Asleep At The Karmic Wheel

Image by Mabel Amber from Pixabay

I hope you are well as you read this bog post.

Thank you for dropping by!

“Asleep At The Karmic Wheel” is a song I wrote many years ago after I stumbled upon a particularly satisfying chord progression on my ukulele.

My understanding of the concept of karma is that each of our actions has consequences.

Here’s a more detailed explanation from The Himalayan Institute if you are curious to learn what they think...

I love combining the idea of a karmic wheel with the idea of us all (or many of us…) being asleep at the wheel — which is, of course, an extremely dangerous situation both for the person who is driving and also for all the other beings who are on or near the road on which this drowsy person is driving!

Because I have set up my daily life to be walkable, bikeable and/or busable (as dictated by the weather), I almost never drive a car.

Image by Jessica Latorre from Pixabay

Every time I am able to walk or bike from point A to point B (such as from home to Music Together classes or from home to Trader Joe’s), I am happy that I am not adding to the ever-more-precarious imbalance of greenhouse gasses in our planet’s atmosphere.

But I do ride to gigs at retirement communities in either a hybrid car or a regular gasoline-burning car — depending upon which accompanist I am working with on that day — which can leave me feeling like I am part of the problem rather than part of the solution.

Deep breath in.

Deep breath out.

I remain aware that advertising agencies, the companies who hire them to inspire/hypnotize us into buying lots of things, and our various media who feed those messages (hundreds per day!) to us have created a completely misleading narrative about how to find happiness and meaning in our lives.

And now we are living in a period of reckoning — both politically and environmentally — for all of the untruths and PSYOPs to which we have been exposed.

Here’s a fascinating example of how maddeningly f–ked up things have become here in the 21st century.

Apple, a company which prides — and markets — itself on protecting its users’ privacy recently settled a lawsuit which alleged that it, in fact, was recording its users’ conversations and sharing them with advertisers.

What???!!!

I do not have an iPhone or iWatch, but I do own several Apple laptops (going back twenty years), a couple of iPods (also going back many years), and I continue to love Apple’s GarageBand musical composition program.

What a disappointment…

Here’s an AP article/explanation from 1/2/25 by tech writer Michael Liedtke:

“Apple has agreed to pay $95 million to settle a lawsuit accusing the privacy-minded company of deploying its virtual assistant Siri to eavesdrop on people using its iPhone and other trendy devices.

Image by Gerd Altmann from Pixabay

The alleged recordings occurred even when people didn’t seek to activate the virtual assistant with the trigger words, ‘Hey, Siri.’ Some of the recorded conversations were then shared with advertisers in an attempt to sell their products to consumers more likely to be interested in the goods and services, the lawsuit asserted.

The allegations about a snoopy Siri contradicted Apple’s long-running commitment to protect the privacy of its customers — a crusade that CEO Tim Cook has often framed as a fight to preserve ‘a fundamental human right.’

The proposed settlement filed in an Oakland, California federal court would resolve a 5-year-old lawsuit revolving around allegations that Apple surreptitiously activated Siri to record conversations through iPhones and other devices equipped with the virtual assistant for more than a decade.

Apple isn’t acknowledging any wrongdoing in the settlement, which still must be approved by U.S. District Judge Jeffrey White. Lawyers in the case have proposed scheduling a Feb. 14 court hearing in Oakland to review the terms.”

Image by Luiz Antonio Toni from Pixabay

Yowza!

I just checked online and learned from BloombergLaw.com that on 2/20/25, “A federal judge gave his preliminary approval to a $95 million settlement that would end a five-year class action over alleged privacy violations by Apple Inc.‘s Siri virtual assistant.”

It truly makes one wonder how one can trust any company whatsoever…

And it confirms what my brother-in-law Andrew had started noticing many summers ago when we were camping on Cape Cod — that conversations we were having within earshot of his iPhone were triggering uncannily specific ads (directly related to what we had been discussing) on his Facebook feed.

Another deep breath in.

And deep breath out.

Graphic design by Stephen C. Fischer

G-d only knows what our individual — and shared — karmic reckonings will be in the hours, days, weeks, months and years ahead…

Thank you to Doug Hammer for playing so elegantly and engineering/mixing so patiently on this song.

Thank you to Stephen C. Fischer for his beautiful graphic design work.

Thank you to the talented and generous photographers at Pixabay.

And thank you to everyone who has been streaming my music on Pandora, Youtube, Spotify, Amazon, Apple Music, and other digital music platforms.

Slowly but surely, my total number of streams continues to rise.

And so do the tiny amounts of money I receive each month from my music distributor.

Image by Gerd Altmann from Pixabay

You can click here if you’d be willing to stream “Asleep at the Karmic Wheel” once or twice (and maybe even give it a thumbs up or add it to a playlist…)

One final THANK YOU for making it to the end of yet another one of my blog posts.

I will end with a deep breath of gratitude in.

And a deep breath of gratitude out.

I welcome any strategies about how YOU are not falling asleep at the karmic wheel in the comments below.

Throwback Thursday (#4)

I hope you are well as you read this blog post.

Our current political climate here in the USA continues to be extraordinarily challenging, but we did get some promising political news from our neighbor to the north recently…

Deep breath in.

Deep breath out.

I strive on a daily basis to find a balance between engagement — giving tiny amounts of money to political races around the country, sending postcards to potential voters in those races, writing to my elected officials, reading the news, etc. — and disengagement so that I can cultivate a little bit of optimism, hope, love and respect (which seem to be in short supply these days… at least in certain corridors of power.

Returning to my earliest blog posts has become part of the latter — soul nurturing — strategy.

Image by Freddy from Pixabay

I love being reminded of events which I have forgotten about — and also being reminded of how my life has unfolded/changed/evolved during the past decade.

Deep breath in.

Deep breath out.

If you are curious, you are welcome to visit (or re-visit if you are a long-time follower…) a blog post about spontaneity from October 4, 2013 by clicking here.

It reminds me about the ongoing balance in our lives between being well-prepared and surrendering to the present moment.

Image by Ralph from Pixabay

Thank you for reading yet another one of my blog posts.

And thank you to the wonderful photographers at Pixabay for these glorious photos of tulips!

Deep breath of gratitude in.

Deep breath of gratitude out.

Let’s Do It

Cole Porter in the 1930s

Today’s blog post is made possible by our copyright laws.

Cole Porter’s terrific song “Let’s Do It” entered the public domain last year.

So my friends Carole Bundy, Molly Ruggles and I can now share a very fun version which includes some updated lyrics (by Molly and Carole) as well as an entirely new section of the song — written in the style of Cole Porter — by Molly.

Molly created the first draft of this song for a performance with her friend Kate Stringer at Club Cafe in Boston during which I sang some harmony.

Then — after Kate moved to London — the song evolved a bit when Molly, Carole and I added it to our repertoire.

Adding new sections to pre-existing songs is one of Molly’s many creative super powers.

But it can create copyright challenges — unless one is able to get permission from whomever owns the rights to the song.

But now, because “Let’s Do It” (which was first published in 1928) has entered the public domain, we are allowed to take creative liberties with it.

Molly, me and Carole in Maine

“Let’s Do It” was one of several hit songs from Cole Porter’s first big Broadway success — a show called PARIS.

He had been writing songs for a couple of decades — starting in Peru, Indiana (where he grew up the only surviving child in a very wealthy family) and continuing in Massachusetts (where he was valedictorian of his class at a prep school, Worcester Academy) and in Connecticut (where he attended Yale).

According to Wikipedia, he wrote hundreds of songs at Yale — two of which continue to be sung at football games.

He also wrote the songs for four entire musicals which were performed in New Haven and also on tour at college clubs during vacation breaks.

After he graduated from Yale, Mr.Porter pretended to study law at Harvard (to satisfy his very wealthy grandfather, who was paying for his education) while actually studying music and writing songs — and rooming with future a Secretary of State, Dean Acheson, who was then an avid law student.

Cambridge borders East Arlington (where I live), and I love walking through Harvard Law School — which happens to be next to Harvard’s music department — and thinking about Mr. Porter treading the same streets a hundred years ago.

Although he lived an extravagant life, the second half of it was filled with chronic pain due to a horseback riding accident on Long Island.

This accident (the horse he was riding fell and rolled on top of him) left him with multiple leg fractures which never healed well…

Molly, Carole and I leading a service at the UU Church in Milton, MA

He endured many corrective surgeries over the following decades and eventually had the lower part of one of his legs amputated.

Argh!

Deep breath in.

Deep breath out.

Although some of his earlier songs had been interpolated into other shows, Mr. Porter did not have his own hit show until he was 36 years old.

But — in the midst of much revelry and travel — he could be a very disciplined person.

He continued working on music during his 20s and early 30s while simultaneously leading a life of extraordinary luxury — renting historic palazzos in Venice during the summer and hiring entire ballet companies to entertain at his parties.

He even wrote a jazz-inflected music score for a ballet production in Paris which pre-dates George Gershwin’s much more famous Rhapsody In Blue.

You can click here to skim his WIkipedia bio — it is full of fascinating details about his personal and professional lives.

Carole, Molly and I are not living lives of extraordinary luxury, but we ARE acutely aware of how fortunate/privileged we are to be able to devote time and energy to making music during this very challenging — and at time horrifying — time on planet earth.

A deep breath of gratitude in.

And a deep breath of gratitude out.

Thank you to Cole Porter for writing “Let’s Do It.”

Thank you to our copyright laws for allowing creative material to go into the public domain after a certain number of years.

Thank you to Peter Kontrimas for recording us.

Thank you to Doug Hammer for helping us fix, mix and master this recording.

Thank you to Rada Ruggles and Owen Hartford for taking photos of us.

Thank you to Pixabay for their talented and generous photographers.

Thank you to CD Baby for releasing our music — and for paying us (very modest) royalties each month.

Image by Anrita from Pixabay

And a special THANK YOU to everyone who has been streaming, liking, and playlisting our “Molly, Will & Carole” music!

We’re up to 2500 total streams on Spotify and 6500 total streams on Pandora (which are the only two music-listening platforms I currently keep tabs on…)

I have recently learned that streaming activity on the very first day of a song’s release strongly influences the future algorithmic behavior of that song on that platform — ie: whether a song is recommended to other potential listeners.

So if you might be willing to click here to stream “Let’s Do It” on the platform of your choice — and maybe even “like” it and add it to a playlist — we would be very grateful.

I will end with one final THANK YOU to you for reading and listening to yet another one of my blog posts!

Deep breath in.

Deep breath out.

Throwback Thursday (#3)

Image by Giovanni Edoardo Nogaro from Pixabay

Greetings from East Arlington, MA!

I continue to re-visit early blog posts in order to update them a bit and add photos.

I find myself asking, “How could I ever have written a blog post without photos?”

I guess I had not yet discovered Pixabay back then…

Deep breath in.

Deep breath out.

If you are curious/willing to visit today’s Throwback Thursday blog post from 11 years ago, you are welcome to click here.

It features a beloved Johnny Mercer/Henry Mancini song plus some thoughts about singing with other human beings.

Image by Gernot from Pixabay

I have chosen today’s glorious photos of iris because they are another one of my favorite flowers — especially the old-fashioned varieties.

We have a bunch of iris which grow alongside our driveway.

The purple ones have an aroma which — to my nose — smells exactly like grape soda.

Yum!

I am guessing it will be another week or two before our iris start blooming here in the Boston area… and I am waiting patiently for their aromatic arrival.

Thank you for dropping by.

Image by Giovanni Edoardo Nogaro from Pixabay

And thank you to the gifted and generous photographers at Pixabay.

Deep breath in.

Deep breath out.

ps: I don’t think I’ve ever seen a white-and-coffee-colored iris like this final photo.

Have you?

Wow!

Throwback Thursday (#2)

Image by Alicja from Pixabay

I hope you are feeling well and finding ways to savor the natural world as an antidote to all of the human-created drama which continues to unfold here on planet earth.

As I mentioned in my previous Throwback Thursday post, I am revisiting my earliest blog posts — from almost 12 years ago — and updating them a little bit.

When I was deleting files from my laptop computer earlier this month, I found a bunch of photos from when I visited friends living in Shanghai.

With my friends’ permission I have added a few of them to my second blog post, which was inspired by an interesting thing which unfolded at the bilingual school where one of my friends was teaching.

Image by YREA from Pixabay

You can click here to skim my second blog post if you are curious.

Today a cold, November-like rain has been falling all day long in the Boston area.

So I have selected a few photos from Pixabay of a favorite summer flower — echinacea — to warm me up!

Ahh….

Color and light!

Thank you to the generous and skillful photographers at Pixabay.

Image by Robbi Hoy from Pixabay

Thank you to my friends for hosting me not once but twice in their Shanghai home during the time they were living there.

Thank you to all the people who still ride bikes in Shanghai!

And thank YOU for reading another one of my blog posts.

Very gratefully yours,

will

ps: Deep breath in. And deep breath out

Mulligan Stew

Image by ivabalk from Pixabay

Today’s song is a sassy tour de force with lyrics by Lorenz Hart and music by Richard Rodgers.

I love the introductory verse, which mentions “Mulligan Stew,” the “Beaux Arts Ball,” and “Noël Cad” a.k.a. Noël Coward.

Many songs from the 20s, 30s and 40s include references to specific people, places, products and events — thus functioning as historic 20th century time capsules for 21st century listeners.

A) Mulligan Stew, I learned from Wikipedia, is an Irish-inspired recipe for a soup or stew made from whatever food items one can round up.

It was also known as “Hobo Stew” during the early part of the 20th century in the USA.

I feel a special affinity for Mulligan Stew, because it appears to be very similar to the endless soup I like to make during the winter months.

Image by u_0bpc2hin from Pixabay

I start with cut up carrots, potatoes, sweet potatoes, and onions — plus a frozen chicken thigh — and boil all the ingredients until the chicken is cooked and the carrots are starting to lose their crunch.

Then I add some cut-up garlic, fresh ginger, salt, pepper and whatever additional spices — curry powder? thyme? turmeric? one of Trader Joe’s multi-spice blends? — call out to me from the shelf.

Then I eat it for about a week — refrigerating it each night and adding more water plus additional ingredients — leeks? parsnips? kale? mushrooms? squash? rice? tomatoes? okra? tofu? canned beans? frozen artichoke hearts? leftover Chinese food? — on a daily basis before cooking it some more.

Yum!

B) Noël Coward, as you may already know, was a multi-hyphenate powerhouse — an actor-playwright-composer-director-singer from England who died in 1973 after a long and very successful career.

I have only learned and performed one of his songs — “If Love Were All” — which was part of Judy Garland’s repertoire.

But I have a Noël Coward songbook in my basement music library which probably deserves more attention in the future.

C) Wikipedia tells us that “The Beaux-Arts Ball… is the annual costume ball traditionally given by the students of the École nationale supérieure des Beaux-Arts in Paris in the spring…on the rue Bonaparte overlooking the Seine… Its reputation for high style, nudity, wild antics, and cross-dressing encouraged imitators in American cities. In 1931, in New York, famous architects dressed up as their buildings and today, many American architecture schools hold similar costume balls.”

I am guessing that the one in New York in 1931 is the Beaux Arts Ball to which Larry Hart is referring in his lyrics.

They sound like very creative and somewhat outrageous events!

Image by rautsonakshik0 from Pixabay

I am happy to share that my streaming numbers have been rising on Spotify and on Pandora (which are the only two music streaming platforms I currently monitor) — so a BIG THANK YOU to anyone and everyone who have given one of my songs a listen!

I have become more and more of a Pandora fan in recent months, even though their music is only accessible in the USA (and not globally like Spotify).

I use their free option, which means that I have to listen to ads every few songs — which I often mute.

And I use a similar free option on Spotify and YouTube Music.

Even though Pandora’s parent company, SiriusXM, has been laying off large numbers of staff in recent months, the core group of people at Pandora who offer customer service and training to independent musicians like me has — so far — remained intact.

What I particularly love about Pandora is that they do not use chatbots to communicate with independent musicians like me.

Image by jyleen21 from Pixabay

Real live Pandora staff offer free training sessions via Zoom each month to encourage musicians to take advantage of their free promotional strategies which can help songs find new listeners.

I tried one strategy — creating a featured track — and the song I featured received hundreds more streams as a result.

Of course, you probably remember that all of the music streaming companies pay only fractions of a cent per stream to recording artists and songwriters like me…

But I have released 58 songs during the past 4 years, and many of these songs have each been streamed over 1000 times on Spotify and Pandora — although less often on YouTube, Apple, Amazon, and other digital music platforms…

And all of those fractions of cents DO have the potential to add up to something substantial.

So I remain hopeful that my persistence will pay off as the months and years go by — as long as we have a functioning internet, a functioning economy and a functioning democracy…

Deep breath in.

Deep breath out.

Thank you to Doug Hammer for playing his beautiful Schimmel piano on this recording and for being very patient while we mixed and mastered it.

Thank you to Stephen C. Fischer for his elegant graphic design.

Thank you to Larry Hart and Dick Rodgers for their extraordinary songwriting partnership.

Thank you to the talented and generous photographers at Pixabay.

And a final thank you to YOU for making it to the end of another one of my blog posts!

You are always welcome to click here and listen to “The Lady Is A Tramp” on various streaming platforms.

The Crazy Touch And Go Of Our Lives

Image by Mark Martins from Pixabay

I hope you are well as you read this blog post.

Thank you for stopping by.

I wrote this song several years ago when I was camping at the North of Highland campground in North Truro, MA, on Cape Cod .

It is a heavenly place.

For over twenty five years I camped there every summer with my sweetheart and his extended family.

And then COVID — and a new baby — entered our lives, and we all decided to rent a house together at the opposite end of the state (in Pittsfield) with a big, fenced-in backyard instead.

Ahh, change…

Deep breath in.

Image by Radovan Zierik from Pixabay

Deep breath out.

When I look at photos on the campground’s website or re-read a blog post I once wrote about camping there, I am filled with a poignant sadness that we no longer gather in this idyllic spot.

And that is what this song is all about.

Life is an ebb and then a flow — and it just keeps on ebbing and flowing…

We can embrace that fact — at times sadly, at times gratefully, at times contentedly, at times joyfully.

Or we can fight it.

When I was looking at Dalai Lama quotations for my last blog post, I found one which fit this theme perfectly:

Image by Willfried Wende from Pixabay

“Old friends pass away, new friends appear.

It is just like the days.

An old day passes.

A new one arrives.

The important thing is to make it meaningful: a meaningful friend — or a meaningful day.”

Another deep breath in.

And deep breath out.

This song was inspired by a couple who rented a campsite at the other end of the little valley at North Of Highland campground where we had a perennial campsite.

Image by 🌼Christel🌼 from Pixabay

I don’t remember exactly how we reached out and introduced ourselves, but I am pretty sure I showed them the wild blueberry bushes which were bearing fruit all around our little valley.

And they invited us over for an informal cocktail hour one evening, which was very pleasant.

And then we discovered that the guy was a swimmer who, like me, loved to do laps along the ocean shoreline — although this was becoming more and more risky because the increasingly abundant population of seals in North Truro had been attracting more and more great white sharks…

So we hit it off with these two friendly people and became well-acquainted over the course of a few days.

Then, to my surprise (because I had assumed incorrectly that they had a week-long rental) they packed up their tent and — with warm goodbyes — drove away.

Image by Pexels from Pixabay

And I found myself feeling surprisingly sad.

Yet another deep breath in.

And deep breath out.

I have been very aware of — and sensitive to — the realities of love and loss ever since I was young.

In fact, I have been told that my parents used to sing “Good Night Irene” to me when I was a very small child just to see me well up with tears.

Deep sigh…

I have written in previous blog posts about the challenges of working professionally as a child and teenager. One of an actor’s most important skills is developing a sense of connectedness — first with the receptionist who checked you in at each audition, then with the casting agents, with the clients, and with any actors who were part of the initial audition and subsequent callbacks.

Image by Michelle Raponi from Pixabay

And if I got a job — whether for an hour doing a voiceover, for a day on the set of a TV commercial, for a couple of weeks filming a TV pilot, for a few months doing a movie, or for a year doing a musical — I needed to nurture ongoing, positive working relationships with my fellow cast and crew members.

I needed to show up on time.

I needed to know my lines.

I needed not to complain about anything.

I needed to behave as if I was a small, manipulable adult.

No fidgeting.

No fooling around.

Image by JamesDeMers from Pixabay

When a job was done, I remember how awkward and sad I felt as all of the camaraderie, friendship, affection and even love which had developed among members of the crew and cast would evaporate and disappear.

That was very confusing.

Was any of the camaraderie, friendship, affection and love I had experienced real?

Or was everyone just acting?

Another deep breath in.

And deep breath out.

On a vaguely related note, our planet’s relentlessly-marketed fossil fuels — along with the cars, trains, busses, ocean liners, planes, motorcycles, etc. which need them to run — have allowed most of us human beings to become much more mobile and much less rooted in one neighborhood, one town, one city, one state, one country.

The postal service and the internet have also given us extraordinary options for meeting and becoming acquainted with other humans.

Image by Yassine Noamani from Pixabay

How do we make sense of — and peace with — all of the beings who come and go in our lives?

Deep breath in.

Deep breath out.

I tried to make a little bit of sense out of the ebb and flow of relationships by strumming a ukulele in my tent and then jotting lyric and chord ideas in one of my songs-in-process notebooks.

Eventually “The Crazy Touch And Go Of Our Lives” emerged.

I performed it by myself — playing a ukulele — at some open mics.

Image by Pam Fitzgerald from Pixabay

Then a few years ago my friend Molly Ruggles (who sings, plays piano and writes songs herself) created a lovely harmony part for her and our friend Carole Bundy to sing.

The three of us performed it at a bunch of porchfests and then recorded it with Molly playing piano last summer at Doug Hammer’s studio north of Boston.

Another deep breath in.

And deep breath out.

As I write this blog post, I am reminded of the Dalai Lama’s words about making each day — and, each friend — meaningful.

That is certainly what has happened with me and Carole and Molly.

We first collaborated when I was invited to sing during a service at the UU church in Medford where they were both members and where Molly was also the music director.

And this musical collaboration has deepened and widened over many years — and many delicious dinners — to become meaningful friendships.

We sing and harmonize and rehearse and perform and bear witness to the twists and turns of each other’s lives.

Deep breath of gratitude in.

Deep breath of gratitude out.

I will end this post with my customary thank yous plus a bunch of beautiful images from Pixabay that somehow reminded me of this song.

Image by Tom from Pixabay

Thank you to all of the folks who have kept North of Highland campground going for many decades. I miss being there each summer!!!

Thank you to the couple who camped for a few days across the little valley from us at North of Highland campground.

Thank you to the Dalai Lama for his wisdom.

Thank you to my sweetheart and his — now our — family for letting me sit in my tent at the campground all day long, working on new songs.

Thank you to my dear ukuleles, to my “tent of creativity,” and to the various pencils, pens, notebooks, rhyming dictionaries, and laptops which help me to write songs.

Image by hartono subagio from Pixabay

Thank you to Molly and Carole for our years of interactions.

Thank you to the UU church in Medford for bringing me and Carole and Molly together as a musical unit and as friends.

Thank you to Doug Hammer for engineering and then mixing/mastering our recordings with us.

Thank you to the grasses and bushes and seaweeds and crabs and sea birds and seals and sharks and fish who make the Head Of The Meadow beach — a short and beautiful walk from the North Of Highland campground — so interesting to visit.

Thank you to the ocean and the sun and the moon and the tides which sweep the beach clean twice a day.

Image by Anna from Pixabay

Thank you to everyone who has been listening to my songs via Pandora, YouTube, Spotify, Apple Music, and any/all of the other streaming platforms.

Each stream, each like, and each addition to a playlist is noted by that streaming service’s algorithms — and encourages it to share the song with other listeners.

You can click here to listen to “The Crazy Touch and Go of Our Lives” on many different streaming platforms.

And a final thank you to the wonderful photographers at Pixabay, whose beautiful images grace almost all of my blog posts

I will end with a few more of my favorites Cape Cod-related photos from Pixabay.

Image by Mark Martins from Pixabay

Together they capture some of the magical essence of the outer Cape.

What are YOUR experiences with the crazy touch and go oof our lives?

Image by Nathan Osman from Pixabay
Image by Mark Martins from Pixabay

Throwback Thursday (#1)

I hope you are well as you read this blog post.

It is my first attempt at a “Throwback Thursday.”

Recently I was inspired — in the middle of a sleepless night — to revisit my very first blog post from June 23, 2013.

It’s all about my love of the humble ukulele.

It had no photos — so I added some.

I also fleshed out some of the text.

And I added info about how to stream a few of my songs (which I only started doing four years ago…)

You are welcome to visit my first blog post — or perhaps REVISIT if you have been reading my blog posts for the last 11 years — by clicking here.

Image by Adriana Knop from Pixabay

Hurrah for Throwback Thursday!

Thank you to the wonderful photographers at Pixabay for these glorious images of hydrangeas.

They are a reminder to me that (hopefully) spring and summer will return here in the northern hemisphere.

And thank YOU for reading/skimming another one of my blog posts.

Deep breath in.

Deep breath out.

Image by Monika from Pixabay

When Your Heart Is Full Of Love…

Image by Jill Wellington from Pixabay

Valentine’s Day is on the horizon.

I have chosen to honor it with a sweet song by Frank Loesser which was nominated for an Academy Award in 1952.

Mr. Loesser wrote it for Danny Kaye to perform in a movie about the Danish writer Hans Christian Anderson.

According to Mr. Loesser’s daughter, he did not think highly of this song, and sometimes even used it as an example of songwriting to avoid.

But I love it.

Frank Loesser

Mr. Loesser began his songwriting career as a lyricist and co-wrote a bunch of great songs in the 1930s and 1940s including “Heart and Soul” and “Two Sleepy People” (both with Hoagy Carmichael), “I Don’t Want To Walk Without You” (with Jule Styne) and “See What The Boys In The Back Room Will Have” (with Friedrich Hollaender).

The first hit song for which he wrote both words and music was “Praise The Lord And Pass The Ammunition” during WWII.

Loesser ended up writing words and music for the songs in WHERE’S CHARLEY, GUYS AND DOLLS, THE MOST HAPPY FELLA, and HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING (along with a few less successful undertakings).

Some hits from those shows include “Once In Love With Amy,” “Luck Be A Lady,” “I Love You A Bushel and A Peck,” “If I Were A Bell,” “I’ve Never Been In Love Before,” “Somebody, Somewhere,” “Standing On The Corner,” “Joey, Joey, Joey,” “I Believe In You,” and “Brotherhood of Man.”

Mr. Loesser also continued writing songs which were used in movies such as “Baby, It’s Cold Outside,” “Let’s Get Lost,” “Inchworm,” and “Spring Will Be A Little Late This Year.”

And he wrote a few songs which became pop hits without any connection to Broadway or Hollywood, including “What Are You Doing New Year’s Eve?” and “I’d Like To Get You On A Slow Boat To China.”

Danny Kaye, his wife Sylvia Fine, arranger Billy May and Frank Loesser

I have long loved his song “Thumbelina” — and am very happy with this peppy version which Doug Hammer and I recorded quite spontaneously a few years ago when I was putting together an hour-long program of songs written or co-written by Frank Loesser.

I had been thinking I might use it in a Valentine’s-Day-inspired blog post, and then fellow blogger Jennie F. left the following comment regarding my blog post last month:

“Nature is as wondrous as music. Your (hyacinth) bulb flower(ing) says it all… Stay warm, and remember the words of Hans Christian Andersen, “Where words fail, music speaks.”

That coincidence/synchronicity sealed the deal.

Deep breath in.

Deep breath out.

Barley (I think?) photo by Frauke Riether from Pixabay

I had forgotten the exact plot synopsis of THUMBELINA (which I first read as a child), but Wikipedia refreshed my memory:

“Thumbelina is about a tiny girl and her adventures with marriage-minded toads, moles, and cockchafers. She successfully avoids their intentions before falling in love with a flower-fairy prince just her size.”

I had also forgotten that Thumbelina comes into being as a result of the actions of a woman who — longing for a child — plants a barleycorn seed.

Thumbelina then emerges from a barleycorn flower… and the adventure of her life begins.

As a Music Together teacher, I particularly resonate with Mr. Loesser’s lyrical admonition that Thumbelina dance and sing — since that is exactly what I do three mornings per week with a delightful crew of small children + the grown ups (parents, grandparents, and nannies) who love them.

Illustration by Thomas Vilhelm Pederson from original publication of THUMBELINA in 1835

By the time I bike (or take the bus) to class, vacuum the karate studio (the floor of which accumulates a surprising.amount of hair, clipped toenails, cookie fragments, dust etc. plus sand and salt during the winter months), hide the punching bags and karate trophies behind a wall of rolling screens, set up a boombox and instruments, change into my teaching — rather than biking/cleaning/snow shoveling — clothes, welcome families, lead a 45-50 minute class, chat with families after class, and then put away all the stuff I set up an hour earlier, I do not earn very much money per hour.

But the sweetness, playfulness, joy, humor, love and sense of connectedness I experience with my families each week is always a balm for my soul.

And there’s no way to put a price on that!

Leading Music Together classes helps me get out of bed in the morning AND reassures me that the human world is not an irredeemably f–ked up mess about which I can do nothing to help.

And sometimes one of the small humans in my class is inspired to give me a hug at the end of class.

Illustration from a 1914 edition of Han Christian Anderson’s Fairy Tales

When this happens, I feel like I am being visited be an angelic being who is offering me unadulterated love, comfort and gratitude.

It is such an honor to receive one of their hugs.

And sometimes I am offered a hug by one of the grownups in class, too — which I also appreciate and savor.

Another deep breath in.

And deep breath out.

These little children are a big reason why I ride my old and raggedy-looking bike rather than drive a car, why I rarely buy new clothes, and why I never travel (especially via airplanes) simply for the sake of going someplace new or warm or trendy.

I live a downwardly mobile life so that the children in my classes might be able to live an ever-so-slightly less chaotic and terrifying life due to the myriad ways that climate change is affecting all of us here on planet earth.

Yet another deep breath in.

And deep breath out.

Another radiant hyacinth bulb from Trader Joe’s

I end this blog post with some of my favorite quotations by the Dalai Lama.

“Our prime purpose in life is to help others. And if you can’t help them, at least don’t hurt them.”

“In our present circumstances, no on can afford to assume that someone else will solve their problems. Every individual has a responsibility to help guide our global family in the right direction. Good wishes are not sufficient; we must become actively engaged.”

“When you are discontent, you always want more, more, more. Your desire can never be satisfied. But when you practice contentment, you can say to yourself, “Oh, yes — I already have everything that I really need.”

“We can live without religion and meditation, but we cannot survive without affection.”

“The problems we face today — violent conflicts, destruction of nature, poverty, hunger and so on — are human-created problems which can be resolved through human effort, understanding and the development of a sense of sisterhood and brotherhood. We need to cultivate a universal responsibility for one another and for the planet we share.”

“As people alive today, we must consider future generations. A clean environment is a human right like any other. It is therefore part of our responsibility towards others to ensure that the world we pass on is as healthy, if not healthier, than we found it.”

“This generation has a responsibility to re-shape the world. Start the task even if it will not be fulfilled in your lifetime. Even if it seems hopeless now, never give up. Offer a positive vision, with enthusiasm and joy, and an optimistic outlook.”

“Happiness is not something ready made. It comes from your own actions.”

“Be kind whenever possible. It is always possible.”

THANK YOU for making it to the end of another one of my blog posts.

Thank you to Doug Hammer for his spritely piano accompaniment and his expert musical production skills.

Thank you to Stephen C. Fischer for his graphic design (and to the professional photographer in NYC who took this photo of me many decades ago…)

Thank you to Hans Christian Anderson for creating the story of Thumbelina and to Frank Loesser for creating his song “Thumbelina.”

Thank you to the wonderful photographers at Pixabay.

Thank you to the Dalai Lama for his wisdom and inspiration.

Image by svklimkin from Pixabay

And thank you to everyone who has streamed my music on Youtube, Pandora, Spotify, Apple Music, Tidal, Deezer, etc.

Every stream — and especially every thumbs up and/or inclusion in a playlist — helps to improve the likelihood that the clever algorithms of these streaming services will share my music with new listeners.

And you can click here to stream “Thumbelina” if the spirit moves you.

And as always, I welcome any comments below!

The Power Of Love?

Image by Annette Meyer from Pixabay

I hope you are well as you read this blog post.

Outside where I live in Massachusetts, leaves are changing color and falling to the ground.

Inside I am sitting on our couch under a layer of blankets and writing in the middle of the night.

I woke up to go to the bathroom and now am unable to fall asleep,

All my brain wants to do is think about potentially catastrophic things which may start unfolding in 2025 as a result of our recent national election.

Before I continue this blog post, I am going to pause and acknowledge any readers who may be excited and happy about recent election results.

I do not want to rain on your parade, and I hope that you are savoring your victories.

Image by Anja from Pixabay

Deep breath in.

Deep breath out.

However, if you are a reader who is feeling less excited and hopeful about the future as a result of last week’s election, my heart goes out to you.

Although I have decided not to read about politics and interact with the media for the time being, my brain — especially when I am lying awake in the middle of the night — keeps remembering things that are likely to be impacted in the next four years:

NATO — and the safety of all the countries bordering Russia…

The health of women I love — and the health of women I will never meet — due to new restrictions about what decisions they and their healthcare providers are allowed to make about their own bodies…

Image by Joe from Pixabay

Social security — which I have paid into since I was three years old and which I was planning to start collecting in three years time…

Medicare/Medicaid and other health insurance options — for millions of Americans and for me.

The cost of anything we don’t make or grow in the USA — due to potential new tariffs.

The cost of anything we DO make or grow in the USA — due to the potential prosecution/expulsion of many people who currently harvest our produce, work in our slaughterhouses and meat-packing plants, labor in our restaurants, work on our construction sites, landscape our properties, mow our lawns, blow our leaves, etc. etc. etc.

My two nephews — one approaching draft-age and the other one still eligible to be drafted if we find ourselves in a situation where we need to expand our (already vast) military capabilities.

Image by Wolfgang_Hasselmann from Pixabay

Long term — and potentially irreversible — environmental consequences due to potential deregulation of rules which currently protect the entire web of life here on planet earth.

Our access and ability to vote, our access to education, our access to public healthcare in the event of another epidemic…

The list goes on and on.

I don’t understand how love and respect factor into any of the above.

I don’t understand how love and respect can withstand — much less overcome — the forces which spread disinformation, which lie, which aim to divide us, which value power and money over honesty and decency.

I hesitate to call those forces evil, but I have been reminded more and more in recent months about a book I read a long time ago by M. Scott Peck called THE PEOPLE OF THE LIE.

As the group mind at Wikipedia summarizes:

“According to Peck, an evil person:

  • is consistently self-deceiving, with the intent of avoiding guilt and maintaining a self-image of perfection
  • deceives others as a consequence of their own self-deception
  • projects his or her evils and sins onto very specific targets (scapegoats) while being apparently normal with everyone else
  • commonly hates with the pretense of love, for the purposes of self-deception as much as deception of others
  • abuses political (emotional) power (“the imposition of one’s will upon others by overt or covert coercion” (Peck, 1978/1992, p298[7]))
  • maintains a high level of respectability, and lies incessantly to do so
  • is consistent in his or her sins.
  • is unable to think from the viewpoint of their victim
  • has a covert intolerance to criticism and other forms of narcissistic injury

Most evil people realize the evil deep within themselves, but are unable to tolerate the pain of introspection, or admit to themselves that they are evil. Thus, they constantly run away from their evil by putting themselves in a position of moral superiority and putting the focus of evil on others. Evil is an extreme form of what Peck, in THE ROAD LESS TRAVELED, calls a character and personality disorder.”

Image by Peter H from Pixabay

The group mind of Wikipedia also describes Peck’s understanding of love in his previous book, THE ROAD LESS TRAVELED:

“Love is not a feeling, it is an activity and an investment — ‘The will to extend one’s self for the purpose of nurturing one’s own or another’s spiritual growth’ (Peck, 1978/1992, p85). Peck expands on the work of Thomas Aquinas over 700 years ago, that love is primarily actions towards nurturing the spiritual growth of another.”

I welcome any insights into the power of love and how it does — or doesn’t — impact our current political situation here in the USA (as well as how love and respect may impact other patterns unfolding here on planet earth).

Please leave a comment if you are so inspired.

I end with a link to this heartful song at the beginning of this blog post in case you might like to listen to it on a streaming platform, add it to a playlist, or share it with a friend.

Image by StockSnap from Pixabay

It was written by Lynn Ahrens and Stephen Flaherty, a delicious songwriting team who helped to create the musicals RAGTIME, SEUSSICAL, ONCE ON THIS ISLAND and A MAN OF NO IMPORTANCE (which is where “Love Who You Love” comes from) among many other projects.

I initially featured this song in a blog post I wrote in August 2015 which you can read by clicking here if you are curious.

Thank you to Ahrens and Flaherty for writing “Love Who You Love.”

Thank you to Doug Hammer and Mike Callahan for playing so beautifully on this recording of it.

Thank you to Gretje Ferguson for taking this photo many years ago.

Photo by Gretje Ferguson + Graphic Design by Stephen C. Fischer @ DigitalFisch

Thank you to Stephen Fischer for creating this graphic design using Gretje’s photo.

Thank you to the wonderful and generous photographers at Pixabay.

Thank you to all of the folks who helped to create the internet and WordPress so that I can share my thoughts and music with you.

And thank YOU for reading and listening to another one of my blog posts.

I welcome any comments below.