Partly this is because I do not like the shorter days.
And partly this is because I do not like being reminded that everything dies in the end.
I do however like being reminded of how amazing mother nature is — creating a system of fully recyclable and compostable solar collectors in the form of LEAVES!
I wrote the first version of “Under My Umbrella” while camping in North Truro on Cape Cod.
Then my friend Molly Ruggles wrote a new bridge section — which is the version she and I and our friend Carole Bundy recorded (in the player above).
You can click here to read — or re-read depending upon how long you’ve been following my blog — a short post from 9/10/24 which features the earlier (pre-Molly) version of this song.
And here is a link to the Molly, Will & Carole version in case you might be willing to play/like/share it on your favorite music streaming platform.
We recorded it with me, Carole and Molly singing plus Molly playing Doug Hammer’s Schimmel grand piano in his studio north of Boston, MA.
Thank you to Doug for his excellent engineering and music production skills.
Thank you to Molly for writing a new bridge and also a bunch of lovely harmonies for all of us to sing.
Photo by Rada Ruggles
Thank you to Molly for playing piano AND for designing our graphics.
Thank you to the gifted and generous photographers at Pixabay.
And thank YOU for reading and listening to another of my blog posts!
I remain very grateful for our wonderful WordPress community.
Today’s blog post is made possible by our copyright laws.
Cole Porter’s terrific song “Let’s Do It” entered the public domain last year.
So my friends Carole Bundy, Molly Ruggles and I can now share a very fun version which includes some updated lyrics (by Molly and Carole) as well as an entirely new section of the song — written in the style of Cole Porter — by Molly.
Molly created the first draft of this song for a performance with her friend Kate Stringer at Club Cafe in Boston during which I sang some harmony.
Then — after Kate moved to London — the song evolved a bit when Molly, Carole and I added it to our repertoire.
Adding new sections to pre-existing songs is one of Molly’s many creative super powers.
But it can create copyright challenges — unless one is able to get permission from whomever owns the rights to the song.
But now, because “Let’s Do It” (which was first published in 1928) has entered the public domain, we are allowed to take creative liberties with it.
Molly, me and Carole in Maine
“Let’s Do It” was one of several hit songs from Cole Porter’s first big Broadway success — a show called PARIS.
He had been writing songs for a couple of decades — starting in Peru, Indiana (where he grew up the only surviving child in a very wealthy family) and continuing in Massachusetts (where he was valedictorian of his class at a prep school, Worcester Academy) and in Connecticut (where he attended Yale).
According to Wikipedia, he wrote hundreds of songs at Yale — two of which continue to be sung at football games.
He also wrote the songs for four entire musicals which were performed in New Haven and also on tour at college clubs during vacation breaks.
After he graduated from Yale, Mr.Porter pretended to study law at Harvard (to satisfy his very wealthy grandfather, who was paying for his education) while actually studying music and writing songs — and rooming with future a Secretary of State, Dean Acheson, who was then an avid law student.
Cambridge borders East Arlington (where I live), and I love walking through Harvard Law School — which happens to be next to Harvard’s music department — and thinking about Mr. Porter treading the same streets a hundred years ago.
Although he lived an extravagant life, the second half of it was filled with chronic pain due to a horseback riding accident on Long Island.
This accident (the horse he was riding fell and rolled on top of him) left him with multiple leg fractures which never healed well…
Molly, Carole and I leading a service at the UU Church in Milton, MA
He endured many corrective surgeries over the following decades and eventually had the lower part of one of his legs amputated.
Argh!
Deep breath in.
Deep breath out.
Although some of his earlier songs had been interpolated into other shows, Mr. Porter did not have his own hit show until he was 36 years old.
But — in the midst of much revelry and travel — he could be a very disciplined person.
He continued working on music during his 20s and early 30s while simultaneously leading a life of extraordinary luxury — renting historic palazzos in Venice during the summer and hiring entire ballet companies to entertain at his parties.
He even wrote a jazz-inflected music score for a ballet production in Paris which pre-dates George Gershwin’s much more famous Rhapsody In Blue.
Carole, Molly and I are not living lives of extraordinary luxury, but we ARE acutely aware of how fortunate/privileged we are to be able to devote time and energy to making music during this very challenging — and at time horrifying — time on planet earth.
A deep breath of gratitude in.
And a deep breath of gratitude out.
Thank you to Cole Porter for writing “Let’s Do It.”
Thank you to our copyright laws for allowing creative material to go into the public domain after a certain number of years.
And a special THANK YOU to everyone who has been streaming, liking, and playlisting our “Molly, Will & Carole” music!
We’re up to 2500 total streams on Spotify and 6500 total streams on Pandora (which are the only two music-listening platforms I currently keep tabs on…)
I have recently learned that streaming activity on the very first day of a song’s release strongly influences the future algorithmic behavior of that song on that platform — ie: whether a song is recommended to other potential listeners.
So if you might be willing to click here to stream “Let’s Do It” on the platform of your choice — and maybe even “like” it and add it to a playlist — we would be very grateful.
I will end with one final THANK YOU to you for reading and listening to yet another one of my blog posts!
amusicalifeonplanetearth 