Let Me Be Strong (again)

Let Me Be Strong (again)


I shared this song by Barbara Baig a couple of years ago in a blog post.

Today I found myself thinking about it a lot.

Many people in the USA are very happy today.

I honor their sense of excitement and accomplishment.

Many people in the USA are very surprised and scared and shocked today, too.

I honor these feelings as well.

I don’t know what comes next, but I am pretty sure that the effects of yesterday’s election will ripple for weeks and months and years to come — not just here in the US but all over our planet.

Deep breath in.

Deep breath out.

I dearly hope that the horrible coincidence of learning the results of our election with the anniversary of Kristallnacht is just that…a horrible coincidence and not an uncanny foreshadowing of what may lie ahead in our not-very-united-states.

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It is very sobering to read about Kristallnacht in Wikipedia.

As soon as we start viewing — and scapegoating — fellow human beings as “other,” we are heading down a very unhappy and slippery slope…

I was very glad that jazz pianist Joe Reid and I were booked to perform our hour-long program of songs co-written by Harold Arlen this afternoon at a retirement community in Newton.

We all needed to sing together — beautiful, timeless songs which touched our hearts and connected us with each other.

Not surprisingly, one song moved us to tears — “Over the Rainbow,” which Mr. Arlen wrote with Yip Harburg in 1938 for MGM’s masterpiece, The Wizard of Oz.

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Filming for The Wizard Of Oz began on October 13 1938.

A month later Kristallnacht occurred in Germany, Austria and parts of Poland, Russia and the Czech Republic.

The emotional resonance of “Over The Rainbow” — written by two American-born, fully assimilated Jewish songwriters for a movie produced by a Jewish-owned film company — cannot have gone un-noticed at the time.

No wonder so many of us are still moved to tears by it, almost 80 years after it was written.

I love “Let Me Be Strong,” too.

Barbara Baig wrote it when she lived in Somerville, MA and was an active member of the Boston Association of Cabaret Artists (BACA).

I recorded it many years ago with Doug Hammer on piano at his wonderful Dreamworld studio in Lynn, MA, plus Gene Roma on drums and Chris Rathbun on bass.

Thank you, Barbara, for writing this song.

May all of our hearts remain open in the days and weeks to come… as we move through our joys and our fears here on planet earth.

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Let us be strong.

Deep breath in.

Deep breath out.

Thank you to Pixabay for the photos.

And thank you to anyone who reads and listens to this blog post!

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Music and Spontaneity

I am at an open mic run by the Boston Association of Cabaret Artists (BACA) in an elegant UU church in Watertown, MA.

Steve Heck — a wonderful local pro — is playing the grand piano, and I am singing “Over The Rainbow.”

Harold Arlen

It is one of the songs in a new show about Harold Arlen which I have recently begun performing with pianist Joe Reid.

After Steve takes a piano solo, I re-enter at the bridge of the song (“Some day I’ll wish upon a star…”) and then I hear elevator doors opening behind me.

Three women — friends of Steve Heck, I later learn — appear on stage with me.

They did not realize that the elevator would deposit them there.

I turn and — still singing — welcome them so that I can escort them across the stage and down into the audience.

But as I do this, I realize that they probably love music and very likely know the words to “Over The Rainbow;” so I encourage them to stay with me onstage and sing — which they happily do.

One woman in particular catches my attention because she is adding a beautiful harmony in a great big, belting voice.

Image by Ermel Tufiño from Pixabay

We make eye contact as the song builds to a dramatic climax of “Why oh why can’t I?” — each of us singing at the top of our lungs, my microphone completely unnecessary.

The entire series of events lasts less than a minute, and the entire room is happily caught up in the moment.

Afterwards, during a break period, I am asked how I managed to time their arrival so perfectly.

I explain that I had never met them before and that the entire experience was utterly spontaneous — unfolding moment by moment with no guidance other than the lyrics of the song, Steve Heck’s solid accompaniment, and our shared love of music.

Ahh, music!

Ahh, spontaneity!

Joe Reid

I have been experiencing a lot of spontaneous musical moments in the past few months.

Joe Reid and I put together our hour-long Harold Arlen program in one rehearsal that lasted about two hours.

He is a jazz pianist who is very comfortable making music in the here and now.

I brought a bunch of Arlen sheet music to his house plus a rough idea of a song run order.

We double-checked the keys for all the songs, played each one through once or twice, and Joe was ready to take it public.

So far we have performed at two retirement communities with very enthusiastic audiences (and we did get together for another hour-long rehearsal between our first and second performances…)

I also spent many additional hours making sure I knew exactly how the song was originally written, reading several books about Arlen I ordered from my local library, recording practice piano tracks with Doug Hammer, memorizing lyrics, and writing the “patter” to lead from one song to the next.

All of this preparation helps me to surrender to the moment when we are performing these wonderful songs.

Me and one of my favorite MT participants of all time!

I have also begun leading Music Together (MT) classes in Arlington and Belmont (a neighboring town where Mitt and Ann Romney used to live).

MT is a very-well-researched and very-well-planned program to introduce small children — along with their caregivers — to the joy and fun of active music-making.

Although participants are encouraged to learn 30 new songs accurately — each one carefully selected to include a wide variety of keys and rhythms — per semester, we teachers are given free rein to be spontaneous and improvisatory during class.

I am sure my training during the past six months to become a MT teacher helped me to go with the flow at the BACA open mic when those three women appeared onstage.

And I have experienced many moments of musical connection with children and caregivers during my first two weeks of MT classes which have given me a similar jolt of delight.

I think this might be what I am supposed to be doing here on planet earth…

The song in the player at the beginning of this blog post is a Harold Arlen/Johnny Mercer classic called “Accentuate the Positive” which I recorded with pianist Doug Hammer during a rehearsal for the “Mostly Mercer” show that singer Bobbi Carrey and I created last year.

Image by Gabriele M. Reinhardt from Pixabay

Thank you to Doug Hammer, Joe Reid and Bobbi Carrey for being important musical collaborators.

Thank you to the generous and skillful photographers at Pixabay.

Thank you to all of the families who have signed up for my Music Together classes.

And thank YOU for reading and listening to another one of my blog posts!

Deep breath in.

And deep breath out.