Waltzing With COVID-19

Three and a half years ago the World Health Organization (WHO) declared COVID had become a public health emergency.

Image by Miroslava Chrienova from Pixabay

Six weeks later, it grew into a pandemic — from which many of us are still recovering…

However, the WHO recently announced that COVID-19 no longer qualifies as a global emergency.

This is good news.

Deep breath in.

Deep breath out.

Apparently deaths from COVID are at their lowest point since the early days of the coronavirus outbreak.

This is also good news.

However, a lot of people are still continuing to die here in our Not-So-United States of America.

Last night I ordered a pizza and salad from a nearby restaurant, and after I picked it up, a woman waiting outside congratulated me on wearing a face mask.

She, too, was wearing a mask and told me in no uncertain terms that our COVID challenges are not over yet.

In fact, the 40-year-old son of one of her friends had just died from COVID.

Another deep breath in.

And deep breath out.

Image by David Mark from Pixabay. 

In 2023, the USA COVID death toll has averaged 150 people per day

Although this is a decline from a peak death toll of 2,500 human beings per day in early 2022, 150 per day still feels like a lot of people dying to me!

And all around the world, people continue to die — one every three minutes — “and that’s just the deaths we know about,” says WHO director general Dr. Tedros Adhanom Ghebreyesus. “COVID-19 is (not) over as a global health threat.”

Yet another deep breath in.

And deep breath out.

I wrote the song in the player at the beginning of this blog post during the first year of the pandemic.

I was inspired — in part — by the months-long hospitalization of a fellow singer who was on a ventilator for a very, very long time.

Amazingly enough he has managed to recover — and resume singing!

Image by Bruno /Germany from Pixabay.

He was cared for by a team of truly courageous nurses, doctors, and support staff who came to work day-in and day-out while most of us were sheltering in place at home.

I bore witness to the dedication and patience of many nurses, doctors and support staff during this time because — exactly as COVID was entering our lives — I was diagnosed with an obscure medical condition called PGNMID.

As the COVID epidemic grew worse and worse, I met with specialists at several hospitals, underwent kidney and bone marrow biopsies. and ended up being given three rounds of six-month-long-treatments — chemotherapy+immunotherapy+steroids the first time, a new immunotherapy drug the second time, and an even newer experimental immunotherapy drug the third time.

I appear to be responding well to the latest round of treatments — and may write more about this experience in a future blog post.

I mention it now because I saw firsthand — on a weekly basis — the brave and loving response of the medical community during that horrible time.

Image by Bianca from Pixabay.

Recently another musical acquaintance shared with me that she stopped working as a nurse a year ago so that she could begin to recover from the stress and trauma of being a nurse during the COVID pandemic.

I know she is not alone…

Another deep breath in.

And deep breath out.

It’s easy to forget — or ignore — the reality that most of the people who have died due to COVID were connected to a web of caregivers, family and friends who are now grieving their loss.

Deep sigh…

Millions of human beings around our planet — myself included — are now struggling to regain their hopefulness, their sense of connectedness with others, their equilibrium, their sense of purpose, and their mental health after being in survival mode for the past few years.

And some folks are also struggling with mysterious, lingering health challenges after being infected with COVID.

A recent interview on Fresh Air with a neuropsychologist named James Jackson reminded me that there are millions of people here on planet earth who continue to experience a wide variety of debilitating symptoms due to their COVID infection — the “long-haulers.”

As the Fresh Air webpage explains, these folks “struggle to remember things, perform basic tasks and solve problems” — which can lead “to a loss of employment, income, and important relationships.”

Yet another deep breath in.

And deep breath out.

Jackson has written a book called Clearing The Fog — From Surviving to Thriving with Long COVID.

I am rooting for all of the COVID long haulers!

I have so many thoughts and feelings about COVID — as I am sure you do, too.

Maybe you will be moved to share a little of what you are feeling and thinking these days about the impact of COVID on our lives in a comment at the end of this blog post.

Image by Lars Nissen from Pixabay.

Part of me was tempted when writing this blog post to share a list of the high-profile folks — such as former presidential candidate Herman Cain — who downplayed or actively denied the significance of the COVID virus… and then ended up dying from it.

However, that seemed too disrespectful and schadenfreudey.

I did stumble across an interview earlier this year with a former Republican senator from Oklahoma — Jim Inhofe — in the Tulsa World, in which he explains that one of the reasons he retired was long-term COVID-19 complications.

At the time of his retirement, he said that he had tested positive for a very mild case of COVID-19.

But in this interview he admits that it has been much more serious.

And according to Inhofe, “Five or six others have (long COVID), but I’m the only one who admits it. 

Yikes!

I think he is referring to other US senators… but maybe he means members of Congress overall?

He also says: “I try to be careful, but I have to be reminded to do things like wash my hands. I have to do things I’m not used to and that’s difficult sometimes.”

I agree.

It can be VERY difficult for us to change our longtime habits and mindsets and patterns of behavior.

Apparently Inhofe has also been an outspoken climate science denier for decades — and we shall see how that ends up affecting him…and his family…and his former constituents…and all of the rest of the web of life here on planet earth in the upcoming days and weeks and months and years!

I think it’s been pretty hot in Oklahoma in recent weeks…

One final deep breath in.

And deep breath out.

Thank YOU for reading and listening to another one of my blog posts.

I am always surprised and heartened to check my WordPress stats and see that people continue to visit my blog even when I haven’t posted anything new in many weeks.

Thank you to all of my visitors!

And thank you to Pixabay for their wonderful and generous photographers.

Graphic design by Stephen C. Fischer.

And thank you to Doug Hammer for playing his Schimmel grand piano so poignantly AND for helping me to mix/master “Waltzing With COVID-19” via many Zoom sessions during the past two years.

If you are curious to hear more music, you can find me singing — with Doug Hammer playing piano — on SpotifyPandoraApple Music, YouTube and other streaming platforms.

And you can listen to “Waltzing With COVID-19” on your favorite streaming platform by clicking here.

Any song you “like” or “heart” or add to a playlist will improve the algorithmic activity of my music there!

Image by Leo from Pixabay. 

I am going to continue to wear a mask whenever I am inside a movie theater or a bus or a subway or a friend’s car (if the windows are rolled up) or a friend’s home or an office or a hospital or a retirement community.

This is a simple way we can continue to respect and care for each other.

One more deep breath in.

And deep breath out.

We’re Running A Big Experiment…

Thank you to everyone who read and listened to and commented on my last blog post!

It has been lovely to re-connect with WordPress friends and acquaintances after my three-month hiatus from blogging (although I did continue to read a fair number of other people’s blog posts during that fallow time).

Last night I was unable to fall asleep.

I am guessing it was a combination of reading two more chapters of Deep Adaptation (which can be profoundly terrifying and heart-breaking) combined with falling asleep for an hour during an unsatisfying football game earlier this evening (our New England Patriots fell ignominiously to the Buffalo Bills with a final score of 17 to 47) combined with the several chocolate truffles (made in Canada for Trader Joe’s) which I ate in the late afternoon before bundling up in many layers — t-shirt, hoodie, thin down jacket, thick down vest, thin black jacket, hat, gloves, and huge winter parka — and walking around a local lake in the very cold, refreshing winter air.

I have included another new song in the player at the beginning of this blog post.

I had intended to release it at the very beginning of 2022, but two things have delayed me.

One is some confusion about whether I should continue to use CD Baby (the company that has been distributing my recordings with pianist Doug Hammer to various digital music platforms) as my publishing administrator.

In case you do not know, when one records a song, there are two main copyrights for that recording.

One is a copyright for the actual recording.

That is usually owned or controlled by the recording artist (such as Lady Gaga or Tony Bennett or an independent musician like me) or by the recording artist’s record label (which may have advanced the money needed to make the recording…)

The other is a copyright for the song itself.

That is usually owned by the songwriter(s) and/or their publishing company.

So when I record a song written by someone else (Harold Arlen and Yip Harburg, for example), I own the copyright for my specific recording, and I pay a mechanical royalty in advance to the entity which owns the compositional copyright for that song.

When I record and release one of my original songs, I act as my own record label AND publishing company — and up until this point I’ve been using CD Baby as my publishing administrator.

A publishing administrator helps to track down earnings on behalf of the person who wrote the song.

I recently took an online class to learn more about how one might get one’s songs placed in TV shows and movies — and it turns out that one option is to find a sync rep to help me pitch my songs to music supervisors (who find songs for TV shows, movies, advertisements, and video games).

And some sync reps also like to act as one’s publisher — so having an agreement with CD Baby to be the publishing administrator for my original songs might be a detrimental to building a relationship with a sync rep…

So I’ve been stalled for the past month, wondering exactly what to do next regarding my publishing administration options.

And sadly, CD Baby — which once offered immediate phone assistance when it was a groovy, independent company — now only offers phone callbacks (during a window of time over a couple of days) or email responses (which also can take many days to get a response).

I assume this is because they were bought up by a larger company who decided that the immediate phone assistance option was too expensive and/or inefficient.

And it took two weeks for them to respond to my most recent questions about their publishing administration option — maybe because it was the holiday season and/or maybe because my question didn’t fit perfectly into one of their dropdown menu options for customer service assistance…

Deep breath in.

Deep breath out.

Another reason why I have been delayed in releasing my new songs is because a few of them are about challenging topics such as our climate change/disaster and our current Covid epidemic/disaster — which I am guessing might elicit strong feedback/pushback (the prospect of which I find scary…)

And of course there is probably good-old-fashioned denial at work, too.

Sharing songs such as “We’re Running A Big Experiment” with the rest of the world (or rather with the people who have electricity and smart phones/computers and access to digital music platforms such as Spotify and Pandora and Apple Music around the world) somehow makes the topics I am writing about more real.

I can no longer hide in my own little puddle of denial once I put them out there.

And denial is an extraordinarily wily and powerful psychological mechanism/phenomenon.

One of the things I’ve been observing — in a spirit of curiosity rather than judgement — is how much denial can be triggered when one begins reading Deep Adaptation.

As I mentioned in my previous blog post, a friend invited a group of us (seven total) to read it together and also to discuss it each month via Zoom.

Since we began this process, some of us have managed to write down the wrong time for our Zoom meetings, some have taken a nap and almost missed a Zoom meeting (until someone else called and woke them up), and some have gotten ill and missed a Zoom meeting.

And many of us — myself very much included — have struggled to read the recommended chapters before each monthly Zoom meeting.

What have been YOUR experiences with denial?

And with climate change?

Deep breath in.

Deep breath out.

I wrote in my last email that I was going to write shorter blog posts; so I’d better end this one now.

I am very grateful to you if you have managed to read this far and perhaps have also listened to “We’re Running A Big Experiment.”

Thank you!

I am also very grateful to Doug Hammer — for his wonderful piano playing AND his engineering skills AND his advice/input regarding the harmonies I sang on this song — as well as to the photographers and artists at Pixabay for their magnificent images.

And I remain truly grateful for all the blessings I currently have in my life — food, shelter, heat, warm clothing, electricity, a functional computer, access to the internet, a reliable bicycle, family, friends, and the WordPress community (to name just a few!)

One final deep breath in.

And deep breath out.

PS: You are always welcome to visit my website — where you can find many songs (and learn more about my musical life here on planet earth if you are curious).

You can also find me singing — with Doug Hammer playing his Schimmel grand piano — on SpotifyPandoraApple Music and other digital music platforms.

And if you are hungry for a more uplifting song as an antidote to “We’re Running A Big Experiment,” you are welcome to click here and listen to a song I wrote a few years ago when visiting friends in Toronto called “Another Good Morning” (which I recorded with Doug Hammer and released on a bunch of different digital music platforms last year).

I earn only a fraction of a cent any time someone plays one of my recordings on a digital music service — but they all add up!

PPS: If I have mis-explained the basic copyright concepts regarding recorded songs, please correct me in the comments section!

6/13/22 I finally distributed “We’re Running A Big Experiment” via CD Baby to various digital music platforms! You can click here to listen on Pandora, Youtube, Apple Music, Spotify, and more…