Puttin’ On The Ritz

Irving Berlin (Wikimedia Commons)

If we scratch the surface of almost any cultural artifact — in this case a song written in the late 1920s by Irving Berlin — it is very likely that we will discover layers of herstory/history which have been buried, misplaced, overlooked or otherwise airbrushed out of the picture.

Wikipedia informs me that Irving Berlin wrote his original version of this song in May 1927, and it was first included in a 1930 movie — when “talkies” were an exciting new technology.

“The title derives from an (African-American) slang expression ‘to put on the Ritz’ — meaning to dress very fashionably — (which) was inspired by the opulent Ritz Hotel in London.”

And Mr. Berlin’s first set of lyrics do indeed describe very well-dressed African-Americans strolling on Lenox Avenue in Harlem…

Fred Astaire (Wikimedia Commons)

However, when Fred Astaire performed “Puttin’ On The Ritz” in the 1946 movie BLUE SKIES, Mr. Berlin re-wrote the lyrics to become the version which I recorded with Doug Hammer playing his Schimmel grand piano.

“Lenox Avenue” became “Fifth Avenue,” and “Spangled gowns upon the bevy/Of high browns from down the levy — all misfits” become “Different types who wear a day coat/Pants with stripes and cutaway coat — perfect fits.”

This appears to be yet another example of how African-American culture inspires — and then gets appropriated and re-purposed to earn money for non-African-Americans.

Deep breath in.

Deep breath out.

And here I go, continuing this sad cultural practice, by recording my own version with Doug!

Another deep breath in.

Image by Gerd Altmann from Pixabay

And deep breath out.

We did this when I was creating an hour-long program of songs written for — or made famous by — Fred Astaire.

This version is the second or third take Doug and I recorded — and it’s a great example of how spontaneous and playful our creative process can be when we are both “in the zone” together.

Although there are a few more winter holiday favorites written by Jewish songwriters which I would like to record with Doug, we never got around to doing that in 2025… so I have released “Puttin’ On The Ritz” in December as a nod to upcoming New Year’s Eve festivities…

If you’d like to stream it via Pandora, Apple Music, YouTube, etc, you can click here.

Thank you to Pixabay and Wikimedia Commons for these photos.

Thank you to Doug Hammer for his piano-playing and his producing/engineering skills.

Thank you to Stephen Charles Fischer for his graphic design work.

Thank you to Irving Berlin for writing — and re-writing — this song.

Thank you to the African-American residents of Harlem who inspired Mr. Berlin to write this song in the first place.

And thank YOU for reading and listening to this blog post!

Both Sides Now

Image by Gianluca from Pixabay

What a song!

I, like many, have long loved Joni Mitchell’s original recording of “Both Sides Now” — as well her later version with an orchestra.

Pianist (and engineer and mixer) Doug Hammer and I recorded our own version to accompany one of my sweetheart’s annual ART/Word group exhibitions.

The theme that year was BALANCE.

I was not in the greatest voice when we recorded our version, but Doug was able to polish things to a lovely sheen during our fixing/mixing process.

Image by Kanenori from Pixabay

This summer and fall I’ve been riding the train (actually the train + bus due to ongoing track repairs in Massachusetts to fix a sinkhole situation) a lot from Boston to Ithaca, NY — where a bunch of my family members (sisters, niece, grandniece, nephews, mother, and cousins galore) live.

This has given me plenty of time to gaze at passing scenery, and I have seen some extraordinary cloud formations.

At dusk they are often illuminated by the last rays of sun coming over the horizon, which makes them even more magical.

Deep breath in.

Image by Enrique from Pixabay

Deep breath out.

I love that “Both Sides Now” leaves the listener with no concrete answers.

Ms. Mitchell writes, “I really don’t know clouds (or love… or life…) at all.”

And I also love Ms. Mitchell’s description of falling in love — “Moons and Junes and Ferris wheels — the dizzy dancing way you feel — when every fairy tale comes real — I’ve looked at love that way.”

It immediately reminds me of my own history with that feeling — and how intoxicating and exhilarating it was…

Image by Duncan Dao from Pixaba

And I also remember how devastated I was when my various romances came to an end.

Ahh, love…

Ahh, loss…

Ahh, life…

Ahh, clouds…

Another deep breath in.

And deep breath out.

What are YOUR associations with this wonderful song?

Image by MF Gallery from Pixabay

I’d be honored to read any thoughts and feelings in the comments section below.

Thank you to Doug Hammer for being such a great musical ally for three decades.

And thank you for his wonderful, well-tuned Schimmel grand piano…

Thank you to Stephen C. Fischer for designing this lovely graphic.

Thank you to the talented photographers at Pixabay.

Thank you to Gretje Ferguson for taking this photo of me many years ago.

Photo by Gretje Ferguson

And thank YOU for reading and listening to this blog post.

You are welcome to click here and stream/like/playlist/share our version of Joni’s song.

And you can click here to visit my website if you are curious to learn more about my musical life here on planet earth.

Mulligan Stew

Image by ivabalk from Pixabay

Today’s song is a sassy tour de force with lyrics by Lorenz Hart and music by Richard Rodgers.

I love the introductory verse, which mentions “Mulligan Stew,” the “Beaux Arts Ball,” and “Noël Cad” a.k.a. Noël Coward.

Many songs from the 20s, 30s and 40s include references to specific people, places, products and events — thus functioning as historic 20th century time capsules for 21st century listeners.

A) Mulligan Stew, I learned from Wikipedia, is an Irish-inspired recipe for a soup or stew made from whatever food items one can round up.

It was also known as “Hobo Stew” during the early part of the 20th century in the USA.

I feel a special affinity for Mulligan Stew, because it appears to be very similar to the endless soup I like to make during the winter months.

Image by u_0bpc2hin from Pixabay

I start with cut up carrots, potatoes, sweet potatoes, and onions — plus a frozen chicken thigh — and boil all the ingredients until the chicken is cooked and the carrots are starting to lose their crunch.

Then I add some cut-up garlic, fresh ginger, salt, pepper and whatever additional spices — curry powder? thyme? turmeric? one of Trader Joe’s multi-spice blends? — call out to me from the shelf.

Then I eat it for about a week — refrigerating it each night and adding more water plus additional ingredients — leeks? parsnips? kale? mushrooms? squash? rice? tomatoes? okra? tofu? canned beans? frozen artichoke hearts? leftover Chinese food? — on a daily basis before cooking it some more.

Yum!

B) Noël Coward, as you may already know, was a multi-hyphenate powerhouse — an actor-playwright-composer-director-singer from England who died in 1973 after a long and very successful career.

I have only learned and performed one of his songs — “If Love Were All” — which was part of Judy Garland’s repertoire.

But I have a Noël Coward songbook in my basement music library which probably deserves more attention in the future.

C) Wikipedia tells us that “The Beaux-Arts Ball… is the annual costume ball traditionally given by the students of the École nationale supérieure des Beaux-Arts in Paris in the spring…on the rue Bonaparte overlooking the Seine… Its reputation for high style, nudity, wild antics, and cross-dressing encouraged imitators in American cities. In 1931, in New York, famous architects dressed up as their buildings and today, many American architecture schools hold similar costume balls.”

I am guessing that the one in New York in 1931 is the Beaux Arts Ball to which Larry Hart is referring in his lyrics.

They sound like very creative and somewhat outrageous events!

Image by rautsonakshik0 from Pixabay

I am happy to share that my streaming numbers have been rising on Spotify and on Pandora (which are the only two music streaming platforms I currently monitor) — so a BIG THANK YOU to anyone and everyone who have given one of my songs a listen!

I have become more and more of a Pandora fan in recent months, even though their music is only accessible in the USA (and not globally like Spotify).

I use their free option, which means that I have to listen to ads every few songs — which I often mute.

And I use a similar free option on Spotify and YouTube Music.

Even though Pandora’s parent company, SiriusXM, has been laying off large numbers of staff in recent months, the core group of people at Pandora who offer customer service and training to independent musicians like me has — so far — remained intact.

What I particularly love about Pandora is that they do not use chatbots to communicate with independent musicians like me.

Image by jyleen21 from Pixabay

Real live Pandora staff offer free training sessions via Zoom each month to encourage musicians to take advantage of their free promotional strategies which can help songs find new listeners.

I tried one strategy — creating a featured track — and the song I featured received hundreds more streams as a result.

Of course, you probably remember that all of the music streaming companies pay only fractions of a cent per stream to recording artists and songwriters like me…

But I have released 58 songs during the past 4 years, and many of these songs have each been streamed over 1000 times on Spotify and Pandora — although less often on YouTube, Apple, Amazon, and other digital music platforms…

And all of those fractions of cents DO have the potential to add up to something substantial.

So I remain hopeful that my persistence will pay off as the months and years go by — as long as we have a functioning internet, a functioning economy and a functioning democracy…

Deep breath in.

Deep breath out.

Thank you to Doug Hammer for playing his beautiful Schimmel piano on this recording and for being very patient while we mixed and mastered it.

Thank you to Stephen C. Fischer for his elegant graphic design.

Thank you to Larry Hart and Dick Rodgers for their extraordinary songwriting partnership.

Thank you to the talented and generous photographers at Pixabay.

And a final thank you to YOU for making it to the end of another one of my blog posts!

You are always welcome to click here and listen to “The Lady Is A Tramp” on various streaming platforms.