Spotify

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Mulligan Stew

Image by ivabalk from Pixabay

Today’s song is a sassy tour de force with lyrics by Lorenz Hart and music by Richard Rodgers.

I love the introductory verse, which mentions “Mulligan Stew,” the “Beaux Arts Ball,” and “Noël Cad” a.k.a. Noël Coward.

Many songs from the 20s, 30s and 40s include references to specific people, places, products and events — thus functioning as historic 20th century time capsules for 21st century listeners.

A) Mulligan Stew, I learned from Wikipedia, is an Irish-inspired recipe for a soup or stew made from whatever food items one can round up.

It was also known as “Hobo Stew” during the early part of the 20th century in the USA.

I feel a special affinity for Mulligan Stew, because it appears to be very similar to the endless soup I like to make during the winter months.

Image by u_0bpc2hin from Pixabay

I start with cut up carrots, potatoes, sweet potatoes, and onions — plus a frozen chicken thigh — and boil all the ingredients until the chicken is cooked and the carrots are starting to lose their crunch.

Then I add some cut-up garlic, fresh ginger, salt, pepper and whatever additional spices — curry powder? thyme? turmeric? one of Trader Joe’s multi-spice blends? — call out to me from the shelf.

Then I eat it for about a week — refrigerating it each night and adding more water plus additional ingredients — leeks? parsnips? kale? mushrooms? squash? rice? tomatoes? okra? tofu? canned beans? frozen artichoke hearts? leftover Chinese food? — on a daily basis before cooking it some more.

Yum!

B) Noël Coward, as you may already know, was a multi-hyphenate powerhouse — an actor-playwright-composer-director-singer from England who died in 1973 after a long and very successful career.

Image by -Rita-👩‍🍳 und 📷 mit ❤ from Pixabay

I have only learned and performed one of his songs — “If Love Were All” — which was part of Judy Garland’s repertoire.

But I have a Noël Coward songbook in my basement music library which probably deserves more attention in the future.

C) Wikipedia tells us that “The Beaux-Arts Ball… is the annual costume ball traditionally given by the students of the École nationale supérieure des Beaux-Arts in Paris in the spring…on the rue Bonaparte overlooking the Seine… Its reputation for high style, nudity, wild antics, and cross-dressing encouraged imitators in American cities. In 1931, in New York, famous architects dressed up as their buildings and today, many American architecture schools hold similar costume balls.”

I am guessing that the one in New York in 1931 is the Beaux Arts Ball to which Larry Hart is referring in his lyrics.

They sound like very creative and somewhat outrageous events!

Image by rautsonakshik0 from Pixabay

I am happy to share that my streaming numbers have been rising on Spotify and on Pandora (which are the only two music streaming platforms I currently monitor) — so a BIG THANK YOU to anyone and everyone who have given one of my songs a listen!

I have become more and more of a Pandora fan in recent months, even though their music is only accessible in the USA (and not globally like Spotify).

I use their free option, which means that I have to listen to ads every few songs — which I often mute.

And I use a similar free option on Spotify and YouTube Music.

Even though Pandora’s parent company, SiriusXM, has been laying off large numbers of staff in recent months, the core group of people at Pandora who offer customer service and training to independent musicians like me has — so far — remained intact.

What I particularly love about Pandora is that they do not use chatbots to communicate with independent musicians like me.

Image by jyleen21 from Pixabay

Real live Pandora staff offer free training sessions via Zoom each month to encourage musicians to take advantage of their free promotional strategies which can help songs find new listeners.

I tried one strategy — creating a featured track — and the song I featured received hundreds more streams as a result.

Of course, you probably remember that all of the music streaming companies pay only fractions of a cent per stream to recording artists and songwriters like me…

But I have released 58 songs during the past 4 years, and many of these songs have each been streamed over 1000 times on Spotify and Pandora — although less often on YouTube, Apple, Amazon, and other digital music platforms…

And all of those fractions of cents DO have the potential to add up to something substantial.

So I remain hopeful that my persistence will pay off as the months and years go by — as long as we have a functioning internet, a functioning economy and a functioning democracy…

Deep breath in.

Deep breath out.

Thank you to Doug Hammer for playing his beautiful Schimmel piano on this recording and for being very patient while we mixed and mastered it.

Thank you to Stephen C. Fischer for his elegant graphic design.

Thank you to Larry Hart and Dick Rodgers for their extraordinary songwriting partnership.

Thank you to the talented and generous photographers at Pixabay.

And a final thank you to YOU for making it to the end of another one of my blog posts!

You are always welcome to click here and listen to “The Lady Is A Tramp” on various streaming platforms.

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I Could Write A Book…

Today’s musical selection is a two-song medley of gems written by Lorenz Hart and Richard Rodgers.

I recorded it many years ago with pianist Doug Hammer when I was putting together an hour-long program of songs with lyrics by Larry (Lorenz’s nickname) Hart.

Not only is Doug’s piano accompaniment extremely playful and inventive, Mr. Hart’s lyrics sit on Mr. Rodger’s music so comfortably and eloquently!

I wrote a blog post a while back about Larry Hart which you can read by clicking here.

I won’t repeat what I shared in that post about Mr. Hart’s life — which was a very generous (and at times heart-breakingly sad) one.

Instead I will share a little bit about these two songs.

Busby Berkeley

“You Took Advantage Of Me” was first performed by a very tall guy nicknamed “Buzz” in the 1928 musical PRESENT ARMS.

Busby Berkeley (who had grown up in the world of theater) choreographed a bunch of musicals on Broadway — and then went on to choreograph and direct a bunch of movies in Hollywood.

Wikipedia tells us that on opening night Buzz forgot the lyrics to the second verse of “You Took Advantage of Me.”

Maybe he had been too focused on the choreography for the show?

Apparently he sang scat syllables during the second verse, and the audience thought it was funny, and Larry Hart eventually forgave him…

Deep breath in.

Deep breath out.

Morton Downey

WIkipedia also tells us that it was a favorite song of the Prince Of Wales (Edward VIII), who once requested that Morton Downey — a very popular Irish-American tenor — perform it eleven times at a cafe in London.

The somewhat abusive message of the lyrics reminds me of another uptempo Rodgers & Hart uptempo song in which Larry writes “the furtive sigh, the blackened eye, the self-deception that believes the lie… I wish I were in love again.”

Nowadays — in this era of date rape drugs, Harvey Weinstein, Bill Cosby, and more than one former president of the United States— our songs are much less likely to playfully jest about someone taking advantage of someone else.

Another deep breath in.

And out.

Gene Kelly

The second song, “I Could Write A Book,” was created for the 1940 musical PAL JOEY.

It was introduced by another dancer, Gene Kelly, who went from performing on Broadway to become a huge success — as a dancer, actor, singer, choreographer and director — in Hollywood.

The rhyming is quintessential Larry Hart, and I love the literate theme of the song.

Larry was very well educated and could speak English and German (and I am guessing Yiddish, too, since his Jewish parents had emigrated from Germany…)

He met future collaborators and friends such as lyricist/librettist/producer Oscar Hammerstein, composer/producer Richard Rodgers, and librettist brother Herbert Fields (along with his younger sister, the lyricist/librettist Dorothy Fields) while he was studying at Columbia University.

Image by Lubos Houska from Pixabay

And Larry was also (on his mother’s side) the great-grandnephew of Heinrich Heine, whose poetry had been set to music by both Schumann and Schubert.

Perhaps this lineage helped inspire/embolden him to become a lyricist!

He was employed early in his career by the Schubert brothers as a translator of German plays into English.

He went on to co-create 26 Broadway musicals with Richard Rodgers as well as songs for many several Hollywood musicals — although they were much less happy working in the movie business, because they had much less power regarding how (or even if) their songs were used in a particular film.

Some of Larry’s other hit songs with Richard Rodgers include “My Funny Valentine,” “Blue Moon,” “The Lady Is A Tramp,” “Isn’t It Romantic,” “My Romance,” and “Where or When.”

Image by StockSnap from Pixabay

Thank you for reading and listening to another one of my blog posts!

Thank you to the wonderful photographers at Pixabay (and the public domain images at Wikimedia).

And thank you to Doug Hammer for his terrific piano playing and patient engineering/producing chops.

If you like this two-song medley well enough to listen to it again, you are welcome to stream it by clicking here.

You may have read in a previous blog post about how Spotify abruptly changed its payment procedures at the beginning of this year.

They are no longer paying royalties to the owners of any recording which earns fewer than 1000 streams per year.

Image by congerdesign from Pixabay

My recording with Doug of “You Took Advantage of Me/I Could Write A Book” has been streamed 569 times on Spotify since it was released at on October 6, 2023.

So I have five months to (I hope) drum up another 431 streams and reach their 1000-stream payment threshold…

May you continue to read and write and sing and dance — AND engage with our country’s political progress — for many years to come!

And you are always welcome to visit my musical website by clicking here.

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More Ode To Water

Greetings after a months-long pause in blogging!

I hope you remain healthy as winter inches towards spring (at least in New England…)

I also fervently hope that you have not experienced any climate-related catastrophes in recent weeks — or war-related catastrophes — or ANY catastrophic circumstances at all.

Each and every day I remain grateful for healthy food to eat, a warm place to sleep, a functional bicycle, gainful (if very modestly-paying) employment, and clean water.

Deep breath in.

Deep breath out.

I also remain very grateful for all the folks who visit my blog — anywhere from four to eighteen each day during the past ten weeks — even though I have not published a new post since the end of December.

THANK YOU!

Right at the end of 2023 — having relied upon showers for the past few decades to keep myself clean — I re-discovered the delicious experience of taking a bath (after a long and chilly day of travel to visit relatives in upstate New York).

Wow.

Soaking in even a few inches of hot water is such a different experience from taking a shower.

One can slow down and lose track of time…

I also feel as though the heat from the bath water soaks deeper into my body and stays with me longer than the heat from water in a shower.

Or maybe I am imagining that…

And one final bonus is that I have a compelling reason to scrub my bath tub on a regular basis (which, when I was just taking showers, I could easily overlook for weeks on end…)

Hurrah!

Another deep breath in.

And deep breath out.

My latest song release — an Ode To Water — celebrates all forms of water here on planet earth.

And its release coincides with another round of extreme rainfall and flooding here in the not-so-United States.

I continue to be flummoxed by how most of our political leaders — despite the increasingly destructive weather events occurring on a increasing basis all around our amazing planet — remain largely in denial about how closely we are inching towards some significant environmental tipping points — from which it will be very difficult if not impossible to recover.

Maybe it’s because they are human beings and — like most of us — tend to function in a state of denial until a catastrophe enters the inner circle of our lives.

To me, climate change/catastrophe underpins every other issue — huge imbalances of wealth/power, all sorts of civil rights challenges, the rising trend towards fascism in many countries including our own, women’s ability to make decisions about their own health/bodies, the industrial agri-chemical contamination of the web of life, etc. etc. etc. — which we are facing as human beings here on planet earth.

Here in Massachusetts our liberal Democratic governor is waffling about the proposed expansion of an airport used by private planes/jets called Hanscom Field, which is located eleven miles from where I live.

Making it easier for more rich people to fly in private jets is a perverse example of us NOT making the difficult changes in our human behavior/expectations that our climate change/catastrophe is calling for.

But I am guessing that Governor Healey is at least partially beholden/indebted to wealthy donors who have contributed to her successful political campaigns and may be inclined to help make their lives easier — even though it is well documented that air travel is one of the worst offenders regarding our fossil fuel over-consumption (and private jets are even worse than commercial flights!)

Yet another deep breath in.

And deep breath out.

Two states away from me in Maine, a friend has co-owned a tiny, one-room (former) fishing shack for decades with her extended family near Kennebunkport which serves as a very humble summer refuge for a large web of siblings, cousins and friends.

I have felt very fortunate to visit (and even perform) there a few times!

During a recent storm, this tiny cottage (which is boarded up during the winter months) experienced higher flooding than anyone can ever remember happening… and lost its front porch.

Another, larger shack (on tall stilts) which had been damaged last year and thoroughly repaired was entirely WASHED AWAY. 

It had withstood nor’easters for over a hundred years… and now is gone!

The time to make difficult choices and change longstanding habits is NOW regarding how we human beings (especially those of us in developed countries) consume fossil fuels.

To top it all off, I recently read an article in The Guardian about how we human beings are very close to experiencing a major tipping point in how water circulates in the Atlantic ocean.

Yikes!

Due to my recent embrace of baths, I have a keen awareness about how water behaves in my tub.

Colder water sinks to the bottom, and warmer water stays near the surface.

In the Atlantic ocean there is something similar called the “Atlantic meridional overturning circulation (AMOC) — a vast system of ocean currents” that helps to regulate our planet’s climate.

“AMOC, which encompasses part of the Gulf Stream and other powerful currents, is a marine conveyer belt that carries heat, carbon and nutrients from the tropics towards the Arctic Circle, where it cools and sinks into the deep ocean. This churning helps to distribute energy around the Earth and modulates the impact of human-caused global heating.”

But AMOC “is being eroded by the faster-than-expected melt-off of Greenland’s glaciers and Arctic ice sheets, which pours (very cold) freshwater into the sea and obstructs the sinking of saltier, warmer water from the south.”

And new analysis by scientists has determined that “AMOC is…on track towards an abrupt shift, which has not happened for more than 10,000 years and would have dire implications for large parts of the world.”

Another huge YIKES!!!

Followed by one final deep breath in.

And deep breath out.

This is why I ride my bike and/or walk and/or take public transportation.

This is why I eat less meat.

This is why I choose not to fly in order to visit friends and/or family in faraway places.\

And this is why I remain deeply grateful for all of the miraculous basics in my current life — including clean, fresh water to drink and to cook with and to clean with and to bathe in plus a non-leaky roof over my head.

Here is a link to my “Ode To Water“ in case you might like to stream (music flows in bits of electronic data these days these days…) it.

And as I have explained before, if you “like” one of my songs or add it to one of your playlists, that will improve the algorithmic sharing of my music.

Furthermore, if you listen to it via Spotify, I would be particularly grateful because Spotify recently changed its business model.

Starting in 2024, they are no longer paying indie artists half of the royalties (which are already absurdly low) due to them for any song streamed fewer than 1000 times per year.

So I need to get another 337 streams in the next ten months (so far it has earned 663 streams from 476 listeners around the world in the two months since it was released!)

I will probably write about this discouraging “rob from the poor to pay the rich” business strategy in a future blog post…

But, returning to several of the “glass-more-than-half-full” blessings in my life, I would like to thank Doug Hammer for playing so expressively on this recording and for being such a terrific engineer/producer.

Thank you to Stephen Fischer for his elegant graphic design work.

Thank you to the photographers at Pixabay for their beautiful images.

Thank you to the amazing cycles of water which circulate — from oceans to clouds to earth to plants to us and back around again and again and again — on a daily basis here on planet earth.

And thank YOU for reading and listening to another one of my blog posts!

ps: If you are thirsty for more musings about water, you can click here and here to read blog posts from 2022 and 2020 which featured earlier versions of my “Ode To Water.”

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The Babysitter’s Here!

I have loved this song by Dar Williams ever since I first heard it a couple of decades ago.

Dar Williams

Ms. Williams weaves together several fundamental human themes — the value of role models, the heartbreakingly inevitable connection between love and loss, the challenge of female/male power dynamics, and the significance of being trusted — within the framework of a story told by a child about their beloved babysitter.

It is masterful songwriting.

I released it two weeks ago to coincide with the start of the school year here in Massachusetts.

I have several friends whose almost-grownup children are entering college — and they have shared with me that they are feeling simultaneously grateful/proud that their kids are becoming adults AND heart-broken/shocked that their kids are old enough to leave the family nest.

Deep breath in.

Deep breath out.

I do not remember having many babysitters when I was a child.

There was one, however — maybe a friend my mother met at a painting class? — who taught me and my siblings how to cook eggplant moussaka from scratch.

We happily prepared that meal again and again during our child and teen years following her recipe.

It was delicious!

The theme of trust and trustworthiness in Dar’s wonderful song very much reminds me of how respected I felt as a young adult when I was hired to help take care of three small children (one each from three families) who had all dropped out of the same pre-school together.

I myself had recently dropped out of college, and it was a very powerful — and healing — experience to be entrusted with these three little human beings.

Parents have to tap into a deep well of trust to let someone else take care of their children.

Without a lot of interviewing and no background checks, I and two other twenty-somethings were hired to have fun adventures with these three children in shifts during the day while their parents — who were architects, college professors and a child psychiatrist — worked.

We were given the keys to one of their cars (a Saab), three car seats, and a little spending money in case we needed to stop at a grocery store or bakery for treats during the day.

The parents also gave us a book on child development by Penelope Leach from which I learned that I could follow the children’s lead and let them to explore their curiosity/interests — which included (among other things) ants and dogs and pistachios and flowers.

One of my favorite memories is driving with them to a wonderful nature area — the Punkatasset Preserve in Concord, MA — and wandering very slowly up and down the trails so that we could pause whenever something caught the children’s attention.

Their interest in flowers led me to serve them food — such as apple slices, carrot sticks, chunks of cheese — in flower patterns on their plates.

This is something I still love to do with food.

Here’s a tomato flower I made recently from produce given to me by a neighbor with a farm share from an organic farm just over the border in Lexington, MA (about which I have written in a previous blog post).

They are so beautiful…and nutritious!

Plants are truly amazing.

How are they able to capture and transform energy — radiating from a nearby star! — into something delicious we can eat here on planet earth?

What a miraculous blessing…

Another deep breath in.

And deep breath out.

Last week I listened to a interview on YouTube in which an artist manager explained that Spotify’s algorithms seem to reward folks who release music on a monthly basis — and that if one is able to do this for 18-24 months, an exponential increase in streams sometimes kicks in…

This is what he has discerned from the streaming patterns of music released in recent years by a dozen independent musicians he is working with…

I have seen a significant (for me) increase in streams for the six songs which I have released (every three weeks) since the middle of April this year.

My recording of “The Babysitter’s Here,” for example, has gotten more streams (598) on Spotify in two weeks than many of the songs I first released have gotten in two years.

So I am going to stick with my plan to release a song every 3-4 weeks for the next 19 months and see if an exponential increase kicks in…

Thank you to everyone who has been streaming my songs on Spotify, Pandora, Apple Music, YouTube and other streaming platforms.

You are welcome to click and listen to “The Babysitter’s Here” on many streaming platforms.

And any song you “like” or “heart” or add to a playlist will improve the algorithmic activity of my music there.

You are also welcome to visit my website — where you can learn more about my musical life (including upcoming gigs) here on planet earth if you are curious.

Thank you to Dar Williams for writing such a delightful song.

Thank you to the families who trusted me many years ago to take care of their precious children.

Thank you to Doug Hammer for his sublime piano playing AND his patient engineering expertise.

Thank you to the generous photographers and graphic designers at Pixabay — and to my friend Carolyn for the lovely photo she took of.a rainbow from her living room window.

Thank you to Stephen C. Fischer for transforming photos from earlier parts of my life into graphic designs for my current song releases.

Thank you to my neighbors for sharing their beautiful vegetables with me.

And most of all, thank YOU for reading — and listening to — another one of my blog posts!

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Nice Work If You Can Get It (pt.2)

Here in the USA, it’s Labor Day weekend.

I just looked up the history of Labor Day, and discovered — no surprise — that it has roots in labor unions.

You can click here to learn more if you are curious — and to see a great photo of an early Labor Day float being pulled by two horses during a celebration in 1916..

I have read that union activity is on an upswing in the USA.

With a current CEO-to-worker compensation ratio estimated to be 400 — meaning that chief executive officers are likely to earn 400 times the annual average salary of production and nonsupervisory workers in their industry — the time seems ripe to re-balance this extraordinarily greedy state of affairs.

I am an inactive member of two unions — SAG/AFTRA (for film and TV) and Equity (for stage) — as a result of working professionally as a child and teenager.

Me modeling as a child…

Go unions!

They are a vital part of our human socety’s interconnected systems of checks and balances.

Deep breath in.

And deep breath out.

I originally featured this recording with pianist Doug Hammer of a great Gershwin Brothers song a couple of years ago as part of a very long blog post in which I shared the pros and cons of a chatbot-assisted music marketing strategy as well as some show business history.

Today’s post will be shorter and sweeter.

THANK YOU to everyone who has been streaming my songs in recent months!

“Gold In Them Hills” — which I released a month ago — has just surpassed 1000 streams on Spotify. This translates into approximately $4 worth of income — which is split, I think, between the person who owns the rights to the song (Ron Sexsmith and/or his music publishing company) and the person who owns the rights to this particular recording of his song (which is me).

“Nice Work If You Can Get It” — which I released near the end of June — has been streamed 685 times on Spotify.

So that will earn me another dollar.

Luckily I am in this for the long haul…and I earn enough money from performing at retirement communities and leading Music Together classes to cover my very minimal expenses.

I also feel very fortunate to be making and sharing music as a way to make a (very modest) living.

Music really is “nice work if you can get it.”

A musician named Bree Noble — who also does a lot of teaching and coaching of other musicians — recently sent out an email which I found inspiring.

She wrote:

“Did you know that releasing music — i.e. seeing a beloved project through to completion — can improve your mental health?”

According to her, “studies show that most people desire purpose and connection in their work, and without that, their mental health can suffer.”

“We thrive when we experience ‘birthing’ an idea and seeing it through (to completion) — taking on a project that is our ‘baby’ and nurturing it to ‘adulthood.'”

Releasing music “can give (us) the emotional and spiritual benefits of project ownership — taking on a new challenge, providing a goal to work toward, and giving (us) a …fulfilling event to look forward to.”

Best of all, “not only can the…process (of releasing music) invigorate (our) emotional and spiritual (lives), it can help (our) music reach new people who need to hear it, enriching their lives as well.”

Deep breath in.

Deep breath out.

I think this wisdom/insight can apply to any creative undertaking — even writing a blog post.

It also reminds me of an article I read recently about folks who live to be over 100 years old.

Researchers have been studying these people’s lives, and many common themes have emerged.

They tend to be optimistic — while also acknowledging the reality of their challenges.

They tend to feel connected with others — as part of an extended family, a circle of friends, a spiritual community, a bowling league, a quilting circle, a fraternal lodge, a blogging community or some other subset of beings here in the interconnected web of life on planet earth.

Their diets tend to be plant-based — eating more vegetables, fruits, beans/legumes, and whole grains AND and more “cooked-from-scratch” meals (meaning less processed/junk food items…)

They tend to get out into nature on a regular basis — walking, biking, swimming, doing tai chi, painting, reading, playing games, etc. — rather than sitting at home and watching TV.

And they tend to have a sense of purpose — whether volunteering their time, sharing their wisdom, contributing to group causes, creating things, etc.

Apparently if we feel that we need to be here on planet earth — contributing in some positive way to our families, friends, children, grandchildren, community, watershed, ecosystem, political system, etc. — we are less likely to die.

Another deep breath in.

And deep breath out.

I am curious to learn in the comments about what gives YOU a sense of purpose these days.

Here is a link to “Nice Work If You Can Get It” in case you might like to listen to it on a streaming service.

As I have shared in past blog posts, if you “like” it or “heart” it or add it to a playlist, that improves the algorithmic sharing of my music on that particular streaming service.

Thank you to the Gershwin brothers — Ira (words) and George (music) — for writing such great songs.

Thank you to Doug Hammer for playing so exuberantly on my version of their song AND for being such. a terrific engineer/producer.

Thank you to Stephen Fischer for his skillful graphic design work.

Thank you to labor unions for helping to counter-balance the greed which seems to be an unavoidable part of our capitalistic system of economics.

Thank you to the photographers at Pixabay for their great images.

Thank you to whoever took my photo 50+ years ago on a front staircase somewhere in NYC.

And thank YOU for reading. and listening to another one of my blog posts!

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Gold In Them Hills

Today’s wise and optimistic song was written by Ron Sexsmith, a Canadian singer-songwriter who currently lives in Stratford, Ontario.

I featured it almost three years ago in a blog post about distributing my first song to music streaming platforms.

One of the many pleasures of blogging (in my opinion) is rediscovering posts we have written in the past and then forgotten.

This one includes a lot of quotations — which I was very happy to re-encounter — from friends about the value of music in their lives.

I have sprinkled a few of them into this blog post, too.

You are welcome to click here to read (or re-read) this past blog post if you are curious.

“Music is a great encouragement to people in hard times.”

Deep breath in.

And deep breath out.

I also explain in this past blog post about how little money is earned by performers and songwriters from streaming platforms such as Spotify, Apple Music, Pandora, YouTube, etc.

Not surprisingly, this is still true — as a 2022 article I found online demonstrates.

Spotify, which last year had an almost 50% market share of music streaming worldwide, still pays less than half a cent per stream.

Apple Music was the next biggest player, with almost 25% market share of music streaming worldwide — but paid a penny per stream (almost triple what Spotify paid…)

All of the other music streaming companies share the remaining 25% of worldwide music streaming — and paid anywhere from .00069 cents per stream (YouTube Music) to .017 cents per stream (Napster).

Here’s a graphic representation from this article of all of these numbers.

Suffice to say that I have not been earning any significant money as a result of people streaming the 37 recordings I’ve released during the past 34 months.

Deep breath in.

And deep breath out.

But I DO have the satisfaction of knowing that my music is out there in the world, being listened to by folks in fifty different countries — including the USA, Finland, Canada, Taiwan, Great Britain, Kazakhstan, Australia, Indonesia, Turkey, Brazil and Chile!

“Music is part of what makes the world keep going.”

And in recent months my streaming statistics on Spotify have risen significantly (although my total numbers are still quite modest).

This rise in my stats helps me feel that what I am doing — releasing music — is not entirely futile, useless and/or egotistical.

And it gives me a small sense of hope, which is what Ron Sexsmith’s lovely song does, too.

Hope remains a blessed mystery to me.

I hope you feel at least a tiny kernel of hope in your life.

Recent regional elections here in the USA have renewed my sense of hope in our political process.

And small children — such as those who grace my Music Together classes — also give me a sense of hope as well as a reason to continue to work for a more balanced, sustainable, and respectful future here on planet earth.

I’d be happy to learn in the comments about what gives YOU a sense of hope these days.

Here is a link for “Gold In Them Hills” in case you might like to listen to it on a streaming service.

If you “like” it or “heart” it or add it to a playlist, that apparently improves the algorithmic sharing of my music on that streaming service.

One more deep breath in.

And deep breath out.

Thank you to Ron Sexsmith for writing great songs.

Thank you to Doug Hammer for playing so beautifully on my version of Ron’s song AND for being such. a skillful engineer/producer.

Thank you to Stephen Fischer for his colorful graphic design work.

Thank you to Gretje Ferguson (I think?) for taking the photo which Stephen incorporated into his graphic design.

Thank you to Gloria O’Leary for making the coat I am wearing in this photo.

Thank you to the photographers at Pixabay for their great images.

And thank YOU for reading. and listening to yet another one of my blog posts!

“Music is a touching reminder that life is worth living.”

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Now Streaming…


Greetings!

I hope you remain well during this odd and at times terrifying time in our planet’s history.

Today’s song was written by Canadian singer-songwriter Ron Sexsmith.

Ron Sexsmith

After my friends in Toronto exposed me to several of his beautiful, wise creations, I recorded “Gold In Them Hills” with the terrific pianist (and sound engineer) Doug Hammer.

I have ruminated in past blog posts about the value of music in our lives — how sometimes it seems quite disposable and unimportant, yet at other times it can feel quite meaningful and essential.

Here is some recent feedback about the value of music from folks on my e-mail list:

“Music is a great encouragement to people in hard times.”

“A song fixes memories of life events indelibly. “

“Music is a distraction from the troubles of the day.”

“Essential.”  

“Music is an easily accessible treat at a time when other treats are difficult to come by.”

“We all need it.”

“Music is a touching reminder that life is worth living.”

“Music is a balm during these stormy times.” 

“Music is part of what makes the world keep going.” 

Every time I read these ideas, I attempt to breathe them deeper into my soul.

Deep breath in.

Deep breath out.

Today I share news that my song “Another Good Morning“ has finally been distributed to a bunch of digital music platforms — including Spotify, Apple Music, iTunes, Amazon Music, Deezer, Napster, Tidal, and Google Play.

I found — and played!— it on Spotify, which for better (and mostly for worse) is a key market for musicians these days.

I write “and mostly for worse” because the various streaming platforms pay a tiny fraction of what a performer/songwriter used to earn from the sale of actual records/tapes/CDs. 

As you may already know, the pay rate for listening to a song via streaming  — which varies over time based on a formula which I can’t even begin to explain involving each company’s most recent amount of earnings and profit — is very low.

Here are some recent rates — ranging from a high of $.019 (almost 2 cents) by Napster to a low of $.00402 (less than half a cent) by Amazon.

  • AMAZON: $0.00402 per play.
  • SPOTIFY: $0.00437 per play.
  • YOUTUBE MUSIC (GPM): $0.00676 per play.
  • APPLE MUSIC: $0.00783 per play.
  • TIDAL: $0.0125 per play.
  • NAPSTER: $0.019 per play.

Using the Spotify numbers for example, at $0.00437 per stream, a song would need to be streamed 22,883 times to earn around $100. 

One can still buy a digital download of an individual song at places like iTunes, from which the recording artist earns $.60 – $.70 per purchase.

So it would take 142 (at 60 cents per download) to 166 (at 70 cents per download) purchases to earn around $100 for the folks who recorded it.

But how many of us are still buying digital downloads of specific songs or albums?

The current name of the game appears to be Spotify playlists. 

If one can get one’s song onto a popular playlist, one can earn hundreds of thousands of streams — which theoretically translates into a decent amount of money. 

So… if you are someone who uses Spotify, please consider listening to “Another Good Morning” by clicking here.

And maybe adding it to one of your playlists.

I found a story on NPR from last year which explores the pros and cons of streaming from the perspective of a recording artist and/or songwriter.

Here is one interesting paragraph:

According to a 2017 study from Digital Media Finland, the current payment model for digital streaming services “tend(s) to benefit the services themselves, who keep about 30% of a subscriber’s fee. The rights holders of the recordings, which include record labels, producers, and performers, split about 55 to 60% of the fee. Meanwhile, the rights holders of the song itself (the composition) — which at once includes composers, arrangers, music publishing companies and lyricists — see about 10 to 15% of that pie.”

You can read the whole article by clicking here.

Another deep breath in.

And deep breath out.

If you are someone who still buys digital downloads, please consider buying a copy of “Another Good Morning” from iTunes or Amazon or another digital music marketplace.

But I am certainly aware that lots of us have very little cash flow in our lives nowadays!

Since my gigs with jazz pianist Joe Reid have all dried up (except for one outdoor performance last month) due to prudent concerns about possible COVID transmission, I have been working each week via Zoom with Doug Hammer.

We are re-visiting and polishing strong takes of songs we’ve recorded during the past 20+ years.

And I will be distributing them via CD Baby to all of these far-flung digital platforms in the upcoming weeks and months.

THANK YOU for reading and listening to another blog post!

Thank you to Ron Sexsmith for writing great songs.

Thank you to Doug Hammer for his inspired piano playing as well as his superb engineering skills.

Thank you to the photographers at Pixabay for these sublime images.

Let us all keep breathing in and out in the days ahead…

I will continue leading Music Together classes two days each week.

And riding my bike.

And walking.

And checking the latest polling data about our upcoming elections.

And donating small amounts of money to down-ballot races around the USA which could use a little help…

And wearing a blessed mask when I go outside.

Deep breath in.

Deep breath out.

As Mr. Sexsmith reminds us:

“Don’t lose heart… give the day a chance to start!”