Childress (and his collaborator at the time named Laurel, I think…) for taking this photo many years ago when I still had plenty of hair.

Thank you to Stephen C. Fischer for his lovely graphic design work.

And thank YOU for reading and listening to another one of my blog posts.

You can click here to stream “Falling In Love With Love” on Pandora, YouTube, Apple Music, etc. if the spirit moves you.

And you are also always welcome to visit my website: WillSings.com.

There’s all sorts of info and music there — and you could join my email list of you are so inclined.

Under My Umbrella

Image by wal_172619 from Pixabay

Autumn has arrived in New England.

Deep breath in.

Deep breath out.

Autumn is probably my least favorite season.

Partly this is because I do not like being cold.

Partly this is because I do not like the shorter days.

And partly this is because I do not like being reminded that everything dies in the end.

I do however like being reminded of how amazing mother nature is — creating a system of fully recyclable and compostable solar collectors in the form of LEAVES!

Hurrah for leaves and photosynthesis!

Image by Chu Viết Đôn from Pixabay

I wrote the first version of “Under My Umbrella” while camping in North Truro on Cape Cod.

Then my friend Molly Ruggles wrote a new bridge section — which is the version she and I and our friend Carole Bundy recorded (in the player above).

You can click here to read — or re-read depending upon how long you’ve been following my blog — a short post from 9/10/24 which features the earlier (pre-Molly) version of this song.

And here is a link to the Molly, Will & Carole version in case you might be willing to play/like/share it on your favorite music streaming platform.

We recorded it with me, Carole and Molly singing plus Molly playing Doug Hammer’s Schimmel grand piano in his studio north of Boston, MA.

Thank you to Doug for his excellent engineering and music production skills.

Thank you to Molly for writing a new bridge and also a bunch of lovely harmonies for all of us to sing.

Photo by Rada Ruggles

Thank you to Molly for playing piano AND for designing our graphics.

Thank you to the gifted and generous photographers at Pixabay.

And thank YOU for reading and listening to another of my blog posts!

I remain very grateful for our wonderful WordPress community.

Deep breath in.

And deep breath out.

Don’t Blame Me…

Image by Thomas Wolter from Pixabay

Greetings!

I hope this blog post finds you well.

My most recent song release — “Don’t Blame Me” — was co-written by Dorothy Fields and Jimmy McHugh.

I wrote a long blog post about Ms. Fields on October 1, 2017 which you can read (or re-read) by clicking here if you are curious.

The more I have learned about her, the more I admire her. 

And the more I perform her songs , the more I savor the ease, wit and humor in her lyrics.

Image by Thomas Wolter from Pixabay

Dorothy Fields was an extremely successful lyricist and librettist in a very male-dominated entertainment industry.

She was friends with — and sometimes collaborated with — all of the songwriters in the Golden Era of Popular Song including Richard Rodgers, Larry Hart, Oscar Hammerstein, Jerome Kern, Cole Porter, Irving Berlin, and the list (of male songwriters) goes on and on…

She had hits from the 1920s to the 1970s — and did not get discouraged (as many of her male colleagues did) when rock-n-roll began to displace her songs from the hit parade.

Image by Thomas Wolter from Pixabay

Instead she started working with a much younger composer, Cy Coleman, and had one of her biggest hits — the musical Sweet Charity — when she was 62 years old.

I, as a late-blooming songwriter, find her to be very inspirational.

I have chosen freesia for this post because I imagine she would have enjoyed their delicious fragrance ‚ and because they always seem very elegant to me.

According to her biographers, she was always very well-dressed (one grandparent was a tailor…) with separate closets for hats, shoes, active wear, evening wear, etc.

Here’s a streaming link for “Don’t Blame Me.”

Thank you to the glorious photographers at Pixabay.

Image by Alicja from Pixabay

Thank you to Doug Hammer for playing piano while simultaneously recording him and me on “Don’t Blame Me.”

And thank YOU for reading another one of my blog posts.

Here is a bouquet of freesia for your efforts!

Deep breath in.

And deep breath out.

What a fragrance!