Cry If You Want To

Erica Leopold (source: Facebook)

I first heard this song performed twenty-plus years ago by my friend Erica Leopold.

It was written by a woman named Casey Scott, and I am guessing that Erica heard the song when it was recorded by a jazz singer named Holly Cole — although I read in Casey’s bio that she used to live in the Boston area in the 1980s…so maybe Erica heard Casey busking in Harvard Square!

I have found a lot of comfort over the years re-visiting Erica’s version of this song — which she recorded with pianist Doug Hammer and included on her debut CD.

Erica used to attend lots of music festivals and concerts in order to find great songs from all genres — folk, jazz, pop — that she could weave into her own musical performances.

Erica Leopold (source: Facebook)

I produced a couple of her performances when I oversaw events at the Cambridge Center for Adult Education in Harvard Square. I also performed with her several times in a winter holiday benefit series.

She was a generous collaborator, and she “cleaned up very nicely” when it came time to perform — wearing beautiful outfits with elegant hair and makeup.

Erica moved from the Boston area to western Massachusetts, and her singing activities slowed down as she focused on mothering a wonderful daughter who became very involved with horses.

Then (ARGH!!!!!) Erica discovered that she had brain cancer — which she fought with grace and humor for several years.

Erica with a friend (source: Facebook)

Deep breath in.

Deep breath out.

I biked to visit her when she was getting care in an excellent rehab facility in the Boston area after a big operation. I brought my ukulele and a songbook, thinking that she might like to make some music together.

But after a few songs, I realized that she just wanted to be quiet, make eye contact and hold hands.

So we did that for a while.

“Cry if you want to, I won’t tell you not to, I won’t try to cheer you up… I’ll just be here if you want me.”

Erica hung in there for a long time, with a dedicated network of friends and family visiting her on a regular basis.

She died near the end of 2022…

Here’s a link to her obituary if you are curious to learn a little more about this lovely soul.

And here’s a link to her Facebook page — which offers a beautiful glimpse into her life.

Another deep breath in.

And deep breath out.

A few years ago I learned “Cry (If You Want to)” so that I could perform it with pianist Molly Ruggles during a UU church service in Medford, MA.

And then I recorded it with pianist Doug Hammer last year — in honor of one of my nephews, whose father had recently died.

“It’s no use in keeping a stiff upper lip, you can weep, you can sleep, you can loosen your grip. You can frown, you can drown and go down with the ship… you can cry if you want to.”

The graphic design for my recording of this song juxtaposes a photo taken by my sister Christianne of this nephew walking in a stream on their farm in upstate New York with a professional photo of me when I was about the same age as this nephew (who is covered up by my head to preserve his privacy…)

He will probably be grieving the loss of his dad — in obvious and not-so-obvious ways — for the rest of his life.

“You can stare at the ceiling and tear at your hair, swallow your feelings and stammer and swear…”

Image by Kimut from Pixabay

Yet another deep breath in.

And deep breath out.

I spent many hours this week putting together a Spotify playlist of songs for a baby shower in honor of my niece and her husband.

You may remember them from a blog post I shared in November 2019 about their wonderful wedding.

At the suggestion of her mother I included a lot of songs which our family used to listen to and sing when we were children and teenagers.

Some of them — such as “Stewball” by Peter, Paul & Mary, “I’m Gonna Be A Country Girl Again” by Buffy Sainte-Marie, and “Our House” by Crosby, Still, Nash & Young — moved me to tears.

My Niece and Her Husband (Photo by A Couple of Dudes Photography)

Music can be a very powerful connection to past events, past loved ones, past memories.

One more deep breath in.

And deep breath out.

I wish more of us would set aside time to listen to music and have a good cry.

I have a belief that much of the dysfunctional — and at times horrifically destructive — choices that my fellow human beings make on a daily basis are due to past injuries, past humiliations and past losses which have never been properly acknowledged and grieved.

For example, here’s a blog post I wrote back in 2019 about a very damaged — and damaging — human being who is still in the news these days.

Image by Couleur from Pixabay

When was the last time HE had a good cry?

Does anyone ever offer him an empathetic shoulder to cry on?

I am guessing, “no.”

I have long been fascinated by the way that tears come out of our eyes, which are located near the front part of our brains.

And I often wonder if crying might be part of how our brain processes/grieves/heals itself following an injury, insult or loss…

What do YOU think?

I hope that this song — which offers such a comprehensive, open-hearted, and non-judgmental invitation to cry — might touch the hearts of a few of my fellow human beings who may be feeling a bit shut down and overwhelmed by all that is happening these days here on planet earth.

Image by Myriams-Fotos from Pixabay

One more deep breath in.

And deep breath out.

Thank you to Casey Scott for writing this song.

Thank you to the photographer who took the photo of me as a teenager — when I was still working a little bit professionally (doing voice-overs, commercials and subbing on the soap opera ANOTHER WORLD).

Thank you to my sister for taking the photo of my nephew in the glen and to Stephen Fischer for incorporating it into a graphic design for this song release.

Thank you to Doug Hammer for his sensitive piano playing and nuanced engineering/producing chops.

Thank you to the photographers at Pixabay for their beautiful images.

Image by Inke Raabe from Pixabay

And thank YOU for reading and listening to another one of my blog posts.

If you like this song well enough to listen to it again, you are welcome to stream it by clicking here.

And you are always welcome to visit my musical website by clicking here.

I Could Write A Book…

Today’s musical selection is a two-song medley of gems written by Lorenz Hart and Richard Rodgers.

I recorded it many years ago with pianist Doug Hammer when I was putting together an hour-long program of songs with lyrics by Larry (Lorenz’s nickname) Hart.

Not only is Doug’s piano accompaniment extremely playful and inventive, Mr. Hart’s lyrics sit on Mr. Rodger’s music so comfortably and eloquently!

I wrote a blog post a while back about Larry Hart which you can read by clicking here.

I won’t repeat what I shared in that post about Mr. Hart’s life — which was a very generous (and at times heart-breakingly sad) one.

Instead I will share a little bit about these two songs.

Busby Berkeley

“You Took Advantage Of Me” was first performed by a very tall guy nicknamed “Buzz” in the 1928 musical PRESENT ARMS.

Busby Berkeley (who had grown up in the world of theater) choreographed a bunch of musicals on Broadway — and then went on to choreograph and direct a bunch of movies in Hollywood.

Wikipedia tells us that on opening night Buzz forgot the lyrics to the second verse of “You Took Advantage of Me.”

Maybe he had been too focused on the choreography for the show?

Apparently he sang scat syllables during the second verse, and the audience thought it was funny, and Larry Hart eventually forgave him…

Deep breath in.

Deep breath out.

Morton Downey

WIkipedia also tells us that it was a favorite song of the Prince Of Wales (Edward VIII), who once requested that Morton Downey — a very popular Irish-American tenor — perform it eleven times at a cafe in London.

The somewhat abusive message of the lyrics reminds me of another uptempo Rodgers & Hart uptempo song in which Larry writes “the furtive sigh, the blackened eye, the self-deception that believes the lie… I wish I were in love again.”

Nowadays — in this era of date rape drugs, Harvey Weinstein, Bill Cosby, and more than one former president of the United States— our songs are much less likely to playfully jest about someone taking advantage of someone else.

Another deep breath in.

And out.

Gene Kelly

The second song, “I Could Write A Book,” was created for the 1940 musical PAL JOEY.

It was introduced by another dancer, Gene Kelly, who went from performing on Broadway to become a huge success — as a dancer, actor, singer, choreographer and director — in Hollywood.

The rhyming is quintessential Larry Hart, and I love the literate theme of the song.

Larry was very well educated and could speak English and German (and I am guessing Yiddish, too, since his Jewish parents had emigrated from Germany…)

He met future collaborators and friends such as lyricist/librettist/producer Oscar Hammerstein, composer/producer Richard Rodgers, and librettist brother Herbert Fields (along with his younger sister, the lyricist/librettist Dorothy Fields) while he was studying at Columbia University.

Image by Lubos Houska from Pixabay

And Larry was also (on his mother’s side) the great-grandnephew of Heinrich Heine, whose poetry had been set to music by both Schumann and Schubert.

Perhaps this lineage helped inspire/embolden him to become a lyricist!

He was employed early in his career by the Schubert brothers as a translator of German plays into English.

He went on to co-create 26 Broadway musicals with Richard Rodgers as well as songs for many several Hollywood musicals — although they were much less happy working in the movie business, because they had much less power regarding how (or even if) their songs were used in a particular film.

Some of Larry’s other hit songs with Richard Rodgers include “My Funny Valentine,” “Blue Moon,” “The Lady Is A Tramp,” “Isn’t It Romantic,” “My Romance,” and “Where or When.”

Image by StockSnap from Pixabay

Thank you for reading and listening to another one of my blog posts!

Thank you to the wonderful photographers at Pixabay (and the public domain images at Wikimedia).

And thank you to Doug Hammer for his terrific piano playing and patient engineering/producing chops.

If you like this two-song medley well enough to listen to it again, you are welcome to stream it by clicking here.

You may have read in a previous blog post about how Spotify abruptly changed its payment procedures at the beginning of this year.

They are no longer paying royalties to the owners of any recording which earns fewer than 1000 streams per year.

Image by congerdesign from Pixabay

My recording with Doug of “You Took Advantage of Me/I Could Write A Book” has been streamed 569 times on Spotify since it was released at on October 6, 2023.

So I have five months to (I hope) drum up another 431 streams and reach their 1000-stream payment threshold…

May you continue to read and write and sing and dance — AND engage with our country’s political progress — for many years to come!

And you are always welcome to visit my musical website by clicking here.