The Lord Of The Dance

Joseph Campbell

Once upon a time, Bill Moyers interviewed Joseph Campbell for a wonderful series, The Power Of Myth, which aired on PBS.

I remember being very stirred up by many of Mr. Campbell’s observations.

One of them was the idea that plants grow back — sometimes more vibrantly — after being pruned/cut down and how this biological event might relate to the idea of a g-d such as Jesus, who was killed yet rose from the dead.

I think this concept stuck with me because of a song, “The Lord of the Dance,” which I first learned from a friend of my older sister when we were singing in my grandmother’s kitchen.

I had always assumed that “The Lord Of The Dance” was a traditional folk song, but a fellow blogger recently told me that the words were written by an English songwriter, Sydney Carter.

According to Wikipedia, Mr. Carter was inspired partly by Jesus, but also partly by a statue of the Hindu God Shiva as Nataraja which sat on his desk.

Pruning… (Image by Ray_Shrewsberry from Pixabay)

He later stated, “I did not think the churches would like [“The Lord Of The Dance”] at all. I thought many people would find it pretty far flown, probably heretical and anyway dubiously Christian. But in fact people did sing it and, unknown to me, it touched a chord … Anyway, it’s the sort of Christianity I believe in.”

Many years ago I recorded a version of “The Lord Of The Dance + Simple Gifts” with help from Jere Faison (producer), Patty Barkas (back up vocals), Jonathan Keezing (guitar), and Robert M. (bass).

With Easter on the horizon, I thought this might be an appropriate time to share it.

Just click the player at the beginning of this post.

May we all be able to rise up again after we have been knocked down by one of life’s many challenges.

Another deep breath in.

Sydney Carter

And deep breath out.

I will close with more thoughts from Sydney Carter (and you can click here to read a simple obituary if you are curious to learn more about his life…)

“I see Christ as the incarnation of the piper who is calling us. He dances that shape and pattern which is at the heart of our reality. By Christ I mean not only Jesus; in other times and places, other planets, there may be other Lords of the Dance. But Jesus is the one I know of first and best. I sing of the dancing pattern in the life and words of Jesus.

Whether Jesus ever leaped in Galilee to the rhythm of a pipe or drum I do not know. We are told that David danced (and as an act of worship too), so it is not impossible. The fact that many Christians have regarded dancing as a bit ungodly (in a church, at any rate) does not mean that Jesus did.

The Shakers didn’t. This sect flourished in the United States in the nineteenth century, but the first Shakers came from Manchester in England, where they were sometimes called the “Shaking Quakers.”

They hived off to America in 1774, under the leadership of Mother Anne and established celibate communities – men at one end, women at the other; though they met for work and worship.

Image by Fernando Albert from Pixabay

Dancing, for them, was a spiritual activity. They also made furniture of a functional, lyrical simplicity. Even the cloaks and bonnets that the women wore were distinctly stylish, in a sober and forbidding way.

Their hymns were odd, but sometimes of great beauty: from one of these (Simple Gifts) I adapted this melody. Sometimes, for a change I sing the whole song in the present tense. ‘I dance in the morning when the world is begun…’. It’s worth a try.”

One more deep breath in.

And deep breath out.

And So It Goes

Another Valentine’s Day is here.

Lots of snow.

I bought a box of cards at CVS yesterday so that I can hand out child-sized Valentines to the little ones in my Music Together class.

There were cards which featured wrestling action stars and others with garish visual special effects.

There were cards publicizing children’s movies and TV shows.

I showed my final choice — puppies and kittens with accompanying tattoos — to a mom in the card aisle.

She assured me that most parents are OK with temporary tattoos.

We shall see…

I have long admired the song I included at the beginning of this post.

“And So It Goes” is one of Billy Joel’s most beautiful, wise ballads.

I recorded it with Bobbi Carrey — who provided harmony near the end — and Doug Hammer — who played piano and engineered simultaneously — at Doug’s great studio outside Boston.

It is one of the tracks on our CD, If I Loved You.

There are more tracks from that CD in the music player on the right hand column of this blog, including “I’ll Be Here With You,” “What Is This Thing Called Love?” “Dog At The Pound,” and the title track, “If I Loved You.”

I realize — not surprisingly —that almost every song in the right hand column of this blog is about love.

Music has an uncanny power to re-connect us with our hearts.

May you have much music in your life on this — and every — day.

The Starry Night

What is it about Vincent Van Gogh’s painting “The Starry Night” that touches so many of our human hearts?

At the end of December I was wandering through the Museum of Modern Art in New York City when I happened upon his masterpiece.

First I noticed the scrum of people who were jockeying for position in front of it.

Then I noticed the guard who had the extraordinary responsibility of making sure that none of the members of the scrum got close enough to damage the painting.

And then I saw it…The Starry Night.

StarryStarryNight

And tears immediately appeared in my eyes.

Even with a crowd of people taking photos of it, taking photos of themselves in front of it, and tweeting and texting their friends about it, “The Starry Night” was serenely, astoundingly beautiful.

I don’t know if I cried partly because I, too, love to gaze at the night sky — amazed at the beauty of the stars and the vastness of the universe — and Van Gogh captures it so well in this painting?

Or if I was reminded of Don McLean’s song “Vincent (Starry, Starry Night),” which speaks so poignantly about how little respect or success Van Gogh earned in his lifetime — as well as his eventual suicide?

The juxtaposition of the clamoring crowd of art-lovers in the 21st century and Van Gogh’s downwardly mobile existence in the 19th century was odd.

Van-Gogh-Self-Portrait

And yet we all still share the same huge questions — about how our finite lives relate to the unimaginably vast realms of space, about what happens to us when our bodies die, about how our wonderful blue-green planet fits into the swirling patterns of the universe, about time…and space…and love…and loss.

Ahh, art.

Ahh, music.

Deep breath in.

Deep breath out.

If you are curious to learn more, here is a link to MOMA’s web page for “The Starry Night.”

Special thanks to pianist Doug Hammer, at whose Dream World studio we recorded the version of “Vincent (Starry, Starry Night)” you can hear by clicking at the top of this blog entry.

We Never Know Who Is Listening…

Image by Felix Neukirch from Pixabay

One of the truly magical aspects of a musical life on planet earth in the 21st century is how widely one can share one’s songs if one has access to the internet.

After Bobbi Carrey, Doug Hammer and I — with lots of help from Mike Callahan, Jonathan Wyner, and guest musicians — recorded our CD “If I Loved You,” we heard from family, friends AND folks whom we had never met.

One listener included our version of the David Friedman ballad “I’ll Be Here With You” (which you can hear by clicking on the right hand sidebar of this page) on a CD she sent to her fiance who was serving in the US military overseas.

Another fan — who had been given our CD by a friend — tracked us down and told us that she listened to our music each morning while she worked out. When her husband died, she asked us to sing at his memorial service.

Image by Ekaterina from Pixabay

And I recently learned — in a reply to my blog post about music and spontaneity — that a CD of my “Will Loves Steve” show (which features songs written by people named Stephen, Steven, Stevie or Steve) had traveled from Massachusetts to Argentina, where it helped lift the spirits of someone who was feeling very low.

Here’s a selection from that show — “Overjoyed by Stevie Wonder…

The pianist is Doug Hammer, and the horn player is Mike Callahan.

I am curious to see how my musical endeavors may continue to ripple around the planet thanks to the internet.

Deep breath in.

Deep breath out.

Ahh, music!

ps: Since I wrote this blog post almost 12 years ago, I have begun distributing music to various streaming platforms.

You can click here for a streaming link to my version of Overjoyed” in case you might like to add it to a playlist and/or “like” it on Pandora, Spotify, Apple Music, etc.

Thank you for reading, listening and maybe even leaving a comment!