There’s Nothing I Wouldn’t Do…

Zina Goldrich and Marcy Heisler

Today’s song was written by the very gifted team of Marcy Heisler (lyrics) and Zina Goldrich (music).

They are a well-known songwriting team based in New York City, and they have crafted a bunch of stand-alone songs — along with entire musicals — which are beloved by performers.

A few of their NYC-area hits include “I Like Them (Bald),” “Alto’s Lament,” and “Taylor, The Latte Boy.”

Jinny Sagorin and I recorded their song “There’s Nothing I Wouldn’t Do” with pianist Doug Hammer a few years ago.

Originally from South Africa, Jinny has lived in the Boston area for the past two decades.

You can check out her website by clicking here if you are curious.

In recent years Jinny has expanded beyond musical theater and cabaret to becoming a cantor.

We both share a sense that music can be very sacred (as well as silly, sexy, heartfelt, and open-minded).

Will (with broken elbow), Jinny and Doug — Photo by Jeremy Schmahmann

And performing in a synagogue, library, church or retirement community can be just as satisfying as performing in a bar or club — although we have both done plenty of that, too!

I first met Jinny when I was co-hosting an open mic at The Cambridge Center For Adult Education in Harvard Square (where I also was employed as an events manager and PR person).

Eventually we put together an entire program of songs called LIFE MATTERS.

Jinny also invited me to perform as a special guest when she debuted her solo CD, IT’S FOR YOU, to a sold-out crowd at Scullers Jazz Club in Boston.

And she has performed many of my original songs when I have done showcases of my own work.

In addition to being a performing artist, Jinny is also a visual artist.

Here’s an example of a work of art she created for an annual show called ART/Word in which she is a regular participant.

Thank you to Marcy and Zina for writing this song.

Thank you to Jinny and Doug for recording it with me.

Painting by Jinny Sagorin

Thank you to Stephen C. Fischer a.k.a DigitalFisch for designing the graphic to accompany it.

Thank you to Dr. Jeremy Schmahmann for taking the photo of me, Jinny and Doug.

And thank YOU for reading this blog post!

PS: If you feel like streaming this song on your favorite digital music platform, please click here for links.

PPS: I haven’t mentioned the current challenges here on planet earth (wars, heat waves, forest fires, floods, spreading diseases, rising costs, lack of food/fertilizer/fuel, political upheaval, etc.) in recent blog posts.

But I remain vividly aware of them.

And I continue to find inspiration and hope from the courageous candidates and hard-working GOTV (get out the vote) organizations at work around the USA.

As you are probably well aware, there are a bunch of very inspiring human beings stepping up at the local, state and national levels these days.

Let’s support them — with tiny donations of time and/or money— as much as we are able.

Deep breath in.

Deep breath out.

My Sweet Honeydew (A Cappella)

Graphic Design By Stephen C. Fischer

I hope you are well as you read this blog post!

Today I have been inspired by the aphorism “Insanity is doing the same thing over and over again and expecting different results.”

You may have seen it on posters, coffee mugs, etc. — attributed to Albert Einstein.

But according to an online search, there is little evidence that Einstein ever said it.

Instead I learned that a writer — Rita Mae Brown — created this quotation and attributed it to a fictional character in her 1983 book Sudden Death.

Thank you, Ms. Brown!

I think about this aphorism when I am reminded that one is supposed to budget an equal amount of money to market/promote/advertise one’s product as one has spent creating it in the first place.

Yikes!

I have never done this.

Other than maintaining my website, pitching a few songs to music bloggers, and writing this blog, I have spent very little money to promote my music.

However, this particular piece of marketing advice comes up fairly often when I am reading books/articles and watching videos about how to navigate the business of making music in the 21st century.

Now I must pause for a moment for a digression…

Over the past thirty years, I have observed that the music business — like life itself — is always changing and evolving.

So it is virtually impossible to do the same thing over and over again for more than a year or two.

And as a result of personal computers entering our daily lives, we have to keep endlessly learning the latest versions of many different programs/applications — as well as updating our hardware and software.

So as much as I would love to be able to do the same thing over and over again — while drafting new songs using Apple’s GarageBand or making videos using Apple’s iMovie, for example — I am forced to learn the latest updates (and alleged improvements) in order to continue making music.

Deep breath in.

Deep breath out.

This has always seemed to me to be a huge waste of time AND money in order to make a few tech company owners, tech company employees and tech company stockholders rich.

Graphic Design by Stephen C. Fischer

I keep hoping to find a research study which would document the billions of hours which we human beings have wasted in the process of learning — and re-learning…and learning yet again — how to use various computer programs.

I would also like to find studies which explore the cumulative toll on our mental health due to the Sisyphean frustration of having to update and re-learn so many basic tasks/skills on an ongoing basis.

Another deep breath in.

And deep breath out.

So I am happy to report that my friends Molly Ruggles, Ellen Epstein, Michael Cicone and I went in a pre-industrial — and some might even say late-Paleolithic — direction with our most recent song release which we recorded a cappella.

You may remember an earlier version of “My Sweet Honeydew” (recorded with pianist Doug Hammer) which I featured in a blog post from January 8, 2022.

You are welcome to click here and visit — or re-visit — that blog post if you are so inclined.

A couple of years ago singer/songwriter/pianist Molly Ruggles took my original version, added an entirely new section of music + lyrics, and then arranged it for four voices to perform a cappella.

Our new version is in the player at the beginning of this blog post.

You may recognize Molly as a vital part of my trio recordings with Carole Bundy.

Molly, Ellen, Will & Michael (Photo by Doug Hammer)

I have known the other two singers on this recording — Ellen and Michael — for decades.

If you are a fan of contemporary folk music, you may be familiar with them as part of a musical trio with singer/songwriter/guitarist Cindy Kallet for forty-five years.

Ellen and Michael have released three beloved CDs of music with Cindy as well as appearing on many of her solo recording projects.

So I feel very honored and excited that they agreed to be part of this recording!

Now I will circle back to the aphorism that “Insanity is doing the same thing over and over again and expecting different results.”

Molly and I are doing something new with this recording.

We have hired a fellow singer-songwriter, Erik Balkey, to help us promote it to folk radio programs/stations around the USA.

Erik puts together compilation CDs of new recordings every two months and sends them to a couple hundred folk DJs and program directors.

We were surprised — and pleased — to learn that he chose “My Sweet Honeydew (A Cappella)” to lead off the second CD in his July/August promotional compilation.

If you happen to listen to a folk program in your neighborhood — or maybe far away from your neighborhood via an internet radio station — please let me know.

Then I will check and see if Erik sent his July/August promotional CDs — including “My Sweet Honeydew (A Cappella)” — to your favorite station/program.

It will be interesting to see what does — or doesn’t — unfold regarding airplay for our song this summer…

Another deep breath in.

And deep breath out.

Thank you to Erik Balkey for his radio outreach.

Thank you to Doug Hammer for his collaborative production skills (and spontaneous photographic impulses).

Image by congerdesign from Pixabay

Thank you to Stephen C. Fischer for his graphic design gifts.

Thank you to Molly Ruggles for creating this new version of my song.

Thank you to Molly and Michael and Ellen for learning, performing and then recording it.

And thank YOU for reading and listening to yet another blog post from/by me.

One final deep breath in.

And deep breath out.

P.S. You are welcome to stream “My Sweet Honeydew (A Cappella) on your favorite digital music platform by clicking here.