My Sweet Honeydew (A Cappella)

Graphic Design By Stephen C. Fischer

I hope you are well as you read this blog post!

Today I have been inspired by the aphorism “Insanity is doing the same thing over and over again and expecting different results.”

You may have seen it on posters, coffee mugs, etc. — attributed to Albert Einstein.

But according to an online search, there is little evidence that Einstein ever said it.

Instead I learned that a writer — Rita Mae Brown — created this quotation and attributed it to a fictional character in her 1983 book Sudden Death.

Thank you, Ms. Brown!

I think about this aphorism when I am reminded that one is supposed to budget an equal amount of money to market/promote/advertise one’s product as one has spent creating it in the first place.

Yikes!

I have never done this.

Other than maintaining my website, pitching a few songs to music bloggers, and writing this blog, I have spent very little money to promote my music.

However, this particular piece of marketing advice comes up fairly often when I am reading books/articles and watching videos about how to navigate the business of making music in the 21st century.

Now I must pause for a moment for a digression…

Over the past thirty years, I have observed that the music business — like life itself — is always changing and evolving.

So it is virtually impossible to do the same thing over and over again for more than a year or two.

And as a result of personal computers entering our daily lives, we have to keep endlessly learning the latest versions of many different programs/applications — as well as updating our hardware and software.

So as much as I would love to be able to do the same thing over and over again — while drafting new songs using Apple’s GarageBand or making videos using Apple’s iMovie, for example — I am forced to learn the latest updates (and alleged improvements) in order to continue making music.

Deep breath in.

Deep breath out.

This has always seemed to me to be a huge waste of time AND money in order to make a few tech company owners, tech company employees and tech company stockholders rich.

Graphic Design by Stephen C. Fischer

I keep hoping to find a research study which would document the billions of hours which we human beings have wasted in the process of learning — and re-learning…and learning yet again — how to use various computer programs.

I would also like to find studies which explore the cumulative toll on our mental health due to the Sisyphean frustration of having to update and re-learn so many basic tasks/skills on an ongoing basis.

Another deep breath in.

And deep breath out.

So I am happy to report that my friends Molly Ruggles, Ellen Epstein, Michael Cicone and I went in a pre-industrial — and some might even say late-Paleolithic — direction with our most recent song release which we recorded a cappella.

You may remember an earlier version of “My Sweet Honeydew” (recorded with pianist Doug Hammer) which I featured in a blog post from January 8, 2022.

You are welcome to click here and visit — or re-visit — that blog post if you are so inclined.

A couple of years ago singer/songwriter/pianist Molly Ruggles took my original version, added an entirely new section of music + lyrics, and then arranged it for four voices to perform a cappella.

Our new version is in the player at the beginning of this blog post.

You may recognize Molly as a vital part of my trio recordings with Carole Bundy.

Molly, Ellen, Will & Michael (Photo by Doug Hammer)

I have known the other two singers on this recording — Ellen and Michael — for decades.

If you are a fan of contemporary folk music, you may be familiar with them as part of a musical trio with singer/songwriter/guitarist Cindy Kallet for forty-five years.

Ellen and Michael have released three beloved CDs of music with Cindy as well as appearing on many of her solo recording projects.

So I feel very honored and excited that they agreed to be part of this recording!

Now I will circle back to the aphorism that “Insanity is doing the same thing over and over again and expecting different results.”

Molly and I are doing something new with this recording.

We have hired a fellow singer-songwriter, Erik Balkey, to help us promote it to folk radio programs/stations around the USA.

Erik puts together compilation CDs of new recordings every two months and sends them to a couple hundred folk DJs and program directors.

We were surprised — and pleased — to learn that he chose “My Sweet Honeydew (A Cappella)” to lead off the second CD in his July/August promotional compilation.

If you happen to listen to a folk program in your neighborhood — or maybe far away from your neighborhood via an internet radio station — please let me know.

Then I will check and see if Erik sent his July/August promotional CDs — including “My Sweet Honeydew (A Cappella)” — to your favorite station/program.

It will be interesting to see what does — or doesn’t — unfold regarding airplay for our song this summer…

Another deep breath in.

And deep breath out.

Thank you to Erik Balkey for his radio outreach.

Thank you to Doug Hammer for his collaborative production skills (and spontaneous photographic impulses).

Image by congerdesign from Pixabay

Thank you to Stephen C. Fischer for his graphic design gifts.

Thank you to Molly Ruggles for creating this new version of my song.

Thank you to Molly and Michael and Ellen for learning, performing and then recording it.

And thank YOU for reading and listening to yet another blog post from/by me.

One final deep breath in.

And deep breath out.

P.S. You are welcome to stream “My Sweet Honeydew (A Cappella) on your favorite digital music platform by clicking here.

Throwback Thursday #10

Image by Kanenori from Pixabay

Thank you to anyone and everyone who has been visiting my blog.

As I have written in the past, I am amazed to check my stats and see that people continue to show up — even though I post somewhat infrequently.

Maybe that’s part of the power/magic of having 13 years worth of previous blog posts?

Today’s Throwback Thursday re-visits a blog post I published on March 15, 2014.

It focuses on music — and includes a recording of the Burt Bacharach/Hal David classic, “Alfie.”

You can click here to access it if you are curious.

Pianist/singer/arranger/songwriter Molly Ruggles and I performed “Alfie” recently at an assisted living community in Milford, MA, as part of an hour-long program of songs composed by Burt Bacharach.

Some of the folks in their memory care unit joined us, and one woman in a wheelchair appeared to be particularly zoned out when she was wheeled to her spot in the audience.

Then the music began… and she started to sing-along.

Image by Frauke Riether from Pixabay

She was able to remember the lyrics to a bunch of Bacharach/David hits, including “Walk On By,” “Close To You.” and “Raindrops Keep Falling On My Head.”

Music has many mysterious powers!

A quick search on Google tells me that “listening to or playing music is a full-brain experience that engages nearly every region, creating a ‘total brain workout’. It activates a widespread network involving auditory, emotional, motor, and memory systems simultaneously, often synchronizing these areas to enhance cognitive function.

  • Auditory Cortex (Temporal Lobes): Processes sound, rhythm, and melody, converting sound waves into electrical signals.
  • Limbic System (Emotion & Memory): The amygdala (emotion) and hippocampus (memory) respond to music, explaining why specific songs trigger vivid memories or emotional responses.
  • Motor System (Movement): The cerebellum and motor cortex are activated, controlling involuntary tapping or dancing to the rhythm.
  • Prefrontal Cortex (Focus & Planning): Involved in planning, attention, and interpreting musical structure.
  • Neurotransmitter Release: Music boosts dopamine (pleasure/motivation) and serotonin, while lowering cortisol (stress).
Image by Anke Sundermeier from Pixabay

And here’s a link to an article which elaborates on some of these phenomena — featuring a lovely pediatrician and musician named Patrick Whelan who was a member of the same a cappella singing group I joined in college — the Harvard Din & Tonics.

Thank you to the generous and talented photographers at Pixabay.

Thank you to the folks researching how music affects us.

And thank YOU for reading another one of my blog posts!

Under My Umbrella

Image by wal_172619 from Pixabay

Autumn has arrived in New England.

Deep breath in.

Deep breath out.

Autumn is probably my least favorite season.

Partly this is because I do not like being cold.

Partly this is because I do not like the shorter days.

And partly this is because I do not like being reminded that everything dies in the end.

I do however like being reminded of how amazing mother nature is — creating a system of fully recyclable and compostable solar collectors in the form of LEAVES!

Hurrah for leaves and photosynthesis!

Image by Chu Viết Đôn from Pixabay

I wrote the first version of “Under My Umbrella” while camping in North Truro on Cape Cod.

Then my friend Molly Ruggles wrote a new bridge section — which is the version she and I and our friend Carole Bundy recorded (in the player above).

You can click here to read — or re-read depending upon how long you’ve been following my blog — a short post from 9/10/24 which features the earlier (pre-Molly) version of this song.

And here is a link to the Molly, Will & Carole version in case you might be willing to play/like/share it on your favorite music streaming platform.

We recorded it with me, Carole and Molly singing plus Molly playing Doug Hammer’s Schimmel grand piano in his studio north of Boston, MA.

Thank you to Doug for his excellent engineering and music production skills.

Thank you to Molly for writing a new bridge and also a bunch of lovely harmonies for all of us to sing.

Photo by Rada Ruggles

Thank you to Molly for playing piano AND for designing our graphics.

Thank you to the gifted and generous photographers at Pixabay.

And thank YOU for reading and listening to another of my blog posts!

I remain very grateful for our wonderful WordPress community.

Deep breath in.

And deep breath out.

I Can’t Give You Anything But Love, Baby…

Image by YREA from Pixabay

My dad used to sing this song to me and my siblings at bedtime.

It’s another one co-written by Dorothy Fields with composer Jimmy McHugh.

This song recently entered the public domain, which means that we — Molly Ruggles, Carole Bundy and I — can now release our own version of this beloved standard.

Molly is a pianist, singer, songwriter and arranger who worked at Harvard and MIT for many years.

She kept her love for music alive during that period of her life by writing songs (including a complete musical) and working as the music director at a UU church.

Image by soufiane koraichi from Pixabay

During the past few years, I have discovered that Molly has a fascinating musical gift.

She likes to write entirely new sections for pre-existing songs!

Some people write new lyrics for songs, and she has been known to do that as well.

But I have never met anyone who can write an entirely new section which matches the musical style (melody, chords AND lyrics) of the original song in such a seamless way.

If you listen to our recording (in the player above and or via a music streaming service), the entirely new part written by Molly begins “I gotta tell you, I wish that I had a big bank account” and ends with “and I have one simple goal — giving my love to you!”

Image by Walter from Pixabay

It is brilliantly done.

She also wrote a new section for Cole Porter’s song “Let’s Do It” (which recently entered the public domain) and for a few others which are not yet in the public domain.

We perform those songs live but cannot release a recording of them (which would include Molly’s new section) without getting permission from the people who wrote them and/or their descendants and/or the music publishing companies which own them.

Going forward, I am hoping that Molly focuses her creativity on songs which are already in the public domain — of which there are MANY from the early years of what is now called “the Great American Songbook.”

Image by Jasminka Kovačević from Pixabay

For example, a bunch of Irving Berlin’s earliest hits are now in the public domain including “Alexander’s Ragtime Band.”

And one of my favorite songs of all time, Makin’ Whoopee is also in the public domain, I think.

Thank you to Molly for creating this great arrangement of “I Can’t Give You Anything But Love, Baby” as well as playing piano and singing on it.

Thank you to Carole for singing on it.

Thank you to Doug Hammer for engineering our recording session and then mixing our version with me via Zoom.

Thank you to the generous and talented photographers at Pixabay — who let me use their beautiful photos in my blog posts.

Image by Jürgen from Pixabay

And thank YOU for reading and listening to yet another blog post.

Deep breath in.

And deep breath out.

ps: If you are inspired to stream our version of this song, you can click here for links to various companies including Pandora, Apple Music and Spotify.

Let The Day Unfold…

Greetings!

I first attempted to release this song several years ago, but complications at CD Baby — the company I use to distribute recordings to digital streaming platforms — led me to cancel that initial piano/vocal rendition.

Fast forward three years, and I am releasing a new version — this time recorded with my friends Molly Ruggles (playing piano and singing) and Carole Bundy (singing).

Molly also crafted our harmonies.

I co-write this song with two former bandmates, Scott Kowalik and Javier Pico, with whom I was in a pop-rock band a long time ago.

Here is a photo of us way back when…

Photo by Kymbob

Scott and Javier are on the right side, and I am leaning on Alan.

Robert sits in the middle.

That is when I still had a fair amount of hair.

I think Scott’s girlfriend at the time snapped this photo near the Museum of Fine Arts in Boston.

I am saddened to realize that some of the lyrics in this song (“and so we set off to fight another war…”) areeven more compelling today than when Scott (mostly the chorus) and I (mostly the verses) wrote them.

G-d only knows what will continue to unfold in the Middle East… and Ukraine… and so many other active human war zones…

Deep breath in.

Deep breath out.

Image by Mohamed Hassan from Pixabay

I do not want my blog posts to be too discouraging, overwhelming or unhappy.

There’s already plenty of that energy in circulation here on planet earth!

That’s partly why I started sharing shorter, flower-filled Thursday Throwback blog posts this year.

And “Let The Day Unfold” offers a bit of hope and maybe even a smidge of wisdom.

I DO feel that many of us are caught in a losing battle — armored “with the righteous power of the either/or” — about all sorts of very important topics.

For example, I can easily find myself hunkering down in a judgemental, self-righteous, bike-riding, public transportation-using stance regarding our over-consumption of fossil fuels (leading to the increasingly erratic and dangerous weather here on planet earth).

But life is always — or almost always — more complicated and nuanced than a purely either/or position.

That’s why I love the yin/yang symbol — it so beautifully illustrates the concept of “both/and.”

And it reminds me that compromise is not necessarily a horrible option.

Image by Stefan Schweihofer from Pixabay

Sometimes it’s the only option.

Another deep breath in.

And deep breath out.

Thank you to the generous photographers and graphic designers at Pixabay.

Thank you to Javier and Scott and Molly and Carole and Doug Hammer (who recorded us and then patiently helped to mix and master this new version of “Let the Day Unfold.”)

And thank YOU for reading and listening to yet another one of my blog posts and songs!

You can click here to stream “Let the Day Unfold” on your favorite musical platform.

And you can click here to visit my website if you are curious.

Let’s Do It

Cole Porter in the 1930s

Today’s blog post is made possible by our copyright laws.

Cole Porter’s terrific song “Let’s Do It” entered the public domain last year.

So my friends Carole Bundy, Molly Ruggles and I can now share a very fun version which includes some updated lyrics (by Molly and Carole) as well as an entirely new section of the song — written in the style of Cole Porter — by Molly.

Molly created the first draft of this song for a performance with her friend Kate Stringer at Club Cafe in Boston during which I sang some harmony.

Then — after Kate moved to London — the song evolved a bit when Molly, Carole and I added it to our repertoire.

Adding new sections to pre-existing songs is one of Molly’s many creative super powers.

But it can create copyright challenges — unless one is able to get permission from whomever owns the rights to the song.

But now, because “Let’s Do It” (which was first published in 1928) has entered the public domain, we are allowed to take creative liberties with it.

Molly, me and Carole in Maine

“Let’s Do It” was one of several hit songs from Cole Porter’s first big Broadway success — a show called PARIS.

He had been writing songs for a couple of decades — starting in Peru, Indiana (where he grew up the only surviving child in a very wealthy family) and continuing in Massachusetts (where he was valedictorian of his class at a prep school, Worcester Academy) and in Connecticut (where he attended Yale).

According to Wikipedia, he wrote hundreds of songs at Yale — two of which continue to be sung at football games.

He also wrote the songs for four entire musicals which were performed in New Haven and also on tour at college clubs during vacation breaks.

After he graduated from Yale, Mr.Porter pretended to study law at Harvard (to satisfy his very wealthy grandfather, who was paying for his education) while actually studying music and writing songs — and rooming with future a Secretary of State, Dean Acheson, who was then an avid law student.

Cambridge borders East Arlington (where I live), and I love walking through Harvard Law School — which happens to be next to Harvard’s music department — and thinking about Mr. Porter treading the same streets a hundred years ago.

Although he lived an extravagant life, the second half of it was filled with chronic pain due to a horseback riding accident on Long Island.

This accident (the horse he was riding fell and rolled on top of him) left him with multiple leg fractures which never healed well…

Molly, Carole and I leading a service at the UU Church in Milton, MA

He endured many corrective surgeries over the following decades and eventually had the lower part of one of his legs amputated.

Argh!

Deep breath in.

Deep breath out.

Although some of his earlier songs had been interpolated into other shows, Mr. Porter did not have his own hit show until he was 36 years old.

But — in the midst of much revelry and travel — he could be a very disciplined person.

He continued working on music during his 20s and early 30s while simultaneously leading a life of extraordinary luxury — renting historic palazzos in Venice during the summer and hiring entire ballet companies to entertain at his parties.

He even wrote a jazz-inflected music score for a ballet production in Paris which pre-dates George Gershwin’s much more famous Rhapsody In Blue.

You can click here to skim his WIkipedia bio — it is full of fascinating details about his personal and professional lives.

Carole, Molly and I are not living lives of extraordinary luxury, but we ARE acutely aware of how fortunate/privileged we are to be able to devote time and energy to making music during this very challenging — and at time horrifying — time on planet earth.

A deep breath of gratitude in.

And a deep breath of gratitude out.

Thank you to Cole Porter for writing “Let’s Do It.”

Thank you to our copyright laws for allowing creative material to go into the public domain after a certain number of years.

Thank you to Peter Kontrimas for recording us.

Thank you to Doug Hammer for helping us fix, mix and master this recording.

Thank you to Rada Ruggles and Owen Hartford for taking photos of us.

Thank you to Pixabay for their talented and generous photographers.

Thank you to CD Baby for releasing our music — and for paying us (very modest) royalties each month.

Image by Anrita from Pixabay

And a special THANK YOU to everyone who has been streaming, liking, and playlisting our “Molly, Will & Carole” music!

We’re up to 2500 total streams on Spotify and 6500 total streams on Pandora (which are the only two music-listening platforms I currently keep tabs on…)

I have recently learned that streaming activity on the very first day of a song’s release strongly influences the future algorithmic behavior of that song on that platform — ie: whether a song is recommended to other potential listeners.

So if you might be willing to click here to stream “Let’s Do It” on the platform of your choice — and maybe even “like” it and add it to a playlist — we would be very grateful.

I will end with one final THANK YOU to you for reading and listening to yet another one of my blog posts!

Deep breath in.

Deep breath out.

The Crazy Touch And Go Of Our Lives

Image by Mark Martins from Pixabay

I hope you are well as you read this blog post.

Thank you for stopping by.

I wrote this song several years ago when I was camping at the North of Highland campground in North Truro, MA, on Cape Cod .

It is a heavenly place.

For over twenty five years I camped there every summer with my sweetheart and his extended family.

And then COVID — and a new baby — entered our lives, and we all decided to rent a house together at the opposite end of the state (in Pittsfield) with a big, fenced-in backyard instead.

Ahh, change…

Deep breath in.

Image by Radovan Zierik from Pixabay

Deep breath out.

When I look at photos on the campground’s website or re-read a blog post I once wrote about camping there, I am filled with a poignant sadness that we no longer gather in this idyllic spot.

And that is what this song is all about.

Life is an ebb and then a flow — and it just keeps on ebbing and flowing…

We can embrace that fact — at times sadly, at times gratefully, at times contentedly, at times joyfully.

Or we can fight it.

When I was looking at Dalai Lama quotations for my last blog post, I found one which fit this theme perfectly:

Image by Willfried Wende from Pixabay

“Old friends pass away, new friends appear.

It is just like the days.

An old day passes.

A new one arrives.

The important thing is to make it meaningful: a meaningful friend — or a meaningful day.”

Another deep breath in.

And deep breath out.

This song was inspired by a couple who rented a campsite at the other end of the little valley at North Of Highland campground where we had a perennial campsite.

Image by 🌼Christel🌼 from Pixabay

I don’t remember exactly how we reached out and introduced ourselves, but I am pretty sure I showed them the wild blueberry bushes which were bearing fruit all around our little valley.

And they invited us over for an informal cocktail hour one evening, which was very pleasant.

And then we discovered that the guy was a swimmer who, like me, loved to do laps along the ocean shoreline — although this was becoming more and more risky because the increasingly abundant population of seals in North Truro had been attracting more and more great white sharks…

So we hit it off with these two friendly people and became well-acquainted over the course of a few days.

Then, to my surprise (because I had assumed incorrectly that they had a week-long rental) they packed up their tent and — with warm goodbyes — drove away.

Image by Pexels from Pixabay

And I found myself feeling surprisingly sad.

Yet another deep breath in.

And deep breath out.

I have been very aware of — and sensitive to — the realities of love and loss ever since I was young.

In fact, I have been told that my parents used to sing “Good Night Irene” to me when I was a very small child just to see me well up with tears.

Deep sigh…

I have written in previous blog posts about the challenges of working professionally as a child and teenager. One of an actor’s most important skills is developing a sense of connectedness — first with the receptionist who checked you in at each audition, then with the casting agents, with the clients, and with any actors who were part of the initial audition and subsequent callbacks.

Image by Michelle Raponi from Pixabay

And if I got a job — whether for an hour doing a voiceover, for a day on the set of a TV commercial, for a couple of weeks filming a TV pilot, for a few months doing a movie, or for a year doing a musical — I needed to nurture ongoing, positive working relationships with my fellow cast and crew members.

I needed to show up on time.

I needed to know my lines.

I needed not to complain about anything.

I needed to behave as if I was a small, manipulable adult.

No fidgeting.

No fooling around.

Image by JamesDeMers from Pixabay

When a job was done, I remember how awkward and sad I felt as all of the camaraderie, friendship, affection and even love which had developed among members of the crew and cast would evaporate and disappear.

That was very confusing.

Was any of the camaraderie, friendship, affection and love I had experienced real?

Or was everyone just acting?

Another deep breath in.

And deep breath out.

On a vaguely related note, our planet’s relentlessly-marketed fossil fuels — along with the cars, trains, busses, ocean liners, planes, motorcycles, etc. which need them to run — have allowed most of us human beings to become much more mobile and much less rooted in one neighborhood, one town, one city, one state, one country.

The postal service and the internet have also given us extraordinary options for meeting and becoming acquainted with other humans.

Image by Yassine Noamani from Pixabay

How do we make sense of — and peace with — all of the beings who come and go in our lives?

Deep breath in.

Deep breath out.

I tried to make a little bit of sense out of the ebb and flow of relationships by strumming a ukulele in my tent and then jotting lyric and chord ideas in one of my songs-in-process notebooks.

Eventually “The Crazy Touch And Go Of Our Lives” emerged.

I performed it by myself — playing a ukulele — at some open mics.

Image by Pam Fitzgerald from Pixabay

Then a few years ago my friend Molly Ruggles (who sings, plays piano and writes songs herself) created a lovely harmony part for her and our friend Carole Bundy to sing.

The three of us performed it at a bunch of porchfests and then recorded it with Molly playing piano last summer at Doug Hammer’s studio north of Boston.

Another deep breath in.

And deep breath out.

As I write this blog post, I am reminded of the Dalai Lama’s words about making each day — and, each friend — meaningful.

That is certainly what has happened with me and Carole and Molly.

We first collaborated when I was invited to sing during a service at the UU church in Medford where they were both members and where Molly was also the music director.

And this musical collaboration has deepened and widened over many years — and many delicious dinners — to become meaningful friendships.

We sing and harmonize and rehearse and perform and bear witness to the twists and turns of each other’s lives.

Deep breath of gratitude in.

Deep breath of gratitude out.

I will end this post with my customary thank yous plus a bunch of beautiful images from Pixabay that somehow reminded me of this song.

Image by Tom from Pixabay

Thank you to all of the folks who have kept North of Highland campground going for many decades. I miss being there each summer!!!

Thank you to the couple who camped for a few days across the little valley from us at North of Highland campground.

Thank you to the Dalai Lama for his wisdom.

Thank you to my sweetheart and his — now our — family for letting me sit in my tent at the campground all day long, working on new songs.

Thank you to my dear ukuleles, to my “tent of creativity,” and to the various pencils, pens, notebooks, rhyming dictionaries, and laptops which help me to write songs.

Image by hartono subagio from Pixabay

Thank you to Molly and Carole for our years of interactions.

Thank you to the UU church in Medford for bringing me and Carole and Molly together as a musical unit and as friends.

Thank you to Doug Hammer for engineering and then mixing/mastering our recordings with us.

Thank you to the grasses and bushes and seaweeds and crabs and sea birds and seals and sharks and fish who make the Head Of The Meadow beach — a short and beautiful walk from the North Of Highland campground — so interesting to visit.

Thank you to the ocean and the sun and the moon and the tides which sweep the beach clean twice a day.

Image by Anna from Pixabay

Thank you to everyone who has been listening to my songs via Pandora, YouTube, Spotify, Apple Music, and any/all of the other streaming platforms.

Each stream, each like, and each addition to a playlist is noted by that streaming service’s algorithms — and encourages it to share the song with other listeners.

You can click here to listen to “The Crazy Touch and Go of Our Lives” on many different streaming platforms.

And a final thank you to the wonderful photographers at Pixabay, whose beautiful images grace almost all of my blog posts

I will end with a few more of my favorites Cape Cod-related photos from Pixabay.

Image by Mark Martins from Pixabay

Together they capture some of the magical essence of the outer Cape.

What are YOUR experiences with the crazy touch and go oof our lives?

Image by Nathan Osman from Pixabay
Image by Mark Martins from Pixabay

Inch by Inch… Row by Row!

Photo courtesy of the Arlington Reservoir website

While all sorts of extremely important events continue to unfold around the world on a daily basis, life — blessedly — goes on here in East Arlington, MA.

Last fall I discovered — and began happily patronizing — an organic farm within biking distance of my home.

It sits on the edge of an old reservoir which currently serves as a nature preserve.

The reservoir straddles the border of my town and the next town to the west — Lexington, where our Revolutionary War kicked off two hundred and forty eight years ago with a battle against the British.

I have known about this reservoir — which is no longer used for drinking water — for the past thirty years.

Yet I have rarely visited it because I live on the east side of town, and the reservoir is located on west side of town.

Biking there takes 25 minutes, and it’s mostly up hill — following a converted rail-to-trail bike path.

However, this past fall I resumed leading Music Together classes indoors at a karate studio which is located five blocks from the reservoir.

And not long after we had begun our fall term, someone (we still don’t know who) drove into one of the karate studio’s front walls.

This meant that we had to find alternative locations for our classes while repairs were being made.

A couple of my Music Together families offered to let us hold class in their backyards — and one of those families lives a block away from the reservoir.

So one morning after class in their backyard was done, I decided to explore the reservoir on my bike.

Photo courtesy of Lexington Community Farm website

It turns out there is a lovely path all the way around it — and when I reached the far side of the reservoir, I found myself gazing onto a field full of vegetables!

And then I saw a sign welcoming people to walk through the farm and — on Fridays and Saturdays — buy fresh vegetables at their farmstand.

Because I had been part of a summer/fall farmshare of fresh produce which was driven to Arlington each week from an organic farm in New Hampshire, I did not visit their farmstand right away.

But when my farmshare ended in November, I decided to check it out.

What a thrill to enter a room full of very locally grown — and vibrantly colored — organic carrots, potatoes, lettuces, sweet potatoes, scallions, leeks, collard greens, swiss chard, kale, turnips, beets.. and the list went on and on and on!

I bought a bunch of leeks, a bunch of kale and a bunch of collard greens.

And I rode home very happily on the bike path with all of them erupting in different shades of green out of a shopping bag in the front basket of my bike.

We are now experiencing a stretch of wintery weather in Arlington after a relatively mild December, January and February (during which I have been able to continue riding my bike!)

The first crocus and snowdrops appeared in our front yard two weeks ago, but they are now buried under an icy crust of snow.

This week we are experiencing snow and sleet and rain, but I trust that spring will return before too long — with more croci and snowdrops and mini-Siberian irises and grape hyacinths poking their way out of the soil and opening their flowers to the sun.

I also trust that activity will resume in the fields and greenhouses of Lexington Community Farm.

My longing for spring is what has inspired me to share a recording of “The Garden Song” by Dave Mallett which Carole Bundy, Molly Ruggles and I included on our first eight-song CD last summer.

As you probably already know, you can play it by clicking at the very beginning of this blog post.

You can also listen to it on various streaming platforms by clicking here.

Thank you to all of the people who make the Lexington Community Farm a reality — inch by inch and row by row!

Thank you to Carole Bundy and Molly Ruggles for learning this song with me.

Thank you to Dave Mallett for writing it.

Thank you to Peter Kontrimas for recording it and to Doug Hammer for mixing/mastering it.

And thank you to Mother Nature for bringing everything back to life here in the northern hemisphere of planet earth!

You are always welcome to visit my website — where you can find many songs and learn more about my musical life here on planet earth if you are curious.

You can find me and Carole and Molly singing on various streaming platforms by clicking here.

You can also find me singing — with Doug Hammer playing his Schimmel grand piano — on SpotifyPandoraApple Music, YouTube and other streaming platforms.

Any song you “like” or “heart” or add to a playlist will improve the algorithmic activity of our music there!

Deep breath in.

Deep breath out.

And most of all, thank YOU for reading another one of my blog posts!

The Beauty All Around (version 3…)

It’s autumn here in New England.

I am not a big fan of autumn — with ever-lengthening nights and ever-colder temperatures…

But I understand that I can’t experience spring and summer without also experiencing autumn and winter.

So I strive to accept and make peace with the arrival of autumn.

Deep breath in.

Deep breath out.

Image by PublicDomainPictures from Pixabay 

This week I rode my bike from East Arlington (where I live) to Arlington Heights (where I lead Music Together classes three mornings per week) via a rail-to-trail bike path.

At one point there was a stretch of sugar maple trees with orange, red and yellow leaves silhouetted against a very blue sky.

And I had to acknowledge the beauty of autumn…

Another deep breath in.

And deep breath out.

Dedicated readers of this blog may remember a song called “The Beauty All Around” which I wrote not long after taking a class called “Ukulele for the Almost Musical” led by a wonderful teacher, Danno Sullivan.

Image by Ulrike Draper from Pixabay 

I recorded it using my ukulele and Apple’s wonderful GarageBand application, and then I recorded a new piano/vocal version a few years later with pianist/engineer Doug Hammer at his terrific home studio.

You can hear both versions in a blog post dated March 27, 2014 if you are curious.

I had been sitting on the Doug Hammer version for many years, intending to overdub a bunch of harmony vocals before releasing it.

But then I crossed paths with singer Carole Bundy and singer/pianist/songwriter/arranger Molly Ruggles.

And Molly added harmony lines for her and Carole to sing.

And we included it in a service at their Unitarian-Universalist church in Medford, MA.

And we sang it during several Porchfest performances.

And finally last December we recorded it for our first 8-song CD.

Hurrah!

So far we’ve given away or sold about 50 CDs and also have begun releasing some of the songs via digital music platforms such as Spotify, Apple Music, and Pandora.

Right now we are working on new songs for a benefit performance on Saturday, October 29th at 7:30pm to raise money for the social justice programs at the UU Church in Medford.

Among other things that church runs a much-needed food pantry and is currently hosting a family who managed to get out of Afghanistan earlier this year.

We’ve been rehearsing in the main sanctuary of the church, and it has been a great pleasure to experience the excellent acoustics of the space.

So much is happening right now in the USA — and all around this small, blue-green planet!

Accelerating climate catastrophes such as drought, forest fires, hurricanes, flooding, polar ice/ permafrost melting…

Ongoing health anxieties related to COVID, the flu, monkeypox, and whatever else may be coming down the pike…

The horrible war in Ukraine…

The rise of fascist political rhetoric and activity and actions here in the USA and in many other countries around the world…

And the list goes on and on…

Deep breath in.

Deep breath out.

My coping methods to deal with all of these challenges include:

Image by Johnnys_pic from Pixabay 

1) Personalizing and sending lots of cards and letters to potential voters in swing states…

2) Riding my bike, walking, or taking public transportation…

3) Singing with the families in my Music Together classes and also with Carole and Molly…

4) Donating tiny amounts of money to tight political races all around the country…

5) Savoring moments of beauty in the non-human world…

So far we have not yet had a frost; so the cosmos, zinnias, and daisies in my neighbors’ front yards are still blooming brilliantly.

And the basil and marigolds on my back porch are still going strong, too!

Thank you to Carole and Molly for our ongoing musical journey.

Thank you to my Music Together families — past, present and future!

Thank you for a roof over my head, clean drinking water, food to eat (much of it from a local organic farmshare!), a steadfast and loving partner, and a still-beating heart.

Thank you to Peter Kontrimas, who did the initial recording of our eight songs, and to Doug Hammer, who helped us mix and master them via Zoom.

Thank you for the great photographs from Pixabay.

And thank YOU for reading and listening to another one of my (not-particularly-frequent) blog posts.

Deep breath in.

Deep breath out.

PS: You are always welcome to visit my website — where you can find many songs (and learn more about my musical life here on planet earth if you are curious).

You can also find me singing — with Doug Hammer playing his Schimmel grand piano — on SpotifyPandoraApple Music, YouTube and other digital music platforms.

Simple Rules…

Greetings after another long pause between blog posts!

I hope you remain well — fellow blogger or visitor from beyond the world of WordPress — and I am very grateful that you are reading this blog post.

I have continued reading (and commenting on) other blog posts during the past many months, but I didn’t have anything I felt compelled to blog about.

When I logged into my account yesterday, however, and looked at my stats, I was delighted to find that people have continued visiting my blog and listening to music even when I am not actively blogging.

Thank you!!!

Photo of Åland Islands by Lau Svensson — licensed under the Creative Commons Attribution 3.0 Unported license.

It is truly inspiring to learn that — in the first three weeks of May — folks have visited from the USA, the UK, South Africa, Canada, Poland, Australia, Norway, Germany, India, Italy, China, New Zealand, the Philippines, and the Åland Islands (which I just learned are part of Finland at the entrance to the Gulf of Bothnia in the Baltic Sea).

I’ll say/write it again.

Thank you!!!

Molly, me and Carole after a porch gig in Maine

Today’s blog post features a song called “Simple Rules” written by my friend Molly Ruggles.

Molly is a songwriter, pianist, arranger and singer who recently retired from her day job at MIT.

She created this lovely vocal arrangement for her and me and our friend Carole to sing — and we recorded it during a brief lull in the Covid pandemic last December.

Molly, Carole and I — as well as the recording engineer Peter Kontrimas at whose studio we were fortunate to book a session — were well-vaccinated AND wore masks except for when we were in our separate recording booths (connected via headphones with each other and with Peter).

We then fixed/mixed/tweaked/mastered it via Zoom with another great recording engineer, Doug Hammer — whose name will be familiar to many of my blog readers because he is also an astounding pianist with whom I have recorded many, many songs.

Molly’s song has inspired me to think about other “simple rules” that we human beings would do well to honor.

For example, this morning I read details on a BBC website about how many of the staff members at 10 Downing Street chose to ignore the official guidelines for appropriate behavior during a pandemic. One staffer explains that they felt that they were in a bubble (of privilege? of denial?) and thus ignored what the official guidelines were.

Deep breath in.

Deep breath out.

One of my favorite “simple rules” is the rule/fact that we animals breathe out what plants need to stay alive (CO2) — and plants breathe out what WE need to stay alive (O2).

Photo of red panda eating bamboo by Pexels from Pixabay

I often feel as though we have done a very poor job educating each other about this profoundly simple rule.

Healthy oceans (full of plants ranging from single-celled phytoplankton to forests of kelp) and healthy forests (such as the Amazon jungle) and healthy agricultural fields and healthy gardens are not optional.

They are vital to every breath we are blessed to breathe — and which we hope to continue to breathe — here on planet earth!

Another simple rule/guideline which bears repeating again and again and again is the profound power of apology.

We all make mistakes.

In fact, making mistakes is an important way that we learn things — about how stoves can be too hot to touch, about how we need to look both ways before we cross a street, and about how lemon extract tastes more burningly bitter than delightfully sour (a shocking revelation which I learned at an early age when experimenting in the kitchen with my sister and one of her friends).

Photo by kalhh from Pixabay 

Apologies exist to repair human relationships when one person makes a mistake and hurts another person. Or another species. Or another community. Or an entire ecosystem.

In fact, I feel that much of the stress which we experience these days — directly in our own lives and indirectly from politicians, business leaders, and other authority figures — is due to past injuries for which no one has ever sincerely, authentically, and heartfully apologized.

Apologizing is not easy — but it is very worthwhile to do.

And if we are able to make amends for our mistake — taking action to make up for what has happened in the past — that is an even more profound act of healing.

Another deep breath in.

And another deep breath out.

I will end with one final simple rule: short blog posts are easier to read than long ones!

I am aware that I have written way-too-many, way-too-long blog posts in the past.

So I will cut this short and end with my customary thank yous… along with a lovely underwater photo of kelp (breathing in C02 and breathing out 02…)

If you’d like to listen to “Simple Rules” on YouTube, Pandora, Spotify, Apple Music, etc, you can click here for links to various digital music platforms.

Photo by Benjamin Davies from Pixabay 

Thank YOU for reading and listening to this blog post.

Thank you to Molly Ruggles and Carole Bundy for their friendship and for our shared love of music.

Thank you to Peter Kontrimas and to Doug Hammer — for their patient engineering expertise.

And thank you to the photographers at Pixabay and Wikimedia Commons for their lovely images.

Deep breath in.

Deep breath out.

You are always welcome to visit my website — where you can find more songs (and learn more about my musical life here on planet earth if you are curious).

You can also find me singing — with Doug Hammer playing his Schimmel grand piano — on SpotifyPandoraApple Music and other digital music platforms.

Carole, me and Molly performing in upstate New York

I earn only a fraction of a cent any time someone plays one of my recordings on a digital music service — but they all add up…

And if you are inspired to create a “Will McMillan featuring Doug Hammer” channel, that is even more helpful.

Lastly, if you live in the Boston area, Carole, Molly and I will be performing as part of Arlington Porchfest on Saturday, June 18th (rain date: Sunday, June 19th) here in East Arlington, MA.

We would love to see you if you decide to drop by for a song (or more!)