I’m A Baby Monkey

Image by Vantha So

One of the things I love most about teaching Music Together is the concept that each person absorbs and processes music in their own way.

Some children — and some adults, too — like to sit still while they soak up the sights and sounds swirling around them.

Others like to move their bodies — swaying, clapping, tapping their toes, nodding their heads, or even jumping up to dance in the center of the circle.

Still others prefer to wander around the room, seemingly oblivious to the musical activity unfolding all around them.

And yet these same children will often start singing their own versions of the songs as soon as they leave class…

Image by Petr Ganaj from Pixabay

I love the respect for different learning styles that is baked into the Music Together pedagogy.

As long as no one is hurting themselves or distracting the rest of the class, whatever she or he wants to do in class is OK.

At times this can make for a somewhat chaotic classroom experience.

But if the teacher and a majority of the adults are able to keep participating — singing, moving, chanting, drumming, dancing, marching, and so forth — the class flows on.

Image by Dharamveer Singh from Pixabay

The grown ups copy the teacher.

The children copy their accompanying grown up, the teacher, the other grown ups, and the other children.

And I am always looking for movements and ideas from the children and grownups in the class which I can mirror, highlight, and somehow incorporate into the flow of my lesson plan.

It can become a very rich — and fun — environment of “monkey see, monkey do” feedback loops.

I wrote the song at the top of this page, “I’m A Baby Monkey,” before I became a Music Together teacher.

Image by Erik Karits from Pixabay

Serendipitous foreshadowing?

I have not officially released it to the world…

But many families have enjoyed it over the years via an email copy.

Thank you for reading and listening to this blog post.

Thank you to Apple for creating their laptop computers and their GarageBand program.

Thank you to the terrific photographers at Pixabay.

Image by Myo Min Kyaw from Pixabay

Thank you to the wonderful monkeys in these photos.

And thank you to all of the families who have chosen to make music together with me over the years!

I am very grateful.

Deep breath in.

Deep breath out.

We Never Know Who Is Listening…

Image by Felix Neukirch from Pixabay

One of the truly magical aspects of a musical life on planet earth in the 21st century is how widely one can share one’s songs if one has access to the internet.

After Bobbi Carrey, Doug Hammer and I — with lots of help from Mike Callahan, Jonathan Wyner, and guest musicians — recorded our CD “If I Loved You,” we heard from family, friends AND folks whom we had never met.

One listener included our version of the David Friedman ballad “I’ll Be Here With You” (which you can hear by clicking on the right hand sidebar of this page) on a CD she sent to her fiance who was serving in the US military overseas.

Another fan — who had been given our CD by a friend — tracked us down and told us that she listened to our music each morning while she worked out. When her husband died, she asked us to sing at his memorial service.

Image by Ekaterina from Pixabay

And I recently learned — in a reply to my blog post about music and spontaneity — that a CD of my “Will Loves Steve” show (which features songs written by people named Stephen, Steven, Stevie or Steve) had traveled from Massachusetts to Argentina, where it helped lift the spirits of someone who was feeling very low.

Here’s a selection from that show — “Overjoyed by Stevie Wonder…

The pianist is Doug Hammer, and the horn player is Mike Callahan.

I am curious to see how my musical endeavors may continue to ripple around the planet thanks to the internet.

Deep breath in.

Deep breath out.

Ahh, music!

ps: Since I wrote this blog post almost 12 years ago, I have begun distributing music to various streaming platforms.

You can click here for a streaming link to my version of Overjoyed” in case you might like to add it to a playlist and/or “like” it on Pandora, Spotify, Apple Music, etc.

Thank you for reading, listening and maybe even leaving a comment!

Synchronized Heartbeats!

Image by Alexa from Pixabay

Earlier this year a fellow WordPress blogger directed me to new research from the University of Gothenburg in Sweden.

The study — named ‘Kroppens Partitur’ or ‘The Body’s Musical Score’ — monitored the pulses of fifteen choral singers as they made their way through three different exercises: humming, performing a hymn, and chanting a slow mantra.

The authors of the study reported:

“When you are singing, the heartbeat for the whole group is going up and down simultaneously…It gives you pretty much the same effect as yoga breathing. It helps you relax, and there are indications that it does provide a heart benefit.”

This synchronization is thought to be caused by the breathing patterns which the music inspires in the singers.

When they are singing the same melody, they tend to pause to breathe in the same place, and these breathing patterns then influence their heart rates.

Image by Jo Justino from Pixabay

I love learning about this research, because it corroborates what human beings have experienced for thousands of years — singing with other human beings is a special, healthy and often uplifting experience.

It also reminds me how important it is to include “sing-along” songs as part of a performance.

Who wouldn’t want an opportunity for a room full of people’s hearts to synchronize?

“Blue Moon” by Richard Rodgers and Lorenz Hart is a song which Bobbi Carrey and I included in our In Perfect Harmony show in hopes that people might sing (or hum or whistle) along with us.

I have included a version that we recorded with Doug Hammer on the piano at the very beginning of this blog post.

Image by Massiel from Pixabay

I have long been aware of how intimate singing with another person can be — whether in unison or in harmony — but I didn’t realize that Bobbi and I might actually be synchronizing our heartbeats when we perform together.

Yowza!

Ahh, blessed music…

And the human heart…

Deep breath in.

Deep breathe out.

Getting In Tune With The Infinite

Image by Joachim Schnürle from Pixabay

I have been been blessed to sing wonderful songs written by other people for many years — as the MP3 player on the right hand sidebar of this page can attest.

And every now and then I have helped to co-write a song.

But it wasn’t until a few years ago, when I bought my first ukulele, that I started writing songs on a regular basis.

The song in the player at the beginning of this blog post is one I recorded using my this ukulele and Apple’s wonderful GarageBand program on my laptop.

I love learning about how other songwriters have created their hits.

Composer Harry Warren and lyricist Johnny Mercer, for example, co-wrote “Jeepers, Creepers,” “On The Atchison, Topeka and the Santa Fe,” and “You Must Have Been A Beautiful Baby.”

Johnny Mercer in the 1940s

And at some point Warren gave Mercer the nickname ‘Cloud Boy’.

As Warren explained, “A lot of times when I would play a melody for John… particularly if it was after a good lunch… he’d stretch out on a couch and just lie there with his eyes closed and his hands folded across his stomach. He was way up there some place in the clouds. Of course, what came out later was just great.”

When asked by his father about his creative process, Mercer once said, “I simply get to thinking over the song — pondering over it in my mind — and all of a sudden I get in tune with the Infinite.”

Many songwriters have expressed a similar sentiment — that they feel as though they are acting as a conduit or channel for something greater than themselves.

Harold Arlen

The lyricist Ira Gershwin said that the composer Harold Arlen would never “approach the simplest musical requirement or idea without first calling upon ‘the fellow up there’ — jabbing his finger at the ceiling.”

I cannot say that I have experienced this phenomenon yet.

I have, however, noticed that lyrical themes sometimes emerge which surprise me and lead a song in a different direction than I had originally intended.

And I have had the inspiring experience of writing a song which gradually became true.

It is called “Can We Slow It Down?” — and I wrote it a couple of years ago when I was working full time at my day job in Harvard Square.

I realized recently when I was practicing it at home that my life has in fact slowed down since I began singing this song.

If you are curious, you can listen to two different versions of “Can We Slow It Down?” — the ukulele + GarageBand version at the top of this page and the piano/vocal version I released with pianist Doug Hammer by clicking here.

I will be singing it plus two other originals as part of a mini-set at a lovely open mic in Lexington — hosted by Nourish Restaurant on Massachusetts Avenue — on Tuesday, November 5, 2013, starting around 7:30 pm.

Perhaps you can join us.

Singing Together

Image by Couleur from Pixabay

I just spent a day rehearsing for a performance in Tiverton, RI.

It’s a new show called “In Perfect Harmony” with fellow singer Bobbi Carrey and pianist/composer Doug Hammer — in which all the songs include at least a partial harmony somewhere.

Because we have been performing together for ten years — and since one of our favorite things to do is sing in harmony — we have a lot of material to choose from.

The show also includes quotations and anecdotes about the process of collaboration — which for us has involved a great arranger, Mike Callahan.

From time to time we send Mike recordings from our rehearsals, along with detailed notes about which harmonic ideas we think show promise and which need help.

Bobbi and me after a rehearsal

Invariably he sends charts back to us that both improve our ideas AND surprise us with some great new musical impulses.

At the top of this blog post is our version of the Johnny Mercer/Henry Mancini classic “Moon River” if you are curious to hear the fruits of this collaborative process.

Deep breath in.

And deep breath out.

There is something very intimate and satisfying about singing with someone else — whether in unison or harmony.

And since electricity entered — and in many ways took over — our daily lives during the last century, our patterns and habits of singing have certainly evolved…

Rice Heritage Cottage

Crooning along with the radio or a CD or a song being streamed on Pandora or Spotify is great — yet it’s very different from singing with another real live human being in the present moment.

I just returned from a week in upstate NY at a wonderful, ramshackle family cottage with no internet access and no TV called the Rice Heritage.

My great grandfather James E. Rice bought this cottage (I think from fellow Cornell professors John Henry Comstock and Anna Botsford Comstock — who was the first woman to become a professor at Cornell University).

James E. Rice was a professor of poultry science at Cornell and had a farm — called the Egg and Apple Farm on Rice Road — just up the hill from this cottage in Trumansburg, NY.

The uphill view from dock to cottage…

He and his wife Elsie Van Buren Rice raised six children — three girls and three boys — almost all of whom ended up owning farms, too, when they grew up and married.

Sadly, however, Elsie died when their youngest daughter was still a teenager.

James ended up leaving the family’s cottage — overlooking Cayuga Lake — to his six children plus their descendants.

And many of his descendants continue to take turns staying there each summer in one- and two-week increments of time.

This summer one of my older cousins told me about songs she had heard as a child from her parents and grandparents — some of which were originally sung by people working outside in gardens and fields as a way (according to my cousin) to pass the time and remain connected with their neighbors.

The downhill view of dock and boathouse…

What a different era — and mode — of human connectedness!

Another deep breath in.

And deep breath out.

Using my ukulele and the great “Daily Ukulele” songbooks, we sang together most nights on the beach around a camp fire — while the younger members of our family roasted marshmallows and made s’mores for all to eat.

Yum!

I could do this for hours — and in fact on the last night I did play without a break for over three hours.

The beach with campfire at twilight…

Music.

Stars above.

Friends and family all around.

Lake water lapping with low sounds by the shore.

Bliss.

THANK YOU for reading — and listening to — this (recently updated) blog post.

Thank you, too, to Bobbi Carrey, Doug Hammer and Mike Callahan for their musical contributions.

Thank you to Pixabay for the lovely photos of hydrangeas!

Image by Ben Kerckx from Pixabay

Thank you to my great grandfather and great grandmother for their generous foresight in buying this cottage and then leaving it to their descendants.

And thank you to all of my cousins who have pitched in — decade after decade — to keep the Rice Heritage intact and functional for generations to come.

Hurrah for summer!